Publisher Description

Combining concepts and methodologies from anthropology, history, linguistics, literature, music, cultural studies, and film studies, this collection of ten original essays addresses issues crucial to gender and national identity in Russia from the October Revolution of 1917 to the present. Collectively, these interdisciplinary essays explore how traditional gender inequities influenced the social processes of nation building in Russia and how men and women responded to those developments. Available in both clothbound and paperback editions, Gender and National Identity in Twentieth-Century Russian Culture offers fresh insights to students and scholars in the fields of gender studies, nationhood studies, and Russian history, literature, and culture.

During the 1930s, Stalin and his entourage rehabilitated famous names from the Russian national past in a propaganda campaign designed to mobilize Soviet society for the coming war. In a provocative study, David Brandenberger traces this populist "national Bolshevism" into the 1950s, highlighting the catalytic effect that it had on Russian national identity formation.

He sees political culture as a key determinant of national identity and emphasizes the critical role it plays as a vehicle of change and development. Like culture, national identity is a constructed phenomenon, a means to organize and structure cultural resources to fit current political and social needs."--BOOK JACKET.

The question of national identity has long been a vexing one in Russia, and is particularly pertinent in the post-Soviet period. Designed for students of Russian literature, culture and history, this collection of essays explores aspects of national identity in Russian culture from medieval times to the present.

The collapse of the Soviet Union forced Russia to engage in a process of nation building. This involved a reassessment of the past, both historical and cultural, and how it should be remembered. The publication of previously barely known underground and émigré literary works presented an opportunity to reappraise «official» Soviet literature and re-evaluate twentieth-century Russian literature as a whole. This book explores changes to the poetry canon - an instrument for maintaining individual and collective memory - to show how cultural memory has informed the evolution of post-Soviet Russian identity. It examines how concerns over identity are shaping the canon, and in which directions, and analyses the interrelationship between national identity (whether ethnic, imperial, or civic) and attempts to revise the canon. This study situates the discussion of national identity within the cultural field and in the context of canon formation as a complex expression of aesthetic, political, and institutional factors. It encompasses a period of far-reaching upheaval in Russia and reveals the tension between a desire for change and a longing for stability that was expressed by attempts to reshape the literary canon and, by doing so, to create a new twentieth-century past and the foundations of a new identity for the nation.

This book brings together scholars from across a variety of disciplines who use different methodologies to interrogate the changing nature of Russian culture in the twenty-first century. The book considers a wide range of cultural forms that have been instrumental in globalizing Russia. These include literature, art, music, film, media, the internet, sport, urban spaces, and the Russian language. The book pays special attention to the processes by which cultural producers negotiate between Russian government and global cultural capital. It focuses on the issues of canon, identity, soft power and cultural exchange. The book provides a conceptual framework for analyzing Russia as a transnational entity and its contemporary culture in the globalized world.

A third edition of this book is now available. Now fully updated and revised, this clear and comprehensive text explores the past thirty years of Soviet/Russian international relations, comparing foreign policy formation under Gorbachev, Yeltsin, Putin, and Medvedev. Drawing on an impressive mastery of both Russian and Western sources, Andrei P. Tsygankov shows how Moscow's policies have shifted with each leader's vision of Russia's national interests. He evaluates the successes and failures of Russia's foreign policies, explaining its many turns as Russia's identity and interaction with the West have evolved. The book concludes with reflections on the emergence of the post-Western world and the challenges it presents to Russia's enduring quest for great-power status along with its desire for a special relationship with Western nations.

In Cultural and Political Imaginaries in Putin’s Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Törnquist-Plewa, and Yuliya Yurchuk.

Looks at the contested place of the provinces in twenty-first-century Russia, surveying cultural discourse in journalism, literature, and film to analyze changing notions of nationalism, authenticity, and postimperial identity.