From simple mug rugs to Renaissance-style tapestry wall hangings, 16 charming projects lead fiber lovers on a journey to discover the art of needle felting. Felt artist Neysa Russo shares her years of experience with felt and felt design so that you can confidently create your own felted masterpiece.

Combine 3-D needle felting and tapestry felting to create a menagerie to liven up your table. Illustrated, step-by-step instructions for felting both the 3-D head and the flat part of each table mat are included. Fill your table with 21 different beastly and beautiful creatures: exotic animals such as the zebra, giraffe, elephant, and tiger; barnyarn animals like the sheep and goat; insects like a bumble bee and ladybug; forest creatures, fantasy animals like the unicorn, and more!

5 projects with learn-as-you-go techniques for endless possibilities

“Don’t worry,” said Princess Leora’s father just before he left for the tournament. “If anything goes wrong, release a bunch of balloons from the castle tower. Wherever I am, I will see them and come home right away.” Now, something is wrong—very wrong. Princess Leora’s grumpy uncle, the Archduke, wants to be king, and the very first thing he does is pop every balloon in the kingdom. Princess Leora is afraid, but she doesn't give up. If she can find just one whole balloon, the kingdom will be saved!

Learn how to needle felt and create stunning works of fiber art to wear, hang on the wall, and more with this guide and collection of sixteen projects. Painting with Wool is the introductory and must-have text for fiber artists and other crafters looking for a new and exciting art form to explore. Increasingly popular, Dani Ives’s style of needle felting uses wool fibers and a felting needle to layer and “paint” embellishments for pieces that are bursting with texture and depth. Whether you want to decorate a tote or garment, or create frameable artwork, Painting with Wool is the guide to everything you need to know—including the tools required, the basic techniques, and how to get started. For fiber lovers who want to broaden their skills, needle felting is an easy, therapeutic form of self-expression that offers beautiful, unique results. Ives is a pioneer in this art form and a skilled instructor who makes learning this craft fun and approachable for all.

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

The Bayeux Tapestry is the world’s most famous textile–an exquisite 230-foot-long embroidered panorama depicting the events surrounding the Norman Conquest of 1066. It is also one of history’s most mysterious and compelling works of art. This haunting stitched account of the battle that redrew the map of medieval Europe has inspired dreams of theft, waves of nationalism, visions of limitless power, and esthetic rapture. In his fascinating new book, Yale professor R. Howard Bloch reveals the history, the hidden meaning, the deep beauty, and the enduring allure of this astonishing piece of cloth. Bloch opens with a gripping account of the event that inspired the Tapestry: the swift, bloody Battle of Hastings, in which the Norman bastard William defeated the Anglo-Saxon king, Harold, and laid claim to England under his new title, William the Conqueror. But to truly understand the connection between battle and embroidery, one must retrace the web of international intrigue and scandal that climaxed at Hastings. Bloch demonstrates how, with astonishing intimacy and immediacy, the artisans who fashioned this work of textile art brought to life a moment that changed the course of British culture and history. Every age has cherished the Tapestry for different reasons and read new meaning into its enigmatic words and images. French nationalists in the mid-nineteenth century, fired by Tapestry’s evocation of military glory, unearthed the lost French epic “The Song of Roland,” which Norman troops sang as they marched to victory in 1066. As the Nazis tightened their grip on Europe, Hitler sent a team to France to study the Tapestry, decode its Nordic elements, and, at the end of the war, with Paris under siege, bring the precious cloth to Berlin. The richest horde of buried Anglo-Saxon treasure, the matchless beauty of Byzantine silk, Aesop’s strange fable “The Swallow and the Linseed,” the colony that Anglo-Saxon nobles founded in the Middle East following their defeat at Hastings–all are brilliantly woven into Bloch’s riveting narrative. Seamlessly integrating Norman, Anglo-Saxon, Viking, and Byzantine elements, the Bayeux Tapestry ranks with Chartres and the Tower of London as a crowning achievement of medieval Europe. And yet, more than a work of art, the Tapestry served as the suture that bound up the wounds of 1066. Enhanced by a stunning full-color insert that includes reproductions of the complete Tapestry, A Needle in the Right Hand of God will stand with The Professor and the Madman and How the Irish Saved Civilization as a triumph of popular history.

His lust for power gave him everything. But it might cost him the love of his life. The Bishop hired her for a simple job: embroider a tapestry. It is an enormous work, a cloth trophy of the conquest of England. But her skill with a needle and thread is legendary. It would be uncomplicated. She plans to kill him as soon as she gets the chance. He and his brother, William the Conqueror, murdered her King and destroyed her world. Revenge, pure and clean. It would be simple. But neither planned to fall desperately in love. As the two become hopelessly entangled, friends become enemies, enemies become lovers, and nothing in life—or the tapestry—is what it seems. An unlikely love story born of passion and intensity, crafted by critically acclaimed historical novelist Sarah Bower,The Needle in the Blood is a "story of love, war, and the tangled truth of England's birth." Praise for Sarah Bower's Sins of the House of Borgia "Sizzling."—USA Today "The sheer grandeur of the papal and Ferrara courts and the spectacle of the Borgia and Ferrara siblings' rivalries and revenges form a glittering take on one of the most notorious families of the Italian Renaissance."—Publisher's Weekly "Bower brilliantly merges history with politics and convincing characters to draw readers into a lush and colorful tapestry of Renaissance life...This powerful piece of fiction ranks with some of the finest of the genre."—RT Book Reviews

In this visually stunning book, Moy Mackay reveals how you too can create beautiful pictures using felt. Characterised by her wonderful use of colour, Moy's work is breathtaking and includes still-lifes, animals and landscapes inspired by the dramatic scenery of the Scottish Borders where she lives and works. Moy takes you through every step of the process, including the materials and tools you need, the feltmaking process itself (which is easier than you'd imagine), and how to put together four fabulous felt paintings of your own. There is guidance on stitching, including both hand- and machine-stitching, as well as how to use colour and introduce texture in the form of different fibres and threads. There are numerous examples of Moy's work through the book, and by the end you will not fail to be inspired to create gorgeous felt paintings of your own. "e;Moy's passionate use of colour and the deep texture created by felting are what draw me to her work. I also like the way that she concentrates on her surroundings for her subject matter - her work is very free."e;-Kaffe Fassett

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.