This book attempts a comprehensive overview of the "architecture" of the kibbutz: its essence, its history, its constant change, and its physical planning and architectural expression and management, and relates to this unique spatial alternative from a holistic viewpoint: the kibbutz in all stages of its development, from the kvutza as a "micro-utopian" commune to its physical configuration as an autonomous-autarkic complex arising out of its basic social, economic and educational structure, and its later stages as a potential 'macro-utopian' regional entity, envisioning a real alternative lifestyle to the capitalist metropolis. It is about its beginning and also about its end... and what might perhaps be its new future...

A forensics approach to detecting election fraud -- The fingerprints of fraud -- Russia -- Ukraine 2004 -- Ukraine 2006 and 2007 -- The United States.

In 1790, two events marked important points in the development of two young American institutions—Congress decided that the new nation's seat of government would be on the banks of the Potomac, and John Carroll of Maryland was consecrated as America's first Catholic bishop. This coincidence of events signalled the unexpectedly important role that Maryland's Catholics, many of them by then fifth- and sixth-generation Americans, were to play in the growth and early government of the national capital. In this book, William W. Warner explores how Maryland's Catholics drew upon their long-standing traditions—advocacy of separation of church and state, a sense of civic duty, and a determination "to live at peace with all their neighbors," in Bishop Carroll's phrase—to take a leading role in the early government, financing, and building of the new capital. Beginning with brief histories of the area's first Catholic churches and the establishment of Georgetown College, At Peace with All Their Neighbors explains the many reasons behind the Protestant majority's acceptance of Catholicism in the national capital in an age often marked by religious intolerance. Shortly after the capital moved from Philadelphia in 1800, Catholics held the principal positions in the city government and were also major landowners, property investors, and bankers. In the decade before the 1844 riots over religious education erupted in Philadelphia, the municipal government of Georgetown gave public funds for a Catholic school and Congress granted land in Washington for a Catholic orphanage. The book closes with a remarkable account of how the Washington community, Protestants and Catholics alike, withstood the concentrated efforts of the virulently anti-immigrant and anti-Catholic American nativists and the Know-Nothing Party in the last two decades before the Civil War. This chronicle of Washington's Catholic community and its major contributions to the growth of the nations's capital will be of value for everyone interested in the history of Washington, D.C., Catholic history, and the history of religious toleration in America.

The central role that the regime of Slobodan Milošević played in the bloody dissolution of Yugoslavia is well known, but Marko Živković explores another side of this time period: the stories people in Serbia were telling themselves (and others) about themselves. Živković traces the recurring themes, scripts, and narratives that permeated public discourse in Milošević's Serbia, as Serbs described themselves as Gypsies or Jews, violent highlanders or peaceful lowlanders, and invoked their own mythologized defeat at the Battle of Kosovo. The author investigates national narratives, the use of tradition for political purposes, and local idioms, paying special attention to the often bizarre and outlandish tropes people employed to make sense of their social reality. He suggests that the enchantments of political life under Milošević may be fruitfully seen as a dreambook of Serbian national imaginary.

For more than a century, the term "Main Street" has conjured up nostalgic images of American small-town life. Representations exist all around us, from fiction and film to the architecture of shopping malls and Disneyland. All the while, the nation has become increasingly diverse, exposing tensions within this ideal. In The Death and Life of Main Street, Miles Orvell wrestles with the mythic allure of the small town in all its forms, illustrating how Americans continue to reinscribe these images on real places in order to forge consensus about inclusion and civic identity, especially in times of crisis. Orvell underscores the fact that Main Street was never what it seemed; it has always been much more complex than it appears, as he shows in his discussions of figures like Sinclair Lewis, Willa Cather, Frank Capra, Thornton Wilder, Margaret Bourke-White, and Walker Evans. He argues that translating the overly tidy cultural metaphor into real spaces--as has been done in recent decades, especially in the new urbanist planned communities of Elizabeth Plater-Zyberk and Andres Duany--actually diminishes the communitarian ideals at the center of this nostalgic construct. Orvell investigates the way these tensions play out in a variety of cultural realms and explores the rise of literary and artistic traditions that deliberately challenge the tropes and assumptions of small-town ideology and life.