“One of the strangest and most horrifying stories ever told.”—John Fowles, author of The French Lieutenant's Woman “First rate.”—Newsweek In July, 1816, a French frigate ran aground on a sandbar forty miles off the coast of Africa. Forced to abandon ship, 150 men and women embarked on an overloaded makeshift raft. After twelve days of riots, mutiny, murder, and, ultimately, cannibalism, only fifteen were alive.

In horrifying detail, this book tells the gruesome true story of the shipwreck of the French frigate "Medusa" off the coast of Senegal in 1816. Forced to abandon ship, 150 men and women embarked on an overloaded makeshift raft. After 12 days of riots, mutiny, murder, and cannibalism, only 15 survived. Back in print after 20 years, this book was originally published as "Death Raft".

A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe). In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety. Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and starving, the diminishing band fell into mayhem. When rescue arrived thirteen days later, only fifteen were alive. Among the handful of survivors were two men whose bestselling account of the maritime disaster scandalized Europe and inspired promising artist Théodore Géricault, who threw himself into a study of the Medusa tragedy, turning it into a vast canvas in his painting, The Raft of the Medusa. Drawing on contemporaneously published accounts and journals of survivors, The Wreck of the Medusa is “a captivating gem about art’s relation to history” (Booklist) and ultimately “a thrilling read” (The Guardian).

Two accounts of terrible shipwreck and the struggle for survival The wreck of the Medusa is one of the most famous and infamous shipwrecks from the great age of sailing ships. The Medusa was a French frigate which struck the Bank of Arguin, off the coast of Senegal in 1816 shortly after the end of the Napoleonic Wars. The vessel had to be abandoned and this was undertaken with such complete incompetence by the officers and crew that it resulted in the loss of over 150 lives in such appalling circumstances that it scandalised the general public of Europe and became an incurable embarrassment for the French government of the day. The event was even immortalised by a great artist of the period, and Gericault's 'Raft of the Medusa' endures to ensure it still remains widely known in all its horror two centuries later. The outrage of the Medusa gained particular notoriety because several of the survivors wrote harrowing accounts of their experiences of the events that took place. Two of these first hand narratives are included in this Leonaur edition making it a fascinating book for all those with an interest in sailing ships, voyages of times past and the perils of the sea.

In June 1816, the Medusa, flagship of a French expedition to repossess the colony of Senegal from the British, set sail but ran aground off the desolate West African coast. The evacuation of the frigate was chaotic and cowardly - 146 men and one woman were herded aboard a makeshift raft which was then abandoned in mid-ocean, cut loose by the convoy of lifeboats which had pledged to tow it to safety. The drifting raft carried those who survived to the very frontiers of human experience. Crazed, parched and starving, the diminishing band slaughtered mutineers, ate their dead companions and organized a tactical extermination of the weakest among them. Among the handful of survivors from the raft were two men whose written account of the tragedy catalogued the trail of government incompetence, indifference, and cover-up. Their book became a best-seller which rocked Europe and inspired the promising artist, Théodore Géricault. Reeling from an illicit affair with his attractive young aunt, he threw himself into an exhaustive study of the Medusa tragedy. Set in the politically fragile world of Restoration France, the murk of Georgian London and along the dangerous West African coast where the French were covertly regenerating the outlawed slave trade, Medusa witnesses error and outrage turned into a bestseller, and that bestseller transformed into one of the masterpieces of Western art.

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