A new wave of aspiring neo-Nazi terrorists has arisen—including the infamous Atomwaffen Division. And they have a bible: James Mason’s Siege, which praises terrorism, serial killers, and Charles Manson. Neo-Nazi Terrorism and Countercultural Fascism, based on years of archival work and interviews, documents for the first time the origins of Siege. First, it shows how Mason’s vision arose from debates by 1970s neo-Nazis who splintered off the American Nazi Party/National Socialist White People's Party and spun off a terrorist faction. Second, it unveils how four 1980s countercultural figures—musicians Boyd Rice and Michael Moynihan, Feral House publisher Adam Parfrey, and Satanist Nikolas Schreck—discovered, promoted, and published Mason. Neo-Nazi Terrorism and Countercultural Fascism explores a previously overlooked period and unearths the hidden connections between a countercultural clique and violent neo-Nazis—which together have set the template for today’s Neo-nazi terrorist underground. It is obligatory reading for those interested in contemporary terrorism, postwar countercultures, and the history of the U.S. Far Right and neo-Nazism.

This book delves into the evolution of Italian neo-fascism from the end of World War II to the mid-1970s. It examines the transition from historical fascism to neo-fascism, highlighting the survival and adaptation of fascist ideologies within democratic frameworks. This book explores the formation and development of the Italian Social Movement (MSI) and the broader neo-fascist network, emphasising its transnational connections and ideological persistence. Key themes include the escape and reorganisation of former fascists, their influence on post-war Italian politics, and the cultural and ideological debates within the neo-fascist movement. The work also addresses the role of race, anti-communism, and the strategic alliances formed during the Cold War. By tracing the historical and ideological continuities, this book provides a comprehensive understanding of neo-fascism's enduring impact on Italian and global political landscapes. It will be of interest to students and scholars of fascism, political history, and Italian politics.

This book is the first to examine in minutiae the politics of Gottlob Frege (1848–1925), and his connections with various traditions of far-right and fascist thought. Frege was a philosopher of logic, language, and mathematics. But he also believed that one could reconcile the politics of the far right with a firm commitment to reason-guided inquiry and scientific objectivity. The fundamental claim of the text is that Gottlob Frege was, from the early 1890s to the mid-1920s, an anti-democratic, nationalist political thinker and that his political thought eventually took on a fascist character. This book makes no attempt to vilify or demonize Gottlob Frege, nor does it try to rescue him from criticism. It simply seeks to tell the truth about Frege’s descent into fascism: to document it in hitherto unprecedented detail; to situate it in the context of intellectual and political debates in early Weimar-era Germany; and to explain how it could have happened that someone so intelligent and so manifestly devoted to reason and logic could have embraced fascism with such unreserved enthusiasm. Frege and Fascism will be of interest to scholars of analytic philosophy, intellectual history, fascism, and anti-democratic thought.

Imagining Alternative Worlds explores how the far right employs fictionality as a powerful political tool in the 21st century. It does so by examining the far right’s own cultural production and commentary through a large collection of its novels, novellas, short stories, and film reviews, illustrating how the ‘alternative worlds’ articulated in such cultural products convey its ideology. More specifically, the book identifies and analyses four distinct far-right cultural imaginaries – a ‘primordial’, a ‘nostalgic’, a ‘promethean’, and a ‘nihilist’ one – that each subtly conveys different yet linked ideas about space, time, ‘race’, gender, and heroic identity. By drawing attention to the cultural heterogeneity of the contemporary far right, Imagining Alternative Worlds offers key insights into the dreams, identities, and norms such actors hope will define our future. The book will be of interest to researchers of the far right, of literary, media and communication studies, and of social and cultural history.

This book is the first systematic, multicountry exploration of far-right Newspeak. The contributors analyze the ways in which contemporary far-right politicians, intellectuals, and pundits use and abuse traditional liberal concepts and ideas to justify positions that threaten democratic institutions and liberal principles. They explore cases of both far-right and right-wing thought in eastern and western Europe, the United States, and Canada. Subjects include well-known figures, such as Marine Le Pen, Tucker Carlson, Peter Thiel, Nick Griffin, Thierry Baudet, Jordan Peterson, Russell Brand, and Viktor Orbán, and lesser-known names, such as the Czech politician Tomio Okamura and the Internet personality "Raw Egg Nationalist." The contributors examine these figures’ claims about hot-button issues, including immigration, Islam, race, Covid-19 policies, feminism, monetary policy, and free speech. The book demonstrates that mainstream politicians and intellectuals are at risk of losing control over the definitions of the very concepts, including equal rights, racial and ethnic diversity, and political tolerance, that undergird their vision of liberal democracy. It will be of interest to scholars, journalists, policymakers, political scientists, historians, political theorists, sociologists, and general audiences concerned about the sophisticated efforts of far-right and right-wing politicians and pundits to undermine the foundations of liberal democracy.

"A new wave of aspiring neo-Nazi terrorists has arisen-including the infamous Atomwaffen Division. And they have a bible: James Mason's Siege, which praises terrorism, serial killers, and Charles Manson. Neo-Nazi Terrorism and Countercultural Fascism, based on years of archival work and interviews, documents for the first time the origins of Siege. First, it shows how Mason's vision arose from debates by 1970s neo-Nazis who splintered off the American Nazi Party/NSWPP and spun off a terrorist faction. Second, it unveils how four 1980s countercultural figures-musicians Boyd Rice and Michael Moynihan, Feral House publisher Adam Parfrey, and Satanist Nikolas Schreck-discovered, promoted, and published Mason. Neo-Nazi Terrorism and Countercultural Fascism explores a previously overlooked period and unearths the hidden connections between a countercultural clique and violent neo-Nazis-which together have set the template for today's Neo-Nazi terrorist underground. It is obligatory reading for those interested in contemporary terrorism, postwar countercultures, and the history of the U.S. Far Right and neo-Nazism"--

With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approach even the most scandalizing texts with the same cold calculation and professional reserve they employed in their occupations. Along the way, these editors kicked off a middle-class sexual revolution in which white-collar professionals imagined they could control sexuality through management science. Obscenity is often presented as self-shattering and subversive, but with this provocative work Carroll calls into question some of the most sensational claims about obscenity, suggesting that when transgression becomes a sign of class distinction, we must abandon the idea that obscenity always overturns hierarchies and disrupts social order. Winner of the 2022 MLA Prize for Independent Scholars, sponsored by the Modern Language Association

DIVAn ethnographic study of the development of racist paganism in the United States during the 1990s, examining the economic, cultural, and political developments racist paganism reacts to or makes use of./div

The Book Smugglers is the nearly unbelievable story of ghetto residents who rescued thousands of rare books and manuscripts—first from the Nazis and then from the Soviets—by hiding them on their bodies, burying them in bunkers, and smuggling them across borders. It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion—including the readiness to risk one’s life—to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author’s interviews with several of the story’s participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, “The Jerusalem of Lithuania.” The rescuers were pitted against Johannes Pohl, a Nazi “expert” on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city’s great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. This group, nicknamed “the Paper Brigade,” and informally led by poet Shmerke Kaczerginski, a garrulous, street-smart adventurer and master of deception, smuggled thousands of books and manuscripts past German guards. If caught, the men would have faced death by firing squad at Ponar, the mass-murder site outside of Vilna. To store the rescued manuscripts, poet Abraham Sutzkever helped build an underground book-bunker sixty feet beneath the Vilna ghetto. Kaczerginski smuggled weapons as well, using the group’s worksite, the former building of the Yiddish Scientific Institute, to purchase arms for the ghetto’s secret partisan organization. All the while, both men wrote poetry that was recited and sung by the fast-dwindling population of ghetto inhabitants. With the Soviet “liberation” of Vilna (now known as Vilnius), the Paper Brigade thought themselves and their precious cultural treasures saved—only to learn that their new masters were no more welcoming toward Jewish culture than the old, and the books must now be smuggled out of the USSR. Thoroughly researched by the foremost scholar of the Vilna Ghetto—a writer of exceptional daring, style, and reach—The Book Smugglers is an epic story of human heroism, a little-known tale from the blackest days of the war.

When Dylann Roof murdered nine black parishioners in a Charleston church, narratives of lone wolves and Confederate flags masked the organizations that inspired Roof and their connections to politicians at local, state and federal levels. Trace the connections further back and you find darker levels of fascism. Fascism is not used simply as an epithet here. A terrifying tour of the history and influence of neo-fascists, Against the Fascist Creep maps the connections and names names, showing how infiltration is a conscious program for nationalist and neo-Nazi groups.