A collection of poems and traditional rhymes about food and eating includes categories such as popular treats, disgusting eating habits, and outrageous table manners. Reprint.

After all, fashionable friends are arriving at her country estate near London, teas are being served, and her coming out party promises to be a resplendent affair. Everything is falling nicely into place until suddenly -- it isn't. For Petronella discovers that her guardian, Uncle Augustus T. Percival, has developed a most unVictorian compulsion: He must eat bugs. Worse still, because he is her guardian, Uncle Augustus is to attend her soiree, and his current state will most definitely be an embarrassment.During the festivities, when Petronella would much rather be sharing pleasantries with handsome Lord James Sinclair (swoon), important guests are disappearing, kidnapping notes are appearing, many of the clues are insects, and Uncle Augustus is surreptitiously devouring evidence. It's more than one sixteen-year-old girl should have to deal with. But, truth be told, there is far more yet to come . . ."Definitely frothy and categorically a romp. Saucy Petronella Arbuthnot is determined to help her dear uncle Augustus if she has to insult everyone else in her family to do it. I grew fond of Augustus T. Percival, and I'm glad he has a niece worthy of him." --Caroline Stevermer, author of Sorcery and Cecelia or The Enchanted Chocolate Pot

Haiti has had a tragic history and continues to be on of the most destitute places on the planet, especially in the aftermath of the devastating 2010 earthquake. Here, however, editor Edwidge Danticat reveals that even while the subject matter remains dark, the calibre of Haitian writing is of the highest order. Features stories by Edwidge Danticat, Madison Smartt Bell, Gary Victor, Jessica Fievre, Marilene Phipps, Marie Ketsia Theodore-Pharel, Katie Ulysse, Yanick Lahens, Evelyne Trouillot, Kettly Mars, Rodney Saint-Eloi and many more.

How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation? Theatre & Nation explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. Foreword by Nicholas Hytner.

In this deeply resonant book, Nobel Prize laureate Nadine Gordimer examines the tension for a writer between life's experiences and narrative creations, investigating where characters come from--to what extent are they drawn from real life?--and using the writings of South African revolutionaries to show how their struggle is contrastingly expressed in factual fiction and in lyrical poetry.

An exciting first collection of poetry from an emerging talent, Nadine Meyer's The Anatomy Theater was a winner of the 2005 National Poetry Series Open Competition, selected by esteemed poet John Koethe. For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.

The strength of Mandela the Spear and other Poems lies in Okais burning desire to celebrate the black experience and culture, through the iconic figures who symbolize those struggles and triumphs. Thus, not surprisingly, one encounters names like Mandela, Nadine Gordimer, Amilcar Cabral, Patrice Lumumba, Kwame Nkrumah, to name a few. Okai has long established himself as one of the towering figures in the field of modern African poetry in English. He is regarded as one of the pioneers of a vigorous reinvention of the poetic genre that revolutionized the poet/audience relationship, changed the mode of expression from scriptography to narratology, and the role of the audience from that of passive reception to active participation.

Kotan Chronicles takes the reader into the lives of the Ainu, the indigenous people of Hokkaido, and their interaction with Japanese settlers in the 1920s and 1930s. With a distinctive and powerful artistic voice, the poems probe this extraordinary cultural encounter in Japan's far north.

Longlisted for the 2002 Booker Prize: the compelling story of a relationship between a young white South African woman and a young Arab man