The dark history of the Necronomicon––one of the world's most feared and fascinating books––told by the one man who saw it all...and lived to tell the tale. The Necronomicon is one of the most controversial books ever published. The master of Gothic suspense, H.P. Lovecraft, wrote about a mystical and dreaded grimoire, known as the Necronomicon––an ancient text written by an Arab that, if it were to fall into the wrong hands, could have disastrous consequences. But no one thought the Necronomicon had any basis in the world outside of Lovecraft's fiction. Until... Simon was a young man drawn to the mysterious world of the occult through his association with several Eastern Orthodox religions and his friendship with the owner of an occult bookstore in Brooklyn. In 1972 he stumbled upon a stolen text in a friend's apartment, unaware that what he held in his hands was the real Necronomicon––something long thought to be a creation of Lovecraft's brilliant mind and deft pen. After an arduous translation, done in the utmost secrecy (since the tome was in fact stolen), Simon and his close circle of friends unveiled the now–infamous grimoire to a clamoring public. In Dead Names, Simon tells the amazing true story that surrounds the Necronomicon. From the main players' humble beginnings in the pageantry–filled and secret world of Eastern Orthodox religion, to the accidental discovery of the Necronomicon, to the Son of Sam murders, the JFK assassination , the brilliant William S. Burroughs, and the eventual suspicious deaths of almost everyone involved with the grimoire, this book is an enthralling account of a book steeped in legend, lies, and murder.

They locked him up. Now he's out--for revenge. Former CIA officer James 'Wes' Wesley paid the ultimate price for his patriotism when he was locked up in a French jail for an anti-terror operation gone wrong--abandoned by the Agency he served, shunned by his colleagues and friends, cut off from his family. Now he is shattered by the news that his ex-wife, Rachel, a State Department analyst, has been killed in a terrorist attack in Spain. He also discovers that his young son, Ethan, is missing. But Wes didn't know he had a son--until now. Why was Rachel in Spain? And why did she keep his son secret from him? Granted early release, Wes takes flight across Europe to search for the truth and exact his revenge. But can he catch the spies who betrayed him before they track him down? In order to find the answers and save his son, Wes realises he must confront the dark secrets in his own past--before it's too late.

“As I read Eric Rickstad’s latest, The Names of Dead Girls, I felt myself constantly wanting to skip ahead -- anxious, desperate, to find out what was going to happen...You’re in the hands of one of the best in the business, at the very peak of his form. “ -- Michael Harvey, author of Brighton New York Times and USA Today bestselling author Eric Rickstad delivers another Canaan Crime novel and features once again detectives Frank Rath and Sonja Test as they track a depraved killer through rural Vermont. Every murder tells a story. Some stories never end . . . In a remote northern Vermont town, college student Rachel Rath is being watched. She can feel the stranger’s eyes on her, relentless and possessive. And she’s sure the man watching her is the same man who killed her mother and father years ago: Ned Preacher, a serial rapist and murderer who gamed the system to get a light sentence. Now, he’s free. Detective Frank Rath adopted Rachel, his niece, after the shocking murder of her parents when she was a baby. Ever since, Rath’s tried to protect her from the true story of her parents’ deaths. But now Preacher is calling Rath to torment him. He’s threatening Rachel and plotting cruelties for her, of the flesh and of the mind. When other girls are found brutally murdered, and a woman goes missing, Rath and Detective Sonja Test must untangle the threads that tie these new crimes and some long-ago nightmares together. Soon they will learn that the truth is more perverse than anyone could guess, rife with secrets, cruel desires, and warped, deadly loyalty. Mesmerizing, startling, and intricately plotted, The Names of Dead Girls builds relentlessly on its spellbinding premise, luring readers into its dark and macabre mystery, right to its shocking end.

The creation of Necronomicon is usually ascribed to Lovecraft.

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

From the bestselling author of Jurassic Park, Timeline, and Sphere comes an epic tale of unspeakable horror. It is 922 A.D. The refined Arab courtier Ibn Fadlan is accompanying a party of Viking warriors back to their home. He is appalled by their customs—the gratuitous sexuality of their women, their disregard for cleanliness, and their cold-blooded sacrifices. As they enter the frozen, forbidden landscape of the North—where the day’s length does not equal the night’s, where after sunset the sky burns in streaks of color—Fadlan soon discovers that he has been unwillingly enlisted to combat the terrors in the night that come to slaughter the Vikings, the monsters of the mist that devour human flesh. But just how he will do it, Fadlan has no idea.

From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.

Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.