A brilliant exposé of the implications of same-sex marriage -- and a compelling analysis of what it will take for society to reclaim the birthright of freedom it has lost in a reckless social experiment. To some, same-sex marriage is evidence that society has finally come of age. To others, it is yesterday's issue, posing no danger to traditional marriage. To still others -- McGill University's Douglas Farrow among them -- it has turned civil society on its ear, creating a new political situation in which several things are no longer clear: Is the state the property of the citizenry? Or are citizens, with their cherished personal associations, including marriage, now the property of the state? Who "owns" the children, now that natural parenthood had been replaced by legal parenthood? Is the family still "the natural and fundamental group unit of society," as the Universal Declaration of Human Rights claims? Or is the concept of “the natural" moribund? What is marriage for, anyway?

Move over, Benedict Arnold . . . Oh to be sure, America's first traitor is one of the 101 bastards you will find in this one-of-a-kind account of bad guys in Washington. But compared to some of the gross misconduct in this frighteningly funny history book, well, let's just say he's in good company. This page-turner of a potboiler reveals all the dirtiest little secrets readers never learned in history class. From illegitimate children (we thought Grover Cleveland was too boring to have sex) and illicit trysts (Warren G. Harding in the White House phone booth with his secretary) to turncoats (make up your own mind about Daniel Ellsberg) and traitors (General Wilkinson, aka a Spanish secret agent), you will discover all the dirt worth dishing since the founding of Jamestown. The Book of Bastards - because what you don't know about the history of our great nation can make you laugh and cry!

Minnesota’s toughest farm boys take on Iraqi insurgents in one of the most irreverent and outrageous memoirs to come out of the Iraq War. When they deployed for Iraq, Bravo Company, 2nd Battalion, 136th Infantry Regiment of the Minnesota National Guard, was mostly composed of farm kids from the Midwest. But make no mistake—these boys could replace a tank track on the side of the road using nothing but a crescent wrench, Zippo lighter, and a two-by-four. Once they arrived, they fought alongside the Marine Corps in Anbar province through the deadliest period of Operation Iraqi Freedom. Bravo Company earned the nickname “Bristol’s Bastards” after USMC Colonel George Bristol, commanding officer of the IMEF Headquarters Group, adopted this band of fierce warriors as one of his own. Specialist Nick Maurstad, a member of Bristol’s Bastards, brings to life the experience of fighting in Iraq: kicking down doors, dodging IEDs, battling insurgents in the small towns surrounding Fallujah, and trying to help one another survive in the deadliest place on earth.

Children born out of wedlock were commonly stigmatized as "bastards" in early modern France. Deprived of inheritance, they were said to have neither kin nor kind, neither family nor nation. Why was this the case? Gentler alternatives to "bastard" existed in early modern French discourse, and many natural parents voluntarily recognized and cared for their extramarital offspring.Drawing upon a wide array of archival and published sources, Matthew Gerber has reconstructed numerous disputes over the rights and disabilities of children born out of wedlock in order to illuminate the changing legal condition and practical treatment of extramarital offspring over a period of two and half centuries. Gerber's study reveals that the exclusion of children born out of wedlock from the family was perpetually debated. In sixteenth- and seventeenth-century France, royal law courts intensified their stigmatization of extramarital offspring even as they usurped jurisdiction over marriage from ecclesiastic courts. Mindful of preserving elite lineages and dynastic succession of power, reform-minded jurists sought to exclude illegitimate children more thoroughly from the household. Adopting a strict moral tone, they referred to illegitimate children as "bastards" in an attempt to underscore their supposed degeneracy. Hostility toward extramarital offspring culminated in 1697 with the levying of a tax on illegitimate offspring. Contempt was never unanimous, however, and in the absence of a unified body of French law, law courts became vital sites for a highly contested cultural construction of family. Lawyers pleading on behalf of extramarital offspring typically referred to them as "natural children." French magistrates grew more receptive to this sympathetic discourse in the eighteenth century, partly in response to soaring rates of child abandonment. As costs of "foundling" care increasingly strained the resources of local communities and the state, some French elites began to publicly advocate a destigmatization of extramarital offspring while valorizing foundlings as "children of the state." By the time the Code Civil (1804) finally established a uniform body of French family law, the concept of bastardy had become largely archaic.With a cast of characters ranging from royal bastards to foundlings, Bastards explores the relationship between social and political change in the early modern era, offering new insight into the changing nature of early modern French law and its evolving contribution to the historical construction of both the family and the state.

