A slippery novel set in the Bay Area of the early aughts, where femininity, race, and class tangle together.

... an adult poet is simply an individual in a state of arrested development-in brief, a sort of moron. Just as all of us, in utero, pass through a stage in which we are tadpoles, ... so all of us pass through a state, in our nonage, when we are poets. A youth of seventeen who is not a poet is simply a donkey: his development has been arrested even anterior to that of the tadpole. But a man of fifty who still writes poetry is either an unfortunate who has never developed, intellectually, beyond his teens, or a conscious buffoon who pretends to be something he isn't-something far younger and juicier than he actually is. -H. 1. Mencken, High and Ghostly Matters, Prejudices: Fourth Series (1924) Where would evolution be, Without this thing, heterochrony? -M. L. McKinney (1987) One of the joys of working in a renascent field is that it is actually possible to keep up with the literature. So it is with mixed emotions that we heterochronists (even larval forms like myself) view the recent "veritable explosion of interest in heterochrony" (in Gould's words in this volume). On the positive side, it is ob viously necessary and desirable to extend and expand the inquiry; but one regrets that already we are beginning to talk past, lose track of, and even ignore each other as we carve out individual interests.

A geologic feasibility study of two proposed powersites on Baranof Island, Alaska.

A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos. For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced to abandon school, while Hagos, scorned for his inability to speak, must live vicariously through his sister. Both resist societal expectations by seeking to redefine love, sex, and gender roles in their lives, and when a businessman opens a shop and befriends Hagos, they cast off those pressures and make an unconventional choice. With this cast of complex, beautifully drawn characters, Sulaiman Addonia details the textures and rhythms of everyday life in a refugee camp, and questions what it means to be an individual when one has lost all that makes a home or a future. Intimate and subversive, Silence Is My Mother Tongue dissects the ways society wages war on women and explores the stories we must tell to survive in a broken, inhospitable environment.

An Anthology of Recent Queer Science Fiction and Fantasy from Award-Winning Editor Paula Guran Speculative fiction imagines drastically diverse ways of being and worlds that are other than the one with which we are familiar. Queerness is a natural fit for such fiction, so one would expect it to be customarily included. That has not always been the case, but LGBTQ+ representation in science fiction and fantasy—in both short and long form—is now relatively common. Even so, most of the queer science fiction and fantasy anthologies published in the last thirty-five years have been narrowly focused: specifically gay male or lesbian (or, more recently, transgender) themes, or all science fiction or all fantasy, or adhering to a specific theme or subgenre. Far Out: Recent Queer Science Fiction and Fantasy, on the other hand, features both science fiction and fantasy short fiction from the last decade and includes characters, perspectives, and stories that span the rainbow. With stories from incredible authors ranging from Seanan McGuire to Charlie Jane Anders to Sam J. Miller, it’s an essential read for anyone interested in queer science fiction and fantasy. Contents Introduction: Over the Rainbow and into the Far Out by Paula Guran Destroyed by the Waters by Rachel Swirsky The Sea Troll’s Daughter by Caitlín R. Kiernan And If the Body Were Not the Soul by A. C. Wise Imago by Tristan Alice Nieto Paranormal Romance by Christopher Barzak Three Points Masculine by An Owomoyela Das Steingeschöpf by G. V. Anderson The Deepwater Bride by Tamsyn Muir The Shape of My Name by Nino Cipri Otherwise by Nisi Shawl The Night Train by Lavie Tidhar Ours Is the Prettiest by Nalo Hopkinson Don’t Press Charges and I Won’t Sue by Charlie Jane Anders Driving Jenny Home by Seanan McGuire I’m Alive, I Love You, I’ll See You in Reno by Vylar Kaftan In the Eyes of Jack Saul by Richard Bowes Secondhand Bodies by Neon Yang Seasons of Glass and Iron by Amal El-Mohtar Né łe! by Darcie Little Badger The Duke of Riverside by Ellen Kushner Cat Pictures Please by Naomi Kritzer The Lily and the Horn by Catherynne M. Valente Calved by Sam J. Miller The River’s Children by Shweta Narayan

WINNER, Lambda Literary Award; Firecracker Award for Fiction; $60,000 Amazon Canada First Novel Award When thirty-year-old trans woman Wendy Reimer comes across evidence that her late grandfather—a devout Mennonite farmer—might have been transgender himself, she dismisses this revelation, having other problems at hand. But as she and her friends struggle to cope with their increasingly volatile lives—which range from alcoholism, to sex work, to suicide—Wendy grows increasingly drawn to the lost pieces of her grandfather’s life, becoming determined to unravel the mystery of his truth. Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

"The filthy, funny early work from the Tuca & Bertie creator, and Bojack Horseman production designer Before the critically acclaimed animated shows, the bestselling graphic novel Coyote Doggirl, or the humor collections Hot Dog Taste Test and My Dirty Dumb Eyes, cartoonist Lisa Hanawalt was a comic-book-industry sensation with her Ignatz Award-winning minicomic series I Want You. Hanawalt’s outlandish humor and ingenious formalism are evident in the comics collected here. Her love of anthropomorphism and scatology are on full display, all lovingly and grotesquely drawn by Hanawalt in obsessive, unnerving detail. The stars here are She-Moose, who we join sex-toy shopping, and He-Horse, who we learn mid-flight suffers from ornithophobia. The true star of I Want You may just be Hanawalt’s hilarious command of the graphic listicle. “Top Causes of Freeway Accidents” is a prescient pre-BoJack display of Hanawalt’s love for all things equine. “Things We Are Sorry We Did Last Night” includes the murder of all Hanawalt's Google doppelgängers. Whether she’s discussing the daily commute or masturbation, she packs each comic in I Want You with punchy cultural observations and sharp-witted reflections on typically taboo subjects. A master humorist, Hanawalt strikes the perfect balance between drawing the gorgeous and the repugnant, the fantastical and the lifelike, the bizarre and the hilarious—creating a deeply human experience that everyone can relate to."