Written as a tribute to the revolutionary intellectual and leader Mzala Nxumalo, this book discