The theme of Nature Word is the intelligence of the heart, the innate, functional consciousness, or way of thinking, that is in harmony with nature and able to understand life and living things.

A collection of essays on the word by colleagues, students, and teachers of linguist Paul Kiparsky that reflects his distinctive focus and his influence on the field. Paul Kiparsky's work in linguistics has been wide-ranging and fundamental. His contributions as a scholar and teacher have transformed virtually every subfield of contemporary linguistics, from generative phonology to poetic theory. This collection of essays on the word--the fundamental entity of language--by Kiparsky's colleagues, students, and teachers reflects the distinctive focus of his own attention and his influence in the field. As the editors of the volume observe, Kiparsky approaches words much as a botanist approaches plants, fascinated equally by their beauty, their structure, and their evolution. The essays in this volume reflect these multiple perspectives. The contributors discuss phonology, morphology, syntax and semantics bearing on the formal composition of the word; historical linguistic developments emphasizing the word's simultaneous idiosyncratic character and participation in a system; and metrical and poetic forms showing the significance of Kiparsky's ideas for literary theory. Collectively they develop the overarching idea that the nature of the word is not directly observable but nonetheless inferable. Contributors Stephen R. Anderson, Arto Anttila, Juliette Blevins, Geert Booij, Young-mee Yu Cho, Cleo Condoravdi, B. Elan Dresher, Andrew Garrett, Carlos Gussenhoven, Morris Halle, Kristin Hanson, Bruce Hayes, Larry M. Hyman, Sharon Inkelas, S. D. Joshi, René Kager, Ellen Kaisse, Aditi Lahiri, K. P. Mohanan, Tara Mohanan, Cemil Orhan Orgun, Christopher Piñón, William J. Poser, Douglas Pulleyblank, J. A. F. Roodbergen, Háj Ross, Patricia Shaw, Galen Sibanda, Donca Steriade, John Stonham, Stephen Wechsler, Dieter Wunderlich, Draga Zec

The universal and typological status of the notion of word class — closely related to part-of-speech systems, morphology, syntax and the lexicon-syntax interface — continues to be of major linguistic theoretical interest. The papers included in this volume offer a fresh look at the variety of current theoretical and descriptive approaches to word class issues, and present original analyses and new data from a number of languages. The primary focus is on methods (including computational ones) and criteria for identifying and representing major word classes and subclasses in specific languages, with considerable attention also directed towards the characterization of the nature and role of minor — or neglected — word classes, including trans-categorization processes. The range of topics and perspectives covered makes this volume of considerable interest to both theoretical linguists and typologists.

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.

Dorman delves into the activities and writings of four early environmental philosophers, revealing how the intellectual literary efforts of Marsh and Thoreau led to the campaigns to institutionalize preservation and conservation of Muir and Powell.

Our Miniature Editions TM collection continues to grow! Since 1989, when our first minis appeared, Running Press has offered an astonishing range of subjects, sure to find a place in any booklover's library!

Packed with more than 1,000 illustrated nature-related words terms, and phrases, this colorful first dictionary and encyclopedia is a valuable tool that makes learning new words and concepts fun! Instead of presenting words in alphabetical order, this book organizes its words into three main concepts: nature and landscapes, nature of different continents, and wonders of nature. This helps children retain whatthey're learning by presenting words in thematic groups and in context. With new topics on every page, along with riddles, games to play, and puzzles to solve, My First 1000 Nature Words is the perfect way for growing minds to engage and learn. Every word and term has a full-color illustration! Includes flowers, weather, habitats, animals, plants, seasons, volcanos, continents, and so much more! Includes activities for further engagement and learning opportunities Collect the other book in the series: My First 1000 Words

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE SHORTLISTED FOR THE WAINWRIGHT PRIZE From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS 'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent 'Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place' Financial Times 'A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over' Guardian 'Gorgeous, thoughtful and lyrical' Independent on Sunday 'Feels as if [it] somehow grew out of the land itself. A delight' Sunday Times Discover Robert Macfarlane's joyous meditation on words, landscape and the relationship between the two. Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.

A touching tale of a grandmother and her granddaughter exploring and cherishing the natural world. Words, the woods, and the world illuminate this quest to save the most important pieces of our language—by saving the very things they stand for. When Mimi finds out her favorite words—simple words, like apricot, blackberry, buttercup—are disappearing from the English language, she elects her granddaughter Brook as their Keeper. And did you know? The only way to save words is to know them. • With its focus on the power of language and social change, The Keeper of Wild Words is ideal for educators and librarians as well as young readers. • For any child who longs to get outside and learn more about nature and the environment • A loving portrait of the special relationship that grandparents have with their grandchildren For children who love such books as Outside Your Window: A First Book of Nature, And Then It's Spring, and Finding Wild. Brooke Smith is a poet and children's book author. She lives in Bend, Oregon, at the end of a long cinder lane. Brooke writes daily from her studio, looking at the meadow and many of the wild words she cherishes. Madeline Kloepper is a Canadian artist with a Bachelor of Fine Arts and Major in Illustration from Emily Carr University of Art and Design. Her work is influenced by childhood, nostalgia, and the relationships we forge with nature. She lives in Prince George, British Columbia.