National symbols have long been highly contentious in Ireland, and they remain so today. While there have been a number of studies which have examined the role of symbols in the contemporary conflict in Northern Ireland, as yet there has been no detailed study of debates about national symbols in twentieth-century Ireland. This book fills that gap, outlining the historical background to the continuing controversy about national symbols in Ireland and shedding new light on the deep political divisions which have marked Irish society throughout this century. Our Own Devices focuses on the crucial period from 1922 to 1939 which saw the creation and consolidation of new governments in the Irish Free State and Northern Ireland. It also examines in detail the selection of official symbols of state by governments in both parts of Ireland, and public responses to those symbols. Having discussed the conflicts over symbols which took place in the early decades of the two states, the book concludes by bringing the story up-to-date and relating earlier controversies about national symbols to current debates about the role of symbols in conflict and peacemaking in Northern Ireland. This study is a pioneering work in this relatively new area of Irish history, and is based on extensive original research, using many sources which have not previously been cited in published works.

National symbols have long been highly contentious in Ireland, and they remain so today. While there have been a number of studies which have examined the role of symbols in the contemporary conflict in Northern Ireland, as yet there has been no detailed study of debates about national symbols in twentieth-century Ireland. This book fills that gap, outlining the historical background to the continuing controversy about national symbols in Ireland and shedding new light on the deep political divisions which have marked Irish society throughout this century. Our Own Devices focuses on the crucial period from 1922 to 1939 which saw the creation and consolidation of new governments in the Irish Free State and Northern Ireland. It also examines in detail the selection of official symbols of state by governments in both parts of Ireland, and public responses to those symbols. Having discussed the conflicts over symbols which took place in the early decades of the two states, the book concludes by bringing the story up-to-date and relating earlier controversies about national symbols to current debates about the role of symbols in conflict and peacemaking in Northern Ireland. This study is a pioneering work in this relatively new area of Irish history, and is based on extensive original research, using many sources which have not previously been cited in published works.

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 25. Chapters: Flags of Northern Ireland, God Save the Queen, Union Flag, Shamrock, Flag of Northern Ireland, Northern Ireland flags issue, A Londonderry Air, List of flags used in Northern Ireland, Ulster Banner, Coat of arms of Northern Ireland, Quis separabit?. Excerpt: "God Save the Queen" (alternatively "God Save the King") is an anthem used in a number of Commonwealth realms and British Crown Dependencies. The words of the song, like its title, are adapted to the gender of the current monarch, with "King" replacing "Queen," "he" replacing "she," and so forth, when a king reigns. It is the de facto national anthem of the United Kingdom and some of its territories; one of the two national anthems of New Zealand (since 1977) and those of Britain's territories that have their own additional local anthem; and the royal anthem of Australia (since 1984), Canada (since 1980), Barbados, Jamaica, and Tuvalu, as well as Gibraltar and the Isle of Man. In countries not previously part of the British Empire, the tune of "God Save the Queen" has also been used as the basis for different patriotic songs, though still generally connected with royal ceremony. The authorship of the song is unknown, and beyond its first verse, which is consistent, it has many historic and extant versions: Since its first publication, different verses have been added and taken away and, even today, different publications include various selections of verses in various orders. In general only one verse is sung; sometimes two verses are sung, and on rare occasions three. Elizabeth II, the current monarch of the Commonwealth realms. The gender of the monarch determines which version of the song ("King" or "Queen") is used.The sovereign and his or her consort are saluted with the entire anthem, while other members of the royal family who are entitled to royal...

A fascinating look at national symbols worldwide and the important role they play in creating and maintaining individual and collective identity.

These two volumes offer an unprecedented collection of flags, seals, and symbols used every day around the world. In today's global society it is necessary to recognize and identify not only our own symbols, but symbols from nations and territories far removed from home. Empowering readers to identify symbols in daily use all over the world, The Complete Guide to National Symbols and Emblems features an extensive collection of international symbols and cultural emblems never before compiled in such a concise and easy-to-use work. It is inclusive of all the UN member states and some of the most prominent stateless nations. This refreshing alternative to other commonly used sites blends both the political and cultural, including not only flags, national seals, and national anthems, but also foods and recipes, national heroes, sports teams, festivals, and pivotal events that figure in the formation of national identity. This versatile source will prove valuable to a wide audience, benefiting not only high school and undergraduate student researchers, but international businesses, journalists, and government offices.

First published in Great Britain in 2016 by Elliott and Thompson Limited as: Worth dying for: the power and politics of flags.

Although the symbolic and political importance of flags has often been mentioned by scholars of nationalism, there are few in-depth studies of the significance of flags for national identities. This multi-disciplinary collection offers case studies and comparisons of flag history, uses and controversies. This book brings together a dozen scholars, from varying national and disciplinary backgrounds, to offers a cluster of close readings of flags in their social contexts, mostly contemporary, but also historical. Case studies from Denmark, England, Northern Ireland, Norway, Sweden, and the United States explore ways in which flags are contested, stir up powerful emotions, can be commercialised in some contexts but not in others, serve as quasi-religious symbols, and as physical boundary markers; how the same flag can be solemn and formal in one setting, but stand for domestic bliss and informal cultural intimacy in another.

Lee Smithey examines how symbolic cultural expressions in Northern Ireland, such as parades, bonfires, murals, and commemorations, provide opportunities for Protestant unionists and loyalists to reconstruct their collective identities and participate in conflict transformation.