'London in the Wild is a timely opportunity to get out and explore all the wild spaces and natural places that exist alongside us. Both on your doorstep and on the other side of the river.' - Chris Packham A place of cars, concrete, lights, noise and pollution, London is a harsh, unyielding landscape created to meet the needs of people, not wildlife, but if you take the time to stop and look, you'll discover it is teeming with more than 15,000 species of flora, fungi and fauna, including marsh frogs, hedgehogs, short-eared owls and dragonflies. With London in the Wild as your guide, you can explore the city from your garden, local parks and community space, but also from its wetlands, woodlands and heaths. Along the way you'll discover the best places to see bluebells in springtime, the day-to-day life of a London Tube mouse and the activities of seals who make their home in the Thames.

Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed “posthuman cinema.” It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.

Educator and art therapist London uses stories, poetic meditations, and guided exercises to show readers how making art in nature can enhance their self-knowledge and creativity. 20 halftones.

Floral stylist Willow Crossley presents 50 uplifting projects to help you bring nature into your home. In Inspire: The Art of Living with Nature, Willow embraces her passion for plants and shows how to use both flower-shop purchases, beachcombing bounty, home-grown harvests and hedgerow finds foraged on countryside walks to decorate your home. Divided into five chapters on Woodland, Flora, Fauna, Edibles, and Beach, here are more than 50 ideas ranging from hellebores displayed in test tubes to a wreath made from hydrangeas, spring narcissi planted in wooden wine boxes, a tabletop display incorporating gilded apples and pears, displays of pebbles, coral, and shells, sea urchins fashioned into napkin rings, hollowed-out red cabbages used as vases, a colorful posy of chilies, and a stylish wall display of antlers and feathers.

The current environmental crises demand that we revisit dominant approaches for understanding nature-society relations. Narrating Nature brings together various ways of knowing nature from differently situated Maasai and conservation practitioners and scientists into lively debate. It speaks to the growing movement within the academy and beyond on decolonizing knowledge about and relationships with nature, and debates within the social sciences on how to work across epistemologies and ontologies. It also speaks to a growing need within conservation studies to find ways to manage nature with people. This book employs different storytelling practices, including a traditional Maasai oral meeting—the enkiguena—to decenter conventional scientific ways of communicating about, knowing, and managing nature. Author Mara J. Goldman draws on more than two decades of deep ethnographic and ecological engagements in the semi-arid rangelands of East Africa—in landscapes inhabited by pastoral and agropastoral Maasai people and heavily utilized by wildlife. These iconic landscapes have continuously been subjected to boundary drawing practices by outsiders, separating out places for people (villages) from places for nature (protected areas). Narrating Nature follows the resulting boundary crossings that regularly occur—of people, wildlife, and knowledge—to expose them not as transgressions but as opportunities to complicate the categories themselves and create ontological openings for knowing and being with nature otherwise. Narrating Nature opens up dialogue that counters traditional conservation narratives by providing space for local Maasai inhabitants to share their ways of knowing and being with nature. It moves beyond standard community conservation narratives that see local people as beneficiaries or contributors to conservation, to demonstrate how they are essential knowledgeable members of the conservation landscape itself.

A father tells his child about the wonder of the natural world from a Christian point of view.