"McPherson, through this oral history of Navajo Women living in Monument Valley, provides a unique story of cultural understanding specific to the area. From personal experience and a shared heritage, these women explain their early struggles in life, religious beliefs and sacred teachings, daily activities of a traditional family, and later, battling against cultural loss. Today's rapidly changing world challenges these elders while enticing the young to forget what it means to be Diné. Here, these women share what they want the youth to know. I highly recommend this book to those who wish to learn about the past, understand the present, and consider the future." --Ronald P. Maldonado, Navajo Nation Cultural Resource Supervisor "The teachings and stories presented here are fascinating and important. When reading them, I heard my granmother's and aunt's voices, connecting me to the past while strengthening my understanding of Navajo culture. It is the women who are the heard and soul of preserving this information as they guide youth into the future. Here that wisdom becomes real. Those interested in a balanced presentation of the difficult, yet rewarding live of Navajo elders will be highly rewarded by learning from this book" --Charlotte Nez Lacy, Heritage Language Educator/Translator

Stories from the Land: A Navajo Reader about Monument Valley provides a traditional Navajo view of this iconic landscape and its people. Couched in the oral tradition of the elders, the reader is invited to view their history and culture through the eyes of those born at the turn of the twentieth century before massive inroads from the dominant culture began to erode the old ways. Each chapter follows a chronological sequence beginning with the creation of the world (specifically Monument Valley), teachings about the Anasazi, then later the Long Walk Period and incarceration at Fort Sumner. Subsequent chapters discuss traditional life and values, trading posts and their ties to the community, the devastation of livestock reduction, the film industry during the John Wayne/John Ford years, Anglo induced cultural change, uranium mining, and reaction to the current explosion of tourism. All of this as seen through the eyes of the Navajo people of Monument Valley and filtered through their unique cultural perspective. For the reader interested in authentic Navajo teachings, these people's ties to the land, and a very different view of the world and how it functions, Stories from the Land offers fascinating insight that is fast disappearing from our world.

Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.

A page-turning epic with life lessons from a Navajo shepherd

Ak'é Nýdzin, or Navajo Oshley, was born sometime between 1879 and 1893. His oral memoir is set on the northern frontier of Navajo land, principally the San Juan River basin in southeastern Utah, and tells the story of his early life near Dennehetso and his travels, before there were roads or many towns, from Monument Valley north along Comb Ridge to Blue Mountain. During the late 19th and early 20th centuries, Anglos and Navajos expanded their use and settlement of lands north of the San Juan. Grazing lands and the Anglo wage economy drew many Navajos across the river. Oshley, a sheepherder, was among the first to settle there. He cared for the herds of his extended family, while also taking supplemental jobs with the growing livestock industry in the area. His narrative is woven with vivid and detailed portraits of Navajo culture: clan relationships, marriages and children, domestic life, the importance of livestock, complex relations with the natural world, ceremonies, trading, and hand trembling.

Presents photographs documenting the lives of Navajo families living in Monument Valley, with a brief introduction surveying the area and its people.

• Details the author’s time living with the Navajo people as a teacher, sheepherder, and doctor and her profound experiences with the people, animals, and spirits • Shows how she learned the Navajo language to bridge the cultural divide • Reveals the miracles she witnessed, including her own miracle when the elders prayed for healing of a tumor on her neck • Shares her fearsome encounters with a mountain lion and a shape-shifting “skin walker” and how she fulfilled a prophecy by returning as a doctor In 1971, Erica Elliott arrived on the Navajo Reservation as a newly minted schoolteacher, knowing nothing about her students or their culture. After a discouraging first week, she almost leaves in despair, unable to communicate with the children or understand cultural cues. But once she starts learning the language, the people begin to trust her, welcoming her into their homes and their hearts. As she is drawn into the mystical world of Navajo life, she has a series of profound experiences with the people, animals, and spirits of Canyon de Chelly that change her life forever. In this compelling memoir, the author details her time living with the Navajo, the Diné people, and her experiences with their enchanting land, healing ceremonies, and rich traditions. She shares how her love for her students transformed her life as well as the lives of the children. She reveals the miracles she witnessed during this time, including her own miracle when the elders prayed for healing of a tumor on her neck. She survives fearsome encounters with a mountain lion and a shape-shifting “skin walker.” She learns how to herd sheep, make fry bread, and weave traditional rugs, experiencing for herself the life of a traditional Navajo woman. Fulfilling a Navajo grandmother’s prophecy, the author returns years later to serve the Navajo people as a medical doctor in an underfunded clinic, delivering numerous babies and treating sick people day and night. She also reveals how, when a medicine man offers to thank her with a ceremony, more miracles unfold. Sharing her life-changing deep dive into Navajo culture, Erica Elliott’s inspiring story reveals the transformation possible from immersion in a spiritually rich culture as well as the power of reaching out to others with joy, respect, and an open heart.

Welcome to Monument Valley Tribal Park—a world of weather-carved rock and wind-driven sand, of massive buttes painted with dark desert varnish, of hardy plants clinging to the earth. At dawn and sunset, an ever-changing sky silhouettes the dark-looming monuments against washes of color from delicate to vibrant. Monument Valley’s Navajo residents live in harmony with this challenging, beautiful landscape. Dynamic forces of earth, wind, and water built and sculpted the dramatic forms of this land. The visible rock of Monument Valley—carved today into buttes, monoliths, and mesas—represents millions of years of contrasting land layers as ancient sands compressed over geologic time into rock. Then the vast Colorado Plateau uplifted, erosion cutting its softer surfaces back down, leaving pockets and markers of hard rock still standing. Grain by grain, wind and rain still carve the rock forms of Monument Valley. Ancestral Puebloans settled into the recessed rock alcoves dotting this region more than a thousand years ago. Only fragments of their lives—masonry dwellings, hand-formed pottery, rock art—remain. Many generations later, the Diné—the People—established a homeland in the red rock country and a community based on harmonious life between Mother Earth and Father Sky. Harry Goulding came to Monument Valley with his young wife, Mike, in 1924 to establish a trading post at the foot of Big Rock Door Mesa. They raised sheep, traded handwoven Navajo rugs for food and household items, and hosted an ever-growing number of curious visitors. During the difficult Depression years of the 1930s, the Gouldings attracted early moviemakers to Monument Valley. John Ford’s films created an entire generation of moviegoers’ views of the American West—and travelers from around the world have visited Monument Valley ever since. The Navajo Tribal Council established Monument Valley Tribal Park in 1958. Now this place of traditional lifestyle and spectacular scenery is preserved for its beauty as well as its ancestral and contemporary importance to the Navajo. Those who travel here find not only the rich history of this desert place, but a sense of Monument Valley’s special harmony as well. Let the rhythm of this land thrum through your soul; let the voice of its spirit call you home.

Samuel Holiday was one of a small group of Navajo men enlisted by the Marine Corps during World War II to use their native language to transmit secret communications on the battlefield. Based on extensive interviews with Robert S. McPherson, Under the Eagle is Holiday’s vivid account of his own story. It is the only book-length oral history of a Navajo code talker in which the narrator relates his experiences in his own voice and words. Under the Eagle carries the reader from Holiday’s childhood years in rural Monument Valley, Utah, into the world of the United States’s Pacific campaign against Japan—to such places as Kwajalein, Saipan, Tinian, and Iwo Jima. Central to Holiday’s story is his Navajo worldview, which shapes how he views his upbringing in Utah, his time at an Indian boarding school, and his experiences during World War II. Holiday’s story, coupled with historical and cultural commentary by McPherson, shows how traditional Navajo practices gave strength and healing to soldiers facing danger and hardship and to veterans during their difficult readjustment to life after the war. The Navajo code talkers have become famous in recent years through books and movies that have dramatized their remarkable story. Their wartime achievements are also a source of national pride for the Navajos. And yet, as McPherson explains, Holiday’s own experience was “as much mental and spiritual as it was physical.” This decorated marine served “under the eagle” not only as a soldier but also as a Navajo man deeply aware of his cultural obligations.

The Colorado River Plateau is home to two of the best-known landscapes in the world: Rainbow Bridge in southern Utah and Monument Valley on the Utah-Arizona border. Twentieth-century popular culture made these places icons of the American West, and advertising continues to exploit their significance today. In Rainbow Bridge to Monument Valley, Thomas J. Harvey artfully tells how Navajos and Anglo-Americans created fabrics of meaning out of this stunning desert landscape, space that western novelist Zane Grey called “the storehouse of unlived years,” where a rugged, more authentic life beckoned. Harvey explores the different ways in which the two societies imbued the landscape with deep cultural significance. Navajos long ago incorporated Rainbow Bridge into the complex origin story that embodies their religion and worldview. In the early 1900s, archaeologists crossed paths with Grey in the Rainbow Bridge area. Grey, credited with making the modern western novel popular, sought freedom from the contemporary world and reimagined the landscape for his own purposes. In the process, Harvey shows, Grey erased most of the Navajo inhabitants. This view of the landscape culminated in filmmaker John Ford’s use of Monument Valley as the setting for his epic mid-twentieth-century Westerns. Harvey extends the story into the late twentieth century when environmentalists sought to set aside Rainbow Bridge as a symbolic remnant of nature untainted by modernization. Tourists continue to flock to Monument Valley and Rainbow Bridge, as they have for a century, but the landscapes are most familiar today because of their appearances in advertising. Monument Valley has been used to sell perfume, beer, and sport utility vehicles. Encompassing the history of the Navajo, archaeology, literature, film, environmentalism, and tourism, Rainbow Bridge to Monument Valley explores how these rock formations, Navajo sacred spaces still, have become embedded in the modern identity of the American West—and of the nation itself.