A remarkably fresh piece of Dylan scholarship, focusing on the profound impact that his Midwestern roots have had on his songs, politics, and prophetic character.

Memories of the newsrooms of the "New York American" and the "Morning Telegraph" of the 1920s, recalling some of the personalities the author encountered.

This retrospective spans this music legend's entire career. Hundreds of images tell the story of the musician who has always followed his own muse.

That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan's magnum opus, Blonde on Blonde, not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock's first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders chronicles the road that took Dylan from New York to Nashville in search of "that thin, wild mercury sound." As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Blonde sessions, where the voice of a generation was backed by musicians of the highest order.

This four-volume work provides provocative critical analyses of 160 of the best popular music albums of the past 50 years, from the well-known and mainstream to the quirky and offbeat. The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations contains critical analysis essays on 160 significant pop music albums from 1960 to 2010. The selected albums represent the pop, rock, soul, R&B, hip hop, country, and alternative genres, including artists such as 2Pac, Carole King, James Brown, The Beatles, and Willie Nelson. Each volume contains brief sidebars with biographical information about key performers and producers, as well as descriptions of particular music industry topics pertaining to the development of the album over this 50-year period. Due to its examination of a broad time frame and wide range of musical styles, and its depth of analysis that goes beyond that in other books about essential albums of the past and present, this collection will appeal strongly to music fans of all tastes and interests.

For many years, over, and over, people have told me that I should write a book about my life experiences in the music industry. Never gave that much thought until, at a point in time, the concept of individual "short-stories" came to mind. To write a book that's not a "tell-all" but one of true experiences that could appeal to music lovers and fans the world over. A book for people interested in knowing what it would be like to run in the fast lane as a guitar player. To record with Bob Dylan, Leonard Cohen, Johnny Cash, Lester Flatt and Earl Scruggs, Charlie Daniels, Willie Nelson, Hoyt Axton, Louden Wainwright and on and on. To take the stage of sold out venues like The Royal Albert Hall in London, The Vienna Opera House, The Olympia Theater in Paris, or Tivally Gardens in Copenhagen. To be part of a headline act at big concerts with thousands in attendance--and even the ultimate challenges like The Isle Of White with over 600,000 people in the audience. But more over, and especially in my case, it's the life events that have gone on around all of this that can be unbelievable--unbelievable, but absolutely true. The title of this book, "The Guitar Behind Dylan and Cohen," was the title of a two-page newspaper article that was written about me. I chose to use it because the stories (in this book) take place during the portion of my career at which time I was simultaneously recording albums with Bob Dylan and recording albums and touring with Leonard Cohen. Most of the people in this book are known to be, and recognized as, great songwriters as well as being artists. However, Cohen and Dylan, and their use of music as a way to speak to the masses are a very different world. Being part of all that led me in and out of some of the dambdest situations imaginable. As I share these stories with you, and as you read, put yourself in my shoes and let yourself become ... the guitar behind Dylan and Cohen.

(Book). Elliott Landy has his finger on the pulse of the Woodstock generation. He was there before the famous festival, hanging out with Dylan and The Band; he was the photographer of record at the festival itself; and he still lives in Woodstock today. Here he captures and preserves the true vision and pure essence of that incredibly influential event what it was like to be part of the '60s, sharing the spirit of unlimited hope, optimism, and the belief that the world can be made better through peace and love.

The ideal handbook for every rock-n-roll pilgrim, Music USA tours the musical heritage of America, from New York to Seattle, stopping at all the shrines of sound in between. Coverage includes background on the development of local music styles, with details on clubs and venues, radio stations and record stores nationwide.

This book itemizes Bob Dylan's copyright registrations and copyright-related documents from his first copyrighted work ("Talkin' John Birch Blues" in February 1962), to his first registration ("Song to Woody"), up to "Keep It With Mine" in the movie "I'm Not There." Also included are works he never registered (e.g. "Liverpool Gal" and "Church With No Upstairs") and his registered cover versions of other composers' songs. Annotated entries concern subjects such as recording dates, co-writers, and Dylan's companies. Its appearance is meant to mimic the printed Catalog of Copyright Entries.