First published in 2007. This work was composed under the direction of the author, Dr Bernard Heuvelmans, President of the International Society of Cryptozoology, before his death in 2001. The contents have been drawn from his various works, including unpublished manuscripts, as well as his scientific articles.

A collection of stunning images from some of the world's leading photographers of animals in the human environment. HIDDEN: Animals in the Anthropocene is an unflinching book of photography about our conflict with non-human animals around the globe. Through the lenses of thirty award-winning photojournalists, HIDDEN shines a light on the invisible animals in our lives: those with whom we have a close relationship and yet fail to see. The animals we eat and wear; the animals we use for research, work, and for entertainment; the animals we sacrifice in the name of tradition and religion. HIDDEN is a historical document, a memorial, and an indictment of what is and should never again be. Showcased by award-winning designer David Griffin, HIDDEN represents the work of thirty photojournalists who have documented--and continue to document--animal stories. Their exhaustive and in-depth work has resulted in some of the most compelling and historic images of animals ever seen. Among them are (in alphabetical order): Aaron Gekoski, Aitor Garmendia, Amy Jones, Andrew Skowron, Britta Jaschinski, Daniel Beltrá, Djurattsalliansen, Francesco Pistilli, Jan van Ijken, Joan de la Malla, Jo-Anne McArthur, Jose Valle, Kelly Guerin, Kristo Muurimaa, Konrad Lozinski, Louise Jorgensen, Luis Tato, Murdo MacLeod, Paul Hilton, Sabine Grootendorst, Selene Magnolia, Stefano Belacchi, Tamara Kenneally, and Timo Stammberger. "The photojournalists featured in Hidden have entered some of the darkest, most unsettling places in the world. The images they have captured are a searing reminder of our unpardonable behavior towards animals and will serve as beacons of change for years to come."--Joaquin Phoenix, actor "I am, quite simply, in awe of these photographers. In a way, they are like war photographers, except witness to a war that so many people choose to suppress that exists. This takes enormous inner strength and bloody-minded determination, because they cannot save any of the animals that they photograph; they can only hope that their photos will help illuminate the mass extermination that unfolds every second of every day across the planet. To me, they are heroes. Not just for one day, but over and over and over again."--Nick Brandt, photographer

NEW YORK TIMES BESTSELLER • A “thrilling” (The New York Times), “dazzling” (The Wall Street Journal) tour of the radically different ways that animals perceive the world that will fill you with wonder and forever alter your perspective, by Pulitzer Prize–winning science journalist Ed Yong “One of this year’s finest works of narrative nonfiction.”—Oprah Daily ONE OF THE TEN BEST BOOKS OF THE YEAR: The Wall Street Journal, The New York Times, Time, People, The Philadelphia Inquirer, Slate, Reader’s Digest, Chicago Public Library, Outside, Publishers Weekly, BookPage ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, The New Yorker, The Washington Post, The Guardian, The Economist, Smithsonian Magazine, Prospect (UK), Globe & Mail, Esquire, Mental Floss, Marginalian, She Reads, Kirkus Reviews, Library Journal The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every kind of animal, including humans, is enclosed within its own unique sensory bubble, perceiving but a tiny sliver of our immense world. In An Immense World, Ed Yong coaxes us beyond the confines of our own senses, allowing us to perceive the skeins of scent, waves of electromagnetism, and pulses of pressure that surround us. We encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats. We discover that a crocodile’s scaly face is as sensitive as a lover’s fingertips, that the eyes of a giant squid evolved to see sparkling whales, that plants thrum with the inaudible songs of courting bugs, and that even simple scallops have complex vision. We learn what bees see in flowers, what songbirds hear in their tunes, and what dogs smell on the street. We listen to stories of pivotal discoveries in the field, while looking ahead at the many mysteries that remain unsolved. Funny, rigorous, and suffused with the joy of discovery, An Immense World takes us on what Marcel Proust called “the only true voyage . . . not to visit strange lands, but to possess other eyes.” WINNER OF THE ANDREW CARNEGIE MEDAL • FINALIST FOR THE KIRKUS PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • LONGLISTED FOR THE PEN/E.O. WILSON AWARD

First published in 2007. This work was composed under the direction of the author, Dr Bernard Heuvelmans, President of the International Society of Cryptozoology, before his death in 2001. The contents have been drawn from his various works, including unpublished manuscripts, as well as his scientific articles.

Darwin made a powerful argument for evolution in the Origin of Species, based on all the evidence available to him. But a few things puzzled him. One was how inheritance works - he did not know about genes. This book concerns another of Darwin's Dilemmas, and the efforts of modern palaeontologists to solve it. What puzzled Darwin is that the most very ancient rocks, before the Cambrian, seemed to be barren, when he would expect them to be teeming with life. Darwin speculated that this was probably because the fossils had not been found yet. Decades of work by modern palaeontologists have indeed brought us amazing fossils from far beyond the Cambrian, from the depths of the Precambrian, so life was certainly around. Yet the fossils are enigmatic, and something does seem to happen around the Cambrian to speed up evolution drastically and produce many of the early forms of animals we know today. In this book, Martin Brasier, a leading palaeontologist working on early life, takes us into the deep, dark ages of the Precambrian to explore Darwin's Lost World. Decoding the evidence in these ancient rocks, piecing together the puzzle of what happened over 540 million years ago to drive what is known as the Cambrian Explosion, is very difficult. The world was vastly different then from the one we know now, and we are in terrain with few familiar landmarks. Brasier is a master storyteller, and combines the account of what we now know of the strange creatures of these ancient times with engaging and amusing anecdotes from his expeditions to Siberia, Outer Mongolia, Barbuda, and other places, giving a vivid impression of the people, places, and challenges involved in such work. He ends by presenting his own take on the Cambrian Explosion, based on the picture emerging from this very active field of research. A vital clue involves worms - burrowing worms are one of the key signs of the start of the Cambrian. This is fitting: Darwin was inordinately fond of worms.

Drawn from a thousand photos taken over fifteen years, We Animals illustrates and investigates animals in the human environment: whether they're being used for food, fashion and entertainment, or research, or are being rescued to spend their remaining years in sanctuaries. Award-winning photojournalist and animal advocate Jo-Anne McArthur provides a valuable lesson about our treatment of animals, makes animal industries visible and accountable, and widens our circle of compassion to include all sentient beings.

Taking the reader deep inside of the circus, the zoo, and similar operations, Fear of the Animal Planet provides a window into animal behavior: chimpanzees escape, elephants attack, orcas demand more food, and tigers refuse to perform. Indeed, these animals are rebelling with intent and purpose. They become true heroes and our understanding of them will never be the same.

Reveals the amazing truths about animals and their sensitivities, skills, and strengths, from the bat's ability to catch insect prey in complete darkness to animals that cure their own ailments by using herbs in their habitats.

On every continent and in every nation, animals unrecognized by modern science are reported on a daily basis. People passionately pursue these creatures--the name given to their field of study is cryptozoology. Coined in the 1950s, the term literally means the science of hidden animals. When the International Society of Cryptozoology (ISC) was formed in 1982, the founders declared that the branch of science is also concerned with "the possible existence of known animals in areas where they are not supposed to occur (either now or in the past) as well as the unknown persistence of presumed extinct animals to the present time or to the recent past...what makes an animal of interest to cryptology is that it is unexpected." This reference work presents a "flesh and blood" view of cryptozoology. Here, 2,744 entries are listed, the majority of which each describe one specific creature or type of creature. Other entries cover 742 places where unnamed cryptids are said to appear; profiles of 77 groups and 112 individuals who have contributed to the field; descriptions of objects and events important to the subject; and essays on cryptotourism and hoaxes, for example. Appendices offer a timeline of zoological discoveries, annotated lists of movies and television series with cryptozoological themes, a list of crypto-fiction titles and a list of Internet websites devoted to cryptozoology.

Invites readers to guess which animal is hiding based on the clues. On board pages.