Plotinus has been so highly regarded as a mystic that his importance as a philosopher has sometimes been thrown into eclipse. Yet neoplatonic philosophy lives in and through his works; indeed, his original development of Platonic and Aristotelian themes stands as a kind of summation of Greek philosophy as it first came to be known in the Christian West. In Nature, Contemplation, and the One, Professor Deck has undertaken a reappraisal of Plotinus' thought from the standpoint of a central doctrine in the Enneads, that of nature as contemplation. This new view enables him to show that the producing of the physical world by means of contemplation is an internally consistent doctrine with ramifications throughout the Plotinian view of being, causality, and the generation of a plural universe by the self-subsistent One. The result is a systematic account of Plotinus' major teachings, and a fresh view of their meaning and philosophic importance. Professor Deck has appended a new translation of the parts of the Enneads which are central to the doctrine of nature as contemplation, and his study proceeds by careful reference to the original texts. Students, philosophers, and historians will welcome this important and unusually clear-headed approach to a major figure in Western thought.

Life's frenzy yanks us away from nature's calming elements. This book offers 48 moments of contemplation and meditation that follows a review of our links to nature. It is meant to help us walk in peace and respect regardless of our faith or belief system. I have borrowed the knowledge of scientists, quoted poets and writers, and share the wisdom of academics, philosophers, mystics, and the ancients to connect what I know about our seas to life, our trees to strength, our deserts to vision, and our homes to compassion, and all four elements to each other. I encourage you to find quiet moments and discover these outer links to personal inner peace, wisdom, and health.

The Nature of the Beast is a New York Times bestselling Chief Inspector Gamache novel from Louise Penny. Hardly a day goes by when nine year old Laurent Lepage doesn't cry wolf. From alien invasions, to walking trees, to winged beasts in the woods, to dinosaurs spotted in the village of Three Pines, his tales are so extraordinary no one can possibly believe him. Including Armand and Reine-Marie Gamache, who now live in the little Quebec village. But when the boy disappears, the villagers are faced with the possibility that one of his tall tales might have been true. And so begins a frantic search for the boy and the truth. What they uncover deep in the forest sets off a sequence of events that leads to murder, leads to an old crime, leads to an old betrayal. Leads right to the door of an old poet. And now it is now, writes Ruth Zardo. And the dark thing is here. A monster once visited Three Pines. And put down deep roots. And now, Ruth knows, it is back. Armand Gamache, the former head of homicide for the Sûreté du Québec, must face the possibility that, in not believing the boy, he himself played a terrible part in what happens next.

Plotinus (205-269 AD) is considered the founder of Neoplatonism, the dominant philosophical movement of late antiquity, and a rich seam of current scholarly interest. Whilst Plotinus' influence on the subsequent philosophical tradition was enormous, his ideas can also be seen as the culmination of some implicit trends in the Greek tradition from Parmenides, Plato, Aristotle, and the Stoics.Emilsson's in-depth study focuses on Plotinus' notion of Intellect, which comes second in his hierarchical model of reality, after the One, unknowable first cause of everything. As opposed to ordinary human discursive thinking, Intellect's thought is all-at-once, timeless, truthful and a direct intuition into 'things themselves'; it is presumably not even propositional. Emilsson discusses and explains this strong notion of non-discursive thought and explores Plotinus' insistence that this mustbe the primary form of thought.Plotinus' doctrine of Intellect raises a host of questions that Emilsson addresses. First, Intellect's thought is described as an attempt to grasp the One and at the same time as self-thought. How are these two claims related? How are they compatible? What lies in Plotinus' insistence that Intellect's thought is a thought of itself? Second, Plotinus gives two minimum requirements of thought: that it must involve a distinction between thinker and object of thought, and that the object itselfmust be varied. How are these two pluralist claims related? Third, what is the relation between Intellect as a thinker and Intellect as an object of thought? Plotinus' position here seems to amount to a form of idealism, and this is explored.

How can we meet God in our everyday lives? In Earth, Our Original Monastery, Christine Valters Paintner, bestselling author and online abbess for Abbey of the Arts, shares how living contemplatively with an appreciation for the natural world can make you more aware of the presence of God in every aspect of your life. She explores monks, mystics, and saints who have experienced the goodness of the Divine in nature and invites you to find solace and spiritual revelation in the wonder of God’s creation. The purpose of contemplative living, Christine Valters Paintner suggests, is to allow you to integrate the pieces of your life within yourself, in your community, and in the world around you. When you pay attention to each moment, you nurture your ability to see God’s actions in those moments. In Earth, Our Original Monastery, Paintner invites you to begin the journey of contemplative living by focusing on the image of the earth as your original monastery—the place where you learn your most fundamental prayers, participate in each day’s liturgy of praise, and experience the wisdom of the seasons. Paintner provides seven ways of seeing the earth in light of faith and pairs each one with a practical invitation to a practice. These include: the earth as original cathedral—where you first learn to worship and feel God’s presence around us, paired with the practice of stability the earth as original saints—plants and animals live their calling without trying to be something they’re not and inspire you to do the same, paired with the practice of gratitude the earth as original icon—nature can serve as a window to the holy in the same way that icons do, paired with the practice of lament As you explore what these connections between the earth and faith mean for how to see God in the world around you, you can also look at saints and mystics who experienced nature and the flow of the divine in similar ways.

The notion of practical wisdom is one of Aristotle's greatest inventions. It has inspired philosophers as diverse as Martin Heidegger, Hans-Georg Gadamer, Elizabeth Anscombe, Michael Thompson, and John McDowell. Now a leading scholar of ancient philosophy offers a challenge to received accounts of practical wisdom by situating it in the larger context of Aristotle's views on knowledge and reality. That happiness is the end pursued by practical wisdom is commonly agreed. What is disputed is whether happiness is to be found in the practical life of political action, in which we exhibit courage, temperance, and other virtues of character, or in the contemplative life, where theoretical wisdom is the essential virtue. C. D. C. Reeve argues that the dichotomy is bogus, that these lives are in fact parts of a single life, which is the best human one. In support of this view, he develops innovative accounts of many of the central notions in Aristotle's metaphysics, epistemology, and psychology, including matter and form, scientific knowledge, dialectic, educatedness, perception, understanding, political science, practical truth, deliberation, and deliberate choice. These accounts are based directly on freshly translated passages from many of Aristotle's writings. Action, Contemplation, and Happiness is an accessible essay not just on practical wisdom but on Aristotle's philosophy as a whole.

In Creation and Contemplation, Julien Decharneux explores the connections between the cosmology of the Qur’ān and various cosmological traditions of Late Antiquity, with a focus on Syriac Christianity. The first part of the book studies how, in exhorting its audience to contemplate the world, the Qur’ān carries on a tradition of natural contemplation that had developed throughout Late Antiquity in the Christian world. In this regard, the analysis suggests particularly striking connections with the mystical and ascetic literature of the Church of the East, which was in effervescence at the time of the emergence of Islam. The second part argues that the Qur’ānic cosmological discourse is built so as to serve the overarching theological message of the text, namely God’s absolute unity. Despite the allusive, and sometimes obscure, way in which the Qur’ān talks about the world’s coming into being and its maintenance in existence, the text betrays its authors’ acquaintance with cosmological debates of Late Antiquity. In studying the Qur’ān through the prism of Late Antiquity, this book contributes to our understanding of the emergence of Islam and its relationship with other religious traditions of the time. Winner of the 2022 Marie-Antoinette Van Huele Prize and the 2023 Richard Kreglinger Prize (both Faculty of Philosophy and Social Sciences, Free University of Brussels.

This study explores Augustine's developing understanding of contemplation, beginning with his earliest accounts written before his baptism and ending with the Confessions. The arc of Augustine's thought through these years of transition leads into the Confessions, giving a vantage point to survey its classical Christian theology of contemplation.

While everyone is delighted by beauty, and the more alive among us are positively fascinated by it, few are explicitly aware that we can recognize truth by its beauty and simplicity. Dubay explores the reasons why all of the most eminent physicists of the twentieth century agree that beauty is the primary standard for scientific truth. Likewise, the best of contemporary theologians are also exploring with renewed vigor the aesthetic dimensions of divine revelation. Honest searchers after truth can hardly fail to be impressed that these two disciplines, science and theology, so different in methods, approaches and aims, are yet meeting in this and other surprising and gratifying ways. This book relates these developments to nature, music, academe and our unquenchable human thirst for unending beauty, truth and ecstasy, a thirst quenched only at the summit of contemplative prayer here below, and in the consummation of the beatific vision hereafter.

What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics. Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres—devotional prose, allegorical poetry, cycle dramas, and morality plays—Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency—from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter—to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.