In this eagerly awaited book, Raymond Bushell once again displays his authority and skill as a writer on the endlessly fascinating subject of netsuke. Intended specifically for the collector, whether newcomer or old hand, this volume breaks new ground in its candid appraisal of the present state of netsuke collecting and the netsuke market. Of particularly timely value, given the soaring cost of netsuke, are its concrete suggestions for building worthy collections without inordinate expenditures - collections that will be individual in character, will add to the sum of netsuke knowledge, and will express the tastes and interests of the collectors.

Contemporary Netsuke is an in-depth study of Japanese netsuke—miniature sculptures that are favorites of collectors and artists. In this unusual and engaging Japanese art book the author traces the historical background of netsuke and goes on to examine its current state, at the same time providing the background knowledge that every collector needs concerning authenticity, workmanship, and materials along with a wealth of information on subject matter, techniques, scholarly interest, and investement. Over 110 signatures and brief biographies of present-day netsuke and okimono carvers are included, and there are close-up studies of 27 leading artists. Contemporary Netsuke also includes nearly 200 illustrations, a photo essay showing the creation of a netsuke, and numerous sketches picturing legendary themes. A comprehensive list of dealers, a bibliography, and a glossary-index complete this authoritative, thorough and lively introduction to one of the oldest and newest of Japan's living arts.

Netsuke are small toggles or buckles carved from wood or ivory. The Japanese in the seventeenth century used them to fasten pouches to their kimono belt, since kimonos had no pockets. This lavishly illustrated book takes the reader on an exciting tour of one type of netsuke—those carved to look like the masks used by stage actors.

For collectors who have discovered the delights of such miniature Japanese art forms as theinroand thenetsuke, this authoritative and enlightening book offers a wealth of valuable information. That it also affords entry to a world of fascinating design and superb craftsmanship goes without saying. In addition to illustrating in color and discussing in detail 108 distinguished inro and their accompanyingnetsuke, as well as 18 related miniature objects, it presents highly informative essays on the making ofinro, on pearl shell inlays, and, in particular on the materials and techniques of lacquer art, the last of these with 62 color photos. It also furnishes an extensive list of lacquer artists' signatures with 386 photos. It is refreshing to have an author tell his readers not only what his book is but also what it is not. In his introduction Bushell says: "This book is addressed to the collector ofinro, netsuke,and other forms of miniature Japanese art, with emphasis on works in lacquer. Its purpose is specific and limited. It is not a comprehensive study of lacquer. It is not a historical survey, a technical analysis, a comparative examination, or a compendium of terms and definitions. In point of time it is limited to the Tokugawa, Meiji, Taisho, and early Showa periods. In point of craft it is limited to the later development of precise and sophisticated techniques, with their brilliant decorative effects." Bushell points out that he is not making an unnecessary emotional appeal in praise of lacquer. His objective is far more practical. This book is the product of his efforts to understand the structure underlying the beauty of lacquer art and to provide clear and simple explanations. Because other books on the subject had not satisfied him, he undertook his own basic research, and here he presents the information he acquired through painstaking study with master lacquer craftsmen and other authorities.

Documents the events of the 1988 oil rig disaster on the North Sea, drawing on interviews with survivors and family members, the Occidental Petroleum Corp., and rescue workers to trace the gas leak that triggered the explosion and the devastation it continues to inflict.

Before Manga captured the imagination of the world, Japanese artists sculpted a miniature society of human and not-quite human characters. These are ‘netsuke’: tiny figures, threaded by cords, which were used to hold in place the ‘purse’ that hung from a kimono. Carved from wood, ivory or bone, they formed an exotic society, reflecting the history, culture and fantasy life of Japan.Now, for the first time, their individual stories come to life, and the unfamiliar and often startling nature of their society. Meet Momo, the beautiful but conflicted geisha cat; discover the dreams of the mermaids who worship Esther Williams; witness the rise and fall of a ruthless politician who plays the ‘alien’ card; encounter the creatures of legend and the demons who star in horror movies; learn the peculiar practices and customs of netsuke sexuality; try to solve the mystery of why netsuke suddenly disappear; admire the heroic quest to create a national orchestra; enjoy the embarrassment of a martial arts struggle gone peculiarly awry; share the hopes of an autumn and spring love story; face the threat to netsuke society of the plastic invasion. This unique work of fiction will appeal to those interested in Japanese culture and whimsical stories. “Inspired by The Hare with Amber Eyes to collect netsuke, I found they offered a fascinating introduction to Japanese culture. On my daily walk to the university in Fukuoka where I was teaching, some character in my small netsuke collection, would suggest a story that fed into an emerging idea of Netsuke Nation, a mixture of imagination and the experience of Japanese life.”

This volume is a much-needed reference guide to the historical and cultural significance of Chinese toggles or zhuizi - carved pieces of jade, ivory, bone, wood, shell and semi-precious stones used by the Chinese in ancient times as counterweights to secure personal effects like tobacco pipes and money pouches to their belts. Over time, toggles became treasured objects of identity and expression, believed to bring the bearer good luck, happiness, fertility, longevity and health. The book explains how toggles were used in daily and ceremonial life, and interprets the designs that are fundamental to understanding these artefacts. Accompanied by stunning photography and detailed descriptions, Traditional Chinese Toggles: Counterweights and Charms will be the definitive illustrative guide to this little-known Chinese art form.

Provides an invaluable and very accessible addition to existing biographic sources and references, not least because of the supporting biographies of major writers and the historical and cultural notes provided.