This annual tradition from the Science Fiction and Fantasy Writers of America collects the best of the year's stories, as well as essays and commentary on the current state of the genre and predictions for future science fiction and fantasy films, art, and more. This year's award-winning authors include Jack McDevitt, James Patrick Kelly, Peter S. Beagle, Elizabeth Hand, and more. The anthology also features essays from celebrated science fiction authors Orson Scott Card and Mike Resnick.

The Year's Best Science Fiction and Fantasy Selected by the Science Fiction and Fantasy Writers of America®. The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction and Fantasy Writers of America. The editors selected by SFWA's anthology committee (chaired by Mike Resnick) are John Kessel and James Patrick Kelly, both highly acclaimed not only for their own award-winning fiction but also as coeditors of three anthologies: Feeling Very Strange: The Slipstream Anthology, Rewired: The Post-Cyberpunk Anthology, and The Secret History of Science Fiction. Stories and excerpts by Harlan Ellison™, Kij Johnson, Chris Barzak, Eric James Stone, Rachel Swirsky, Geoff Landis, Shweta Narayan, Adam Troy-Castro, James Tiptree Jr., Aliette de Bodard, Amal El-Mohtar, Kendall Evans and Samantha Henderson, Howard Hendrix, Ann K. Schwader, Connie Willis, Terry Pratchett, and more. From the Trade Paperback edition.

The year's best science fiction and fantasy in one essential volume. An annual commemoration, the Nebula Awards are presented by the Science Fiction and Fantasy Writers of America to those members whose imaginations refine and re-define the infinite storytelling possibilities found within the genre. The Nebula Awards Showcase represents the best of the best in fantasy in one indispensible collection. This year's compilation includes stories by: ?Ursula K. LeGuin ?Catherine Asaro ?John Kessel ?Nina Kiriki Hoffman ?Harry Harrison, this year's Grandmaster

With this inaugural volume at Tor, the annual Nebula Award collection is reborn as a fiction-only anthology, edited by the incomparable Kevin J. Anderson. This collection of nominees for 2010's Nebula Awards includes all of the prior year's most celebrated stories, and will be published in time for the 2011 Nebula Awards in May, 2011. 2009's award winners, announced in May 2010, include Kage Baker's novella "The Women of Nell Gwynne's," Eugie Foster's novelette "Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast," Kij Johnson's short story "Spar," plus Paolo Bacigalupi's novelette, "The Gambler." At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Gathers winning science fiction and fantasy works by authors such as Paul Anderson and Jane Nolan, and highlights essays discussing science fiction's place in literature.

Bestselling writer Orson Scott Card founded the online magazine Intergalactic Medicine Show in 2006. It has been a big success, drawing submissions from well-known sf and fantasy writers, as well as fostering some amazing new talents. This collection contains some of the best of those stories from the past year. There is fiction from David Farber, Tim Pratt, and David Lubar among others, also four new Ender's Game universe stories by Card himself. This collection is sure to appeal to Card's fans, and be a great ambassador to them for these other talented writers. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Collects fantasy, horror, fairy tales, and gothic stories chosen from the past year, including works by Ursula K. LeGuin, Neil Gaiman, and Bill Lewis.

Many writers avoid creating characters of different ethnic backgrounds than their own out of fear that they might get it wrong. To address this fear, Nisi Shawl and Cynthia Ward collaborated to develop a workshop that addresses these problems with the aim of both increasing writers skill and sensitivity in portraying difference in their fiction as well as allaying their anxieties about getting it wrong. Writing the Other: A Practical Approach is the manual that grew out of their workshop. It discusses basic aspects of characterization and offers elementary techniques, practical exercises, and examples for helping writers create richer and more accurate characters with differences.

Multiple Hugo and Nebula award-winning author, Greg Bear is one of science fiction’s most accomplished writers. Bold scientific speculation, riveting plots, and a fierce humanism reflected in characters who dare to dream of better worlds distinguish his work. Now Bear has written a mind-bendingly epic novel that may well be his masterpiece. Do you dream of a city at the end of time? In a time like the present, in a world that may or may not be our own, three young people–Ginny, Jack, and Daniel–dream of a doomed, decadent city of the distant future: the Kalpa. Ginny’s and Jack’s dreams overtake them without warning, leaving their bodies behind while carrying their consciousnesses forward, into the minds of two inhabitants of the Kalpa–a would-be warrior, Jebrassy, and an inquisitive explorer, Tiadba–who have been genetically retro-engineered to possess qualities of ancient humanity. As for Daniel: He dreams of an empty darkness–all that his future holds. But more than dreams link Ginny, Jack, and Daniel. They are fate-shifters, born with the ability to skip like stones across the surface of the fifth dimension, inhabiting alternate versions of themselves. And each guards an object whose origin and purpose are unknown: gnarled, stony artifacts called sum-runners that persist unchanged through all versions of time. Hunted by others with similar powers who seek the sum-runners on behalf of a terrifying, goddess-like entity known as the Chalk Princess, Ginny, Jack, and Daniel are drawn, despite themselves, into an all but hopeless mission to rescue the future–and complete the greatest achievement in human history.

The ground-breaking, boundary-pushing, award-nominated series of fantasy anthologies series returns for a fourth installment through the miracle of Kickstarter, bringing you eighteen brand new tales of beauty and strangeness. You'll find the light-hearted and the bleak, the surreal become familiar and the familiar turned inside-out. Each story leads you into unmapped territory, there to find shock and delight. With stories by Yves Meynard, Ian McHugh, Nicole Kornher-Stace, Richard Parks, Gemma Files, Yukimi Ogawa, A.C. Wise, Marie Brennan, Alisa Alering, Tanith Lee, Cat Rambo, Shira Lipkin, Corinne Duyvis, Kenneth Schneyer, Camille Alexa, Benjanun Sriduangkaew, Patricia Russo and Barbara Krasnoff. Table of Contents “Our Lady of the Thylacines” by Yves Meynard “The Canal Barge Magician’s Number Nine Daughter” by Ian McHugh “On the Leitmotif of the Trickster Constellation in Northern Hemispheric Star Charts, Post-Apocalypse” by Nicole Kornher-Stace “Beach Bum and the Drowned Girl” by Richard Parks “Trap-Weed” by Gemma Files “Icicle” by Yukimi Ogawa “Lesser Creek: A Love Story, A Ghost Story” by A.C. Wise “What Still Abides” by Marie Brennan “The Wanderer King” by Alisa Alering “A Little of the Night” by Tanith Lee “I Come from the Dark Universe” by Cat Rambo “Happy Hour at the Tooth and Claw” by Shira Lipkin “Lilo Is” by Corinne Duyvis “Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer” by Kenneth Schneyer “Three Times” by Camille Alexa “The Bees Her Heart, the Hive Her Belly” by Benjanun Sriduangkaew “The Old Woman With No Teeth” by Patricia Russo “The History of Soul 2065″ by Barbara Krasnoff Praise for Clockwork Phoenix 4 This book is in several distinct ways a look into the future: the future of fantasy and science fiction, diverse, strange, and wonderful; the future of these individual writers, many of whom are at or near the beginning of careers which promise to be interesting; and, additionally, the future of publishing, in which a crowd-sourced publication from a very small press can produce, and can present professionally and beautifully, work which is at the height of what is being written in genre. This particular phoenix has risen from its ashes triumphant. — Strange Horizons Clockwork Phoenix 4, much like its predecessors, is a high quality, well-organized, engaging anthology. — Tor.com A first rate series of anthologies … The book is stylistically of a piece with its predecessors — a set of well-written stories occupying multiple subgenres, usually in the same story, often ambiguously. — Locus The tone ranges from dark to heartwarming and simple. The overall quality is high … Several of the pieces are quite challenging. Readers will do well to pick up a copy. — Locus Online What makes this fourth edition so special is that it belongs to an impassioned community of writers and readers who went above and beyond to make it happen. … All eighteen [stories] have the power to pull the reader out of his own reality and transport or transform them entirely. — Cabinet des Fées This 4th volume of Clockwork Phoenix contains an excellent diversity of speculative fiction ranging from cold and hopeless to harsh but victorious and warm and fulfilling. It was a pleasure to read. — Tangent Online What kind of stories will you find in Clockwork Phoenix 4? Only those that are magical, imaginative, heart-wrenching, just plain bizarre, forward-looking, backward-looking, biological, romantic, hopeful, darkly funny and openly frightening. All the words that describe the best speculative fiction you’ve ever read apply. In fact, if this isn’t the epitome of speculative fiction, I don’t know what is. — Little Red Reviewer