Neo-Bohemia brings the study of bohemian culture down to the street level, while maintaining a commitment to understanding broader historical and economic urban contexts. Simultaneously readable and academic, this book anticipates key urban trends at the dawn of the twenty-first century, shedding light on both the nature of contemporary bohemias and the cities that house them. The relevance of understanding the trends it depicts has only increased, especially in light of the current urban crisis puncturing a long period of gentrification and new economy development, putting us on the precipice, perhaps, of the next new bohemia.

Viewed as a symbol of urban blight and decline in the late 1970s and 1980s, Bushwick today is bustling and bursting with color, creativity, and commerce. Cozy and cool cafes, small boutiques, trendy restaurants, vibrant street murals, and art galleries now adorn the neighborhood in the northern part of Brooklyn, stoking its growing reputation as one of the more desirable places to live, work in, and visit. In this book, Mario Hernandez paints a precise picture that portrays the redevelopment, evolution, and ensuing gentrification of the Brooklyn neighborhood over recent decades. Drawing on interviews, developer reports, and historical and civic records, the author focuses closely on the artists and creative industries that moved to Bushwick and, over time, shaped the Bohemian art scene in the neighborhood and contributed to the growth of its vibrant urban economy. The book connects the emergence and ongoing development of the neighborhood’s art scene to neoliberal policies and city planning efforts that have also facilitated and led to the increasing displacement of long-time Black and Latinx residents. It also documents community efforts to counteract forces of displacement and development, revealing the complex, competing, and collective efforts to shape Bushwick and its future. Culture and capital collide, converge, and contribute to rapid and radical change in Bushwick’s bohemia, making this an important read for those interested in urban life, gentrification, and social issues.

Hacking provides an introduction to the community of hackers and an analysis of the meaning of hacking in twenty-first century societies. On the one hand, hackers infect the computers of the world, entering where they are not invited, taking over not just individual workstations but whole networks. On the other, hackers write the software that fuels the Internet, from the most popular web programmes to software fundamental to the Internet's existence. Beginning from an analysis of these two main types of hackers, categorised as crackers and Free Software/Open Source respectively, Tim Jordan gives the reader insight into the varied identities of hackers, including: - Hacktivism; hackers and populist politics - Cyberwar; hackers and the nation-state - Digital Proletariat; hacking for the man - Viruses; virtual life on the Internet - Digital Commons; hacking without software - Cypherpunks; encryption and digital security - Nerds and Geeks; hacking cultures or hacking without the hack - Cybercrime; blackest of black hat hacking Hackers end debates over the meaning of technological determinism while recognising that at any one moment we are all always determined by technology. Hackers work constantly within determinations of their actions created by technologies as they also alter software to enable entirely new possibilities for and limits to action in the virtual world. Through this fascinating introduction to the people who create and recreate the digital media of the Internet, students, scholars and general readers will gain new insight into the meaning of technology and society when digital media are hacked.

From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina's Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation. Contributors include Scott Barretta, Shawn Chandler Bingham, Jaime Cantrell, Jon Horne Carter, Alex Sayf Cummings, Lindsey A. Freeman, Grace E. Hale, Joanna Levin, Joshua Long, Daniel S. Margolies, Chris Offutt, Zandria F. Robinson, Allen Shelton, Daniel Cross Turner, Zackary Vernon, and Edward Whitley.

City leaders now confront a global competition for economic investment, and urban elites are casting about for strategies that promise to secure a share of this future of global economic growth. However, many of these strategies are largely symbolic in nature. City leaders, for example, compete for the Olympics so they can broadcast spectacular urban vistas to global television audiences. Officials pour public funds into tourist amenities to cultivate an image of vitality and renewal. But how are the local politics of urban redevelopment intertwined with the global politics of circulating vital urban images? Urban Communication brings together scholars from communication, cultural studies, and urban sociology to explore the symbolic dimensions of contemporary city-building, drawing on case studies from around the world.

Saskia Sassen is Ralph Lewis Professor of Sociology at the University of Chicago and Professor of Sociology at the London School of Economics.

A former resident describes the transformation of Williamsburg, Brooklyn which went from a gritty industrial district, to an artist's colony, to housing members of the dot-com boom, to an area now known for hipster culture and real-estate development.

The iconoclastic ingenuity of bohemians, from Gerard de Nerval to Allen Ginsberg, continually captivates the popular imagination; the worlds of fashion, advertising, and even real estate all capitalize on the alternative appeal of bohemian style. Persistently overlooked, however, is bohemians' distinctive relationship to work. In this book, sociologist Judith R. Halasz examines the fascinating junctures between bohemian labor and life. Weaving together historiography, ethnography, and personal experiences of having been raised amidst downtown New York's bohemian communities, Halasz deciphers bohemians' unconventional behaviors and attitudes towards employment and the broader work world. From the nineteenth-century harbingers on Paris' Left Bank to the Beats, Underground, and more recent bohemian outcroppings on New York's Lower East Side, The Bohemian Ethos traces the embodiment of a politically charged yet increasingly precarious form of cultural resistance to hegemonic social and economic imperatives.

Education in the Creative Economy explores the need for new forms of learning and education that are most conducive to supporting student development in a creative society. Just as the assembly line shifted the key factor of production from labor to capital, digital networks are now shifting the key factor of production from capital to innovation. Beyond conventional discussions on the knowledge economy, many scholars now suggest that digital technologies are fomenting a shift in advanced economies from mass production to cultural innovation. This edited volume, which includes contributions from renowned scholars like Richard Florida, Charles Landry, and John Howkins, is a key resource for policymakers, researchers, teachers and journalists to assist them to better understand the contours of the creative economy and consider effective strategies for linking education to creative practice. In addition to arguments for investing in the knowledge economy through STEM disciplines (science, technology, engineering and math), this collection explores the growing importance of art, design and digital media as vehicles for creativity and innovation.

Could the vitality of embodied experience create a foundation for a new form of revolutionary authority? The Life of the City is a bold and innovative reassessment of the early urban avant-garde movements that sought to re-imagine and reinvent the experiential life of the city. Constructing a ground-breaking theoretical analysis of the relationships between biological life, urban culture, and modern forms of biopolitical ’experiential authority’, Julian Brigstocke traces the failed attempts of Parisian radicals to turn the ’crisis of authority’ in late nineteenth-century Paris into an opportunity to invent new forms of urban commons. The most comprehensive account to date of the spatial politics of the literary, artistic and anarchist groups that settled in the Montmartre area of Paris after the suppression of the 1871 Paris Commune, The Life of the City analyses the reasons why laughter emerged as the unlikely tool through which Parisian bohemians attempted to forge a new, non-representational biopolitics of sensation. Ranging from the carnivalesque performances of artistic cabarets such as the Chat Noir to the laughing violence of anarchist terrorism, The Life of the City is a timely analysis of the birth of a carnivalesque politics that remains highly influential in contemporary urban movements.