When Cole Heflin agrees to find and return Maxwell Lacey's run-away granddaughter, Marietta Stone, there is just one problem: Marietta wants nothing to do with the grandfather who turned her pregnant mother out 25 years ago.

"Sweethearts" is the true story of one of Hollywood's greatest cover-ups: the love affair between Jeanette MacDonald and Nelson Eddy. Known as 'America's Singing Sweethearts' of the 1930s and 40s, they made eight box office hits together for Metro-Goldwyn-Mayer and became the most popular singing team in movie history. Rumor had it that they hated each other off-screen but the truth was that they were secretly engaged in the summer of 1935 while filming their famous "Mountie" movie, "Rose Marie." Interference by studio boss Louis B. Mayer triggered a series of tragic events that caused them to self-destruct their film careers, health and ultimately their lives. The author was a close friend of MacDonald's older sister (actress Blossom Rock) plus had access to a wealth of unpublished letters, eyewitness accounts, diary entries, love letters and the unfinished memoirs of both Jeanette MacDonald and Isabel Eddy, Nelson's mother. Rich also interviewed over 200 co-stars, co-workers, family and friends. Included among her more famous sources were MGM stars Rise Stevens and Miliza Korjus, opera stars Rose Bampton, Helen Jepson and Theodor Uppman, MGM co-workers William Tuttle and Fred Phillips, and U.S. Senate Chaplain Richard Halverson who, in his youth, was MacDonald's butler/chauffeur. This is a completely rewritten and updated version of the 1994 edition, including an additional chapter, new information in every chapter, more photos and over 50 pages of source notes. "Sweethearts" was a selection of the Entertainment Book Club and the #1 Best Seller on Booksurge.com for 4 weeks in March 2002. Reviews: "Offers considerable proof they may have been secret lovers for years." Robert Osborne "Sweethearts" is one of the finest books about Metro-Goldwyn-Mayer and Hollywood during the Golden Era. It is a bittersweet love story of a famous couple whose musical duets on the silver screen thrilled a generation of moviegoers. They were a once-in-a-lifetime experience. With the knowledge, thanks to Miss Rich, that the actors were in love off the screen, gives their films a heartbeat. Included are love letters, notes from diaries, and observations of those who kept their secret. You will enjoy every word of "Sweethearts" and you will find a new meaning when viewing their musicals. Then you'll read it a second time." -Jane Ellen Wayne, Author, The Golden Guys of MGM "The star-crossed love affair of the century....The account is anything but sugar-coated. Ms. Rich's book certainly contains much to raise the eyebrows. She names names and pulls no punches. Still, this is not a sensational expose; one comes away feeling sorry for the protagonists, and wishing that their story could have had a happier resolution....Scrupulously documented...give[s] credibility to an amazing story." Rob Ray, "Past Times" "Rich affords a long, exciting, revealing look at two of the most important screen personalities of the 1930s. Vital reading to anyone interested in film history, Hollywood, or popular culture." Mike Tribby, "Booklist" "A surprisingly interesting look at two people so wrapped up in make-believe that they began taking it seriously." Harry Bowman, "Dallas Morning News"

Rida Johnson Young (ca. 1869-1926) was one of the most prolific female playwrights of her time, as well as a lyricist and librettist in the musical theater. She wrote more than thirty full-length plays, operettas, and musical comedies, 500 songs, and four novels, including Naughty Marietta, Lady Luxury, The Red Petticoat, and When Love is Young . Despite her extensive output, no significant study of her work has been produced. This book looks at her musical theater works with in-depth analyses of her librettos and lyrics, as well as her working relationships with other writers, performers, and producers, particularly Lee and J. J. Shubert. Using archival materials such as original typescripts, correspondence, and reviews, the book contextualizes her work in the early twentieth century professional theater and provides a window into the standard practices of writing and production of the era.

Jeanette MacDonald, the movie musical's first superstar, was an American original whose onscreen radiance mirrored a beguiling real-life personality. Based in large part on the author's exclusive access to MacDonald's private papers, including her unpublished memoir, this vivid, often touching biography transports us to a time when lavish musical films were major cultural events and a worldwide public eagerly awaited each new chance to fall under the singer's spell. Edward Baron Turk shows how MacDonald brilliantly earned her Hollywood nickname of "Iron Butterfly," and why she deserves a privileged position in the history of music and motion pictures. What made MacDonald a woman for our times, readers will discover, was her uncommon courage: Onscreen, the actress portrayed strong charcters in pursuit of deep emotional fulfillment, often in defiance of social orthodoxy, while offscreen she personified energy, discipline, and practical intellect. Drawing on interviews with individuals who knew her and on MacDonald's own words, Turk brings to life the intricate relations between the star and her legendary costars Maurice Chevalier, Clark Gable, and, above all, baritone Nelson Eddy. He reveals the deep crushes she inspired in movie giants Ernst Lubitsch and Louis B. Mayer and the extraordinary love story she shared with her husband of twenty-seven years, actor Gene Raymond. More than simply another star biography, however, this is a chronicle of American music from 1920s Broadway to 1960s television, in which Turk details MacDonald's fearless efforts to break down distinctions between High Art and mass-consumed entertainment. Hollywood Diva will attract fans of opera and concert music as much as enthusiasts of the great Hollywood musicals. It is first-rate cultural and film history.

"Rida Johnson Young (ca. 1869-1926) was one of the most prolific female playwrights of her time, as well as a lyricist and librettist in the musical theater. She wrote more than thirty full-length plays, operettas, and musical comedies, 500 songs, and four novels. Despite her extensive output, no significant study of her work has been produced. This book examines her musical theater works with in-depth analyses of her librettos and lyrics, as well as her working relationships with other writers, performers, and producers, particularly Lee and J. J. Shubert"--

A chronologically arranged reference book on the Hollywood musical, with each entry including pertinent facts about a film and a brief essay about the plot and production. Includes hundreds of black & white stills.

Traces the American musical from its rich beginnings in European opera. This book talks about the infancy of the musical - the revues, operettas, and early musical comedies, as well as the groundbreaking shows like "Oklahoma!" and "Show Boat", with references to how history, literature, fashion, popular music and movies influenced musical theater.