American Bastard is a lyrical inquiry into the life of being a bastard, sandblasting the myth of the "chosen baby."

An unprecedented account of the long-term cultural and political influences that Mexican-Americans will have on the collective character of our nation.In considering the largest immigrant group in American history, Gregory Rodriguez examines the complexities of its heritage and of the racial and cultural synthesis--mestizaje--that has defined the Mexican people since the Spanish conquest in the sixteenth century. He persuasively argues that the rapidly expanding Mexican American integration into the mainstream is changing not only how Americans think about race but also how we envision our nation. Brilliantly reasoned, highly thought provoking, and as historically sound as it is anecdotally rich, Mongrels, Bastards, Orphans, and Vagabonds is a major contribution to the discussion of the cultural and political future of the United States.

The oil sands. Global warming. The National Energy Program. Though these seem like modern Canadian subjects, author Mary Janigan reveals them to be a legacy of longstanding regional rivalry. Something of a "Third Solitude" since entering Confederation, the West has long been overshadowed by Canada's other great national debate: but as the conflict over natural resources and their effect on climate change heats up, 150 years of antipathy are coming to a head. Janigan takes readers back to a pivotal moment in 1918, when Canada's western premiers descended on Ottawa determined to control their own future--and as Margaret MacMillan did in Paris 1919, she deftly illustrates how the results reverberate to this day.

The aftermath of Hurricane Katrina is one of the darkest chapters in American history. The storm caused unprecedented destruction, and a toxic combination of government neglect and socioeconomic inequality turned a crisis into a tragedy. But among the rubble, there is hope. We're Still Here Ya Bastards presents an extraordinary panoramic look at New Orleans's revival in the years following the hurricane. Award-winning journalist Roberta Brandes Gratz shares the stories of people who returned to their homes and have taken the rebuilding of their city into their own hands. She shows how the city -- from the Lower Ninth Ward to the storied French Quarter to Bayou Bienvenue -- is recovering despite flawed governmental policies that promote disaster capitalism rather than the public good. While tracing positive trends, Gratz also investigates the most fiercely debated issues and challenges facing the city: a violent and corrupt prison system, the tragic closing of Charity Hospital, the future of public education, and the rise of gentrification. By telling stories that are often ignored by the mainstream media, We're Still Here Ya Bastards shows the strength and resilience of a community that continues to work to rebuild New Orleans, and reveals what Katrina couldn't destroy: the vibrant culture, epic history, and unwavering pride of one of the greatest cities in America.

With a new Introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) expertly dissects the political, economic, and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. With a new introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) astutely dissects the political, economic and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. The Western world is full of paradoxes. We talk endlessly of individual freedom, yet we’ve never been under more pressure to conform. Our business leaders describe themselves as capitalists, yet most are corporate employees and financial speculators. We call our governments democracies, yet few of us participate in politics. We complain about invasive government, yet our legal, educational, financial, social, cultural and legislative systems are deteriorating. All these problems, John Ralston Saul argues, are largely the result of our blind faith in the value of reason. Over the past 400 years, our “rational elites” have turned the modern West into a vast, incomprehensible, directionless machine, run by process-minded experts—“Voltaire’s bastards”—whose cult of scientific management is empty of both sense and morality. Whether in politics, art, business, the military, entertain­ment, science, finance, academia or journalism, these experts share the same outlook and methods. The result, Saul maintains, is a civilization of immense technological power whose ordinary citizens are increasingly excluded from the decision-making process. In this wide-ranging anatomy of modern society and its origins—whose “pages explode with insight, style and intellectual rigor” (Camille Paglia, The Washington Post)—Saul presents a shattering critique of the political, economic and cultural estab­lishments of the West.

A profound portrait of family dynamics in the rural South and “an essential novel” (The New Yorker) “As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye.” —The New York Times Book Review The publication of Dorothy Allison’s Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics. Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other’s trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, “cold as death, mean as a snake,” becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.