The enduring cultural precepts of the indomitable ethic Igbos of Nigeria have sustained their revered human endowments for ages - morality, imagination, self-awareness, independent will. But severe economic deprivation at the wake of a lost civil war pitted their acute sense of survival against these cultural precepts. The Shadow Knows tells a bemusing story of a reprehensive life of a desperate young man under the menacing weight of his impeaching conscience; and the damning judgement of God and Man he grantically tries to escape. A contextual story of Igbo toughts and culture under strict tradisional rules of actions and consequences.

Children and youth occupy important social and political roles, even as they sleep in cribs or hang out on street corners. Conceptualized as either harbingers or saboteurs of a bright, secure tomorrow, they have motivated many adult-driven schemes to effect a positive future. But have all children benefited from these programs and initiatives? Lost Kids examines adults' misgivings about, and the inadequate care of, vulnerable children. From explorations of interracial adoption and the treatment of children with disabilities to discussions of the cultural construction of the hopeless child, this multifaceted collection rejects the essentialism of the "priceless child" or "lost youth" � simplistic categories that continue to shape the treatment of those who deviate from the so-called norm.

First published, 1940. Novel about a young Negro who is hardened by life in the slums and whose every effort to free himself proves helpless

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction. Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.” Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin’s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American.

A best-selling biography in Israel, available for the first time in the English language.

The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of "nation" became suspect as did the idea of "national literature" as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call "cosmopolitanism," a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a "residual" form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States.

John Charles Främont was the illegitimate child of a Virginia aristocrat and a working-class French immigrant; Jessie Benton was the daughter of the most powerful pre-Civil War U.S. senator, Thomas Hart Benton of Missouri, and, her gender notwithstanding, had been groomed as much as any young man to be president. Senator Benton unwittingly brought the two together, never imagining that his daughter would fall in love with Främont. Despite their disparate backgrounds, however, John and Jessie?s marriage was one of the most storied events of the nineteenth century. And indeed, Jessie and John made a formidable couple. Both together and apart they contributed significantly to shaping the United States. He was a key figure in western expansion and the first presidential candidate for the Republican Party. She was a savvy political operator who played confidante and adviser to the highest political powers in the country. Despite their great efforts on behalf of their country, however, their reputations did not survive a Washington smear campaign led by none other than Jessie?s father. Written with an investigative journalist?s eye for detail and a novelist?s flair, this biography of explorer, politician, and gold-mine owner John C. Främont and his intellectual wife, Jessie Benton Främont, also casts light on the tumultuous period that forms the backdrop for their lives, from the abolition of slavery to the building of the railroad.

The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.