The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.

Sydney Goodsir Smith, Poet: Essays on His Life and Work offers the first substantial work to assess his life and writings since his premature death in 1975. Considered a major figure in the second wave of Hugh MacDiarmid’s ‘Scottish Literary Renaissance’, Smith’s unique body of work has largely fallen from critical discussion of post-war Scottish literature. This book remedies this by showing how his work may have fallen out of favour, and then by reappraising his distinctive and varied achievements in poetry, drama, art and art criticism, the novel and translations. Early career and established academics explore the many strands of his work as the best way of giving this multifaceted literary figure renewed attention.

Community in Modern Scottish Literature is the first book to examine representations and theories of community in Scottish writing of the twentieth and twenty-first centuries across a broad range of authors and from various conceptual perspectives. The leading scholars in the field examine work in the novel, poetry, and drama, by key Scottish authors such as MacDiarmid, Kelman, and Galloway, as well as less well known writers. This includes postmodern and postcolonial readings, analysis of writing by gay and Gaelic authors, alongside theorists of community such as Nancy, Bauman, Delanty, Cohen, Blanchot, and Anderson. This book will unsettle and yet broaden traditional conceptions of community in Scotland and Scottish literature, suggesting a more plural idea of what community might be.

A new edited collection in four main parts: Poems, Political and Social Comment in Verse, Translations, and The Coolin: An Assonantal Projection. The original layout of the poems, including notes in Scots and English, is retained where possible, adding to their character and often emphasising Douglas Young's humour, political stance and intention.