Following the National Theatre's success with plays based on novels by well-loved children's writers like Philip Pulman (His Dark Materials), Jamila Gavin (Coram Boy) and Michael Morpurgo (War Horse), the National now stages Mark Ravenhill's exhilarating adaptation of Terry Pratchett's witty and challenging adventure story in a major Christmas production for 2009. A parallel world, 1860. Two teenagers thrown together by a tsunami that has destroyed Mau's village and left Daphne shipwrecked on his South Pacific island, thousands of miles from home. One wears next to nothing, the other a long white dress; neither speaks the other's language; somehow they must learn to survive. As starving refugees gather, Daphne delivers a baby, milks a pig, brews beer and does battle with a mutineer. Mau fights cannibal Raiders, discovers the world is round and questions the reality of his tribe's fiercely patriarchal gods. Together they come of age, overseen by a foul-mouthed parrot, as they discard old doctrine to forge a new Nation.

New York Times Bestseller * Winner of the Los Angeles Times Book Prize * Winner of the Boston Globe/Horn Book Award * Michael L. Printz Medal honor winner From the pen of Sir Terry Pratchett, author of the beloved and bestselling Discworld fantasy series, comes an epic adventure of survival that mixes hope, humor, and humanity. When a giant wave destroys his village, Mau is the only one left. Daphne—a traveler from the other side of the globe—is the sole survivor of a shipwreck. Separated by language and customs, the two are united by catastrophe. Slowly, they are joined by other refugees. And as they struggle to protect the small band, Mau and Daphne defy ancestral spirits, challenge death himself, and uncover a long-hidden secret that literally turns the world upside down. Sir Terry also received a prestigious Printz Honor from the American Library Association for his novel Dodger.

Reaching as far back as ancient times, Ronojoy Sen pairs a novel history of India's engagement with sport and a probing analysis of its cultural and political development under monarchy and colonialism, and as an independent nation. Some sports that originated in India have fallen out of favor, while others, such as cricket, have been adopted and made wholly India's own. Sen's innovative project casts sport less as a natural expression of human competition than as an instructive practice reflecting a unique play with power, morality, aesthetics, identity, and money. Sen follows the transformation of sport from an elite, kingly pastime to a national obsession tied to colonialism, nationalism, and free market liberalization. He pays special attention to two modern phenomena: the dominance of cricket in the Indian consciousness and the chronic failure of a billion-strong nation to compete successfully in international sporting competitions, such as the Olympics. Innovatively incorporating examples from popular media and other unconventional sources, Sen not only captures the political nature of sport in India but also reveals the patterns of patronage, clientage, and institutionalization that have bound this diverse nation together for centuries.

How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation? Theatre & Nation explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. Foreword by Nicholas Hytner.

This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.

He’s the bad boy of baseball who’s about to lose everything. She needs a husband to get custody of her teenage sister. Suddenly a marriage of convenience doesn’t look so bad. Pitcher, Jaxon Prescott has a lot on his plate. Major League Baseball. Reputation as a player. And now? He’s on the verge of losing it all. He didn’t mean to sleep with his general manager’s daughter or get into a brawl that was captured on camera. But his notoriety is a problem and everything he's worked for is at risk. What’s a bad boy to do? Marry his sister's best friend to save his career, even if it’s the opposite of everything he wants and believes in. Macy Walker is the sole guardian of her half-sister until the girl’s mother returns and wants her daughter back. In order to win custody, Macy needs to provide stability and marrying someone would do the trick. Luckily for her, her best friend’s brother needs a wife. They're this close to getting exactly what they want - as long as they don't fall in love. A stand-alone novel DARE NATION SERIES Book 1: Dare to Resist Book 2: Dare to Tempt Book 3: Dare to Play Book 4: Dare to Stay Novella: Dare to Tease

Stop thinking about who you might offend and start thinking about who you might inspire. Fans are always asking Tomi Lahren where she gained the confidence and candor that have made her who she is: a celebrated free-speech advocate, a conservative media star, and one of the most controversial pundits in America. In Never Play Dead, Tomi cheers on anyone, especially other young women willing to speak their minds. She takes readers on a tour of the internet trolls, political correctness police, campus activists, and condescending elites who never pass up a chance to quash honest debate. And she skewers the self-esteem movement that ironically discourages people from speaking up for themselves. She tells the story of how she worked her way out of South Dakota to television fame in LA, surviving social isolation, a truly terrible boyfriend, and awful workplaces. Along the way, she was tempted to follow everyone’s advice to keep quiet and bide her time, but she never did. This comes at a cost. Any time Tomi posts a video or sends out a tweet, it makes headlines. A video of a stranger throwing a glass of ice water at her and her parents went viral, and the president tweeted about it. She was fired at The Blaze because she wouldn’t toe the party line. However, it’s fine to lose followers as long as you never lose yourself. Whether you’ve been told you’re not good enough by parents, lovers, frenemies, bad bosses, or social media, it’s time to take Lahren’s advice and fight back. Free speech isn’t just saying what you want; it’s hearing what you don’t want to hear. Never Play Dead teaches you to shed your fear, find your inner strength, speak the truth, and never let the haters get you down.

Marion Keim maintains that through properly organized sport South Africans can learn to play together with respect, learn to all be on the same team and in the process contribute to the building of a new South Africa.

INSTANT NEW YORK TIMES and LOS ANGELES TIMES BESTSELLER “Brilliant . . . riveting, scary, cogent, and cleverly argued.”—Beth Macy, author of Dopesick, as heard on Fresh Air This book is about pleasure. It’s also about pain. Most important, it’s about how to find the delicate balance between the two, and why now more than ever finding balance is essential. We’re living in a time of unprecedented access to high-reward, high-dopamine stimuli: drugs, food, news, gambling, shopping, gaming, texting, sexting, Facebooking, Instagramming, YouTubing, tweeting . . . The increased numbers, variety, and potency is staggering. The smartphone is the modern-day hypodermic needle, delivering digital dopamine 24/7 for a wired generation. As such we’ve all become vulnerable to compulsive overconsumption. In Dopamine Nation, Dr. Anna Lembke, psychiatrist and author, explores the exciting new scientific discoveries that explain why the relentless pursuit of pleasure leads to pain . . . and what to do about it. Condensing complex neuroscience into easy-to-understand metaphors, Lembke illustrates how finding contentment and connectedness means keeping dopamine in check. The lived experiences of her patients are the gripping fabric of her narrative. Their riveting stories of suffering and redemption give us all hope for managing our consumption and transforming our lives. In essence, Dopamine Nation shows that the secret to finding balance is combining the science of desire with the wisdom of recovery.

Michael Billington looks at post-war Britain from a theatrical perspective. He examines the constant interplay between theatre and society from the resurgent optimism of the Attlee years to the satire boom of the 1960s and the growth of political theatre under Tony Blair in the post-Iraq period.