A collaboration between Native American and non-Native American scholars in the study of Native oral traditions. Seven sets of intercultural authors present Native American oral texts with commentary, exploring dimensions of perspective, discovery, and meaning that emerge through collaborative translation and interpretation. The texts studied all come from the American West, but include a rich variety of material, since their tribal sources range from the Yupik in the Arctic to the Yaqui in the Sonoran Desert.

"Using Anderson Mesa and Homol'ovi as case studies, Bernardini presents architectural and demographic data suggesting that the fourteenth century occupation of these regions was characterized by population flux and diversity consistent with the serial migration model." "Bernardini's work clearly demonstrates that studies of cultural affiliation must take into account the fluid nature of population movements and identity in the prehistoric landscape. It takes a decisive step toward better understanding the major demographic change that occurred on the Colorado Plateau from 1275 to 1400 and presents a strategy for improving the reconstruction of cultural identity in the past."--BOOK JACKET.

Native American tricksters can be buffoons, transformers, social critics, teachers, and mediators between human beings, nature, and the gods. A vibrant part of American Indian tradition, the trickster has shown a remarkable ability to adapt into the twenty-first century. In Living Sideways, Franchot Ballinger provides the first full-length study of the diverse roles and dimensions of North American Indian tricksters. While honoring their diversity and complexity, he challenges stereotypical Euro-American treatments of tricksters. Drawing from the most influential scholarship on Native American tricksters, Ballinger shows how many critics have failed to consider both the specifics of trickster stories and their cultural contexts. Each chapter concentrates on a particular aspect of the trickster theme, such as the trickster’s ambiguous personality, the variety of trickster roles, and the trickster’s role as social critic. Ballinger further considers issues of sex, gender, and humor, the use of trickster tales as instructions on social values and community control, and the trickster as an emblem of modern Indian survival. Living Sideways also includes illustrative trickster stories at the end of each chapter, a comprehensive bibliography, and discussion of the literary aspects of tricksters. Examining both the sacred power of tricksters and the stories as literature, Living Sideways is the most thorough book to date on Native American tricksters.

As a child growing up in rural Oklahoma, Donald Fixico often heard “hvmakimata”—“that’s what they used to say”—a phrase Mvskokes and Seminoles use to end stories. In his latest work, Fixico, who is Shawnee, Sac and Fox, Mvskoke (as “Muskogee” is spelled in the Mvskoke language), and Seminole, invites readers into his own oral tradition to learn how storytelling, legends and prophecies, and oral histories and creation myths knit together to explain the Indian world. Interweaving the storytelling and traditions of his ancestors, Fixico conveys the richness and importance of oral culture in Native communities and demonstrates the power of the spoken word to bring past and present together, creating a shared reality both immediate and historical for Native peoples. Fixico’s stories conjure war heroes and ghosts, inspire fear and laughter, explain the past, and foresee the future—and through them he skillfully connects personal, familial, tribal, and Native history. Oral tradition, Fixico affirms, at once reflects and creates the unique internal reality of each Native community. Stories possess spiritual energy, and by summoning this energy, storytellers bring their communities together. Sharing these stories, and the larger story of where they come from and how they work, “That’s What They Used to Say” offers readers rare insight into the oral traditions at the very heart of Native cultures, in all of their rich and infinitely complex permutations.

Einhorn, a rhetorical scholar, explores the rich history of the Native American oral tradition, focusing on stories, orations, prayers, and songs. Because American Indians existed without written language for many generations, their culture was strongly dependent on an oral tradition for continuity and preservation. Not surprisingly, they spent many hours perfecting the art of oral communication and learning methods for committing their messages to memory. Einhorn thoroughly examines the important aspects of this unique oral tradition from a rhetorical perspective, covering individual speakers, nations, and time periods. In the first half of the book, the author examines how the Native American oral tradition has affected their cultural assumptions, principles, values, beliefs, and experiences. These chapters focus primarily on characteristics of the Native American oral tradition that transcend individual nations. The second half of the book includes translated transcripts of representative speeches, stories, prayers, and songs. In accessible and compelling prose, Einhorn discusses the sanctity of the spoken word to Native Americans, concluding that their oral tradition helps to account for the survival of their people and their culture.

DIVDIVMore than 10,000 years ago, people settled on lands that now lie within the boundaries of the state of Connecticut. Leaving no written records and scarce archaeological remains, these peoples and their communities have remained unknown to all but a few archaeologists and other scholars. This pioneering book is the first to provide a full account of Connecticut’s indigenous peoples, from the long-ago days of their arrival to the present day./divDIV /divDIVLucianne Lavin draws on exciting new archaeological and ethnographic discoveries, interviews with Native Americans, rare documents including periodicals, archaeological reports, master’s theses and doctoral dissertations, conference papers, newspapers, and government records, as well as her own ongoing archaeological and documentary research. She creates a fascinating and remarkably detailed portrait of indigenous peoples in deep historic times before European contact and of their changing lives during the past 400 years of colonial and state history. She also includes a short study of Native Americans in Connecticut in the twentieth and twenty-first centuries. This book brings to light the richness and diversity of Connecticut’s indigenous histories, corrects misinformation about the vanishing Connecticut Indian, and reveals the significant roles and contributions of Native Americans to modern-day Connecticut./divDIVDIV/div/div/div

After a career working and living with American Indians and studying their traditions, Barre Toelken has written this sweeping study of Native American folklore in the West. Within a framework of performance theory, cultural worldview, and collaborative research, he examines Native American visual arts, dance, oral tradition (story and song), humor, and patterns of thinking and discovery to demonstrate what can be gleaned from Indian traditions by Natives and non-Natives alike. In the process he considers popular distortions of Indian beliefs, demystifies many traditions by showing how they can be comprehended within their cultural contexts, considers why some aspects of Native American life are not meant to be understood by or shared with outsiders, and emphasizes how much can be learned through sensitivity to and awareness of cultural values. Winner of the 2004 Chicago Folklore Prize, The Anguish of Snails is an essential work for the collection of any serious reader in folklore or Native American studies.

Arizona’s San Pedro Valley is a natural corridor through which generations of native peoples have traveled for more than 12,000 years, and today many tribes consider it to be part of their ancestral homeland. This book explores the multiple cultural meanings, historical interpretations, and cosmological values of this extraordinary region by combining archaeological and historical sources with the ethnographic perspectives of four contemporary tribes: Tohono O’odham, Hopi, Zuni, and San Carlos Apache. Previous research in the San Pedro Valley has focused on scientific archaeology and documentary history, with a conspicuous absence of indigenous voices, yet Native Americans maintain oral traditions that provide an anthropological context for interpreting the history and archaeology of the valley. The San Pedro Ethnohistory Project was designed to redress this situation by visiting archaeological sites, studying museum collections, and interviewing tribal members to collect traditional histories. The information it gathered is arrayed in this book along with archaeological and documentary data to interpret the histories of Native American occupation of the San Pedro Valley. This work provides an example of the kind of interdisciplinary and politically conscious work made possible when Native Americans and archaeologists collaborate to study the past. As a methodological case study, it clearly articulates how scholars can work with Native American stakeholders to move beyond confrontations over who “owns” the past, yielding a more nuanced, multilayered, and relevant archaeology.