For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.

From their first encounters with traders, explorers, missionaries, settlers, and soldiers, to the heyday of "Red Power" during the 1960s and '70s, the relations of Native Americans with white men are explored in a powerful series of documents--seen through Indian eyes and told in Indian voices. Photographs.

From the author of How the World Moves--the classic collection of more than 500 years of Native American History In a series of powerful and moving documents, anthropologist Peter Nabokov presents a history of Native American and white relations as seen though Indian eyes and told through Indian voices. Beginning with the Indians' first encounters with European explorers, traders, missionaries, settlers, and soldiers to the challenges confronting Native American culture today, Native American Testimony spans five hundred years of interchange between the two peoples. Drawing from a wide range of sources--traditional narratives, Indian autobiographies, government transcripts, firsthand interviews, and more--Nabokov has assembled a remarkably rich and vivid collection, representing nothing less than an alternate history of North America.

Publisher Description

Table of contents

Collection of essays by Native Americans.

From the author of How the World Moves: A revelatory new look at the hallowed, diverse, and threatened landscapes of the American Indian For thousands of years , Native Americans have told stories about the powers of revered landscapes and sought spiritual direction at mysterious places in their homelands. In this important book, respected scholar and anthropologist Peter Nabokov writes of a wide range of sacred places in Native America. From the “high country” of California to Tennessee’s Tellico Valley, from the Black Hills of South Dakota to Rainbow Canyon in Arizona, each chapter delves into the relationship between Indian cultures and their environments and describes the myths and legends, practices, and rituals that sustained them.

Winner of the 2021 Bancroft Prize and the 2021 Ridenhour Book Prize Finalist for the 2020 National Book Award for Nonfiction Named a Top Ten Best Book of 2020 by the Washington Post and Publishers Weekly and a New York Times Critics' Top Book of 2020 A masterful and unsettling history of “Indian Removal,” the forced migration of Native Americans across the Mississippi River in the 1830s and the state-sponsored theft of their lands. In May 1830, the United States launched an unprecedented campaign to expel 80,000 Native Americans from their eastern homelands to territories west of the Mississippi River. In a firestorm of fraud and violence, thousands of Native Americans lost their lives, and thousands more lost their farms and possessions. The operation soon devolved into an unofficial policy of extermination, enabled by US officials, southern planters, and northern speculators. Hailed for its searing insight, Unworthy Republic transforms our understanding of this pivotal period in American history.

A compelling portrait of cultural transition and assimilation via the saga of one Acoma Pueblo Indian family Born in 1861 in New Mexico’s Acoma Pueblo, Edward Proctor Hunt lived a tribal life almost unchanged for centuries. But after attending government schools he broke with his people’s ancient codes to become a shopkeeper and controversial broker between Indian and white worlds. As a Wild West Show Indian he travelled in Europe with his family, and saw his sons become silversmiths, painters, and consultants on Indian Lore. In 1928, in a life-culminating experience, he recited his version of the origin myth of Acoma Pueblo to Smithsonian Institution scholars. Nabokov narrates the fascinating story of Hunt’s life within a multicultural and historical context. Chronicling Pueblo Indian life and Anglo/Indian relations over the last century and a half, he explores how this entrepreneurial family capitalized on the nation’s passion for Indian culture. In this rich book, Nabokov dramatizes how the Hunts, like immigrants throughout history, faced anguishing decisions over staying put or striking out for economic independence, and experienced the pivotal passage from tradition to modernity.

High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail. Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made. Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy. Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.