The close relationship between the British and German architectural scenes -- developed over two centuries -- is a showcase for the work of British architects working in Germany. This stunning volume, published to coincide with the opening in July 2000 of the new British Embassy in Berlin designed by Michael Wilford, celebrates the range and excellence of new British architecture in Germany as an ongoing success. Since the 18th century, British architectural life has been enriched by great German figures such as Prince Albert of Saxe-Coburg-Gotha, the architects Gropius, and Mendelsohn, and the architectural critic Nikolaus Pevsner. British architecture, in the fullest sense of the term, arrived in Germany in 1977 when the London partnership of Stirling and Wilford won the competition for the new art gallery in Stuttgart. This milestone set the scene for British architects and German clients to work together consistently, producing a model for international cooperation, as well as a series of stunning buildings.

For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages and more, visit the Encyclope dia of 20th Century Architecture website. Focusing on architecture from all regions of the world, this three-volume set profiles the twentieth century's vast chronicle of architectural achievements, both within and well beyond the theoretical confines of modernism. Unlike existing works, this encyclopedia examines the complexities of rapidly changing global conditions that have dispersed modern architectural types, movements, styles, and building practices across traditional geographic and cultural boundaries.

The Fagus Shoe-Last factory in Germany, designed by Walter Gropius in 1911, was the first large structure to use a steel frame and a facade almost entirely of glass. This revolutionary technique was a seminal point in modern architecture.

German design and architecture reflects the country’s rich and fraught political history in its structure and aesthetic philosophy. Jeremy Aynsley now offers an in-depth study of this relationship between German history and design since 1870 and the complex principles underlying it. Designing Modern Germany reveals how German attitudes toward national identity, modernity and technology are crucial to understanding German design. Aynsley traces the historical development of German design, beginning in the 1870s with the first dedicated Arts and Crafts schools and stretching through to the famous institutions of the Bauhaus and the Ulm Hochschule für Gestaltung. He analyses the works of leading figures such as Peter Behrens and Hannes Meyer, through to Ingo Maurer and Jil Sander, and many others in design specialties including graphics, industrial and furniture design, fashion and architecture. He also offers the first consideration of the contrasting design traditions of East and West Germany between 1949 and 1989. Whether examining the pre-First World War department store, the National Socialist fashion system or East Germany’s official design culture, Designing Modern Germany reveals that German design significantly affected citizens’ daily lives. An essential read for designers and scholars of German design and history, Designing Modern Germany is a key text for understanding Germany’s major contribution to twentieth-century design.

« Peter Blundell Jones, Professor of Architecture at the University of Sheffield, has long been concerned with the organic movement in architecture and has written extensively about it, including a substantial work on Hans Scharoun. The present book is not just a biography of Haring, but an unusually detailed analysis of his architectural work, including many unbuilt projects which have never before been published. It also includes an account of Haring's theory, with translated extracts from his many writings. Through setting Haring within his historical context, and differentiating his position from figures such as Mies, Le Corbusier and Hannes Meyer, Peter Blundell Jones suggests a radical reframing of the early Modern Movement. He was aided in the development of the book by Haring's personal assistant in the late years, Margot Aschenbrenner, who was trained as a philosopher. »--Jaquette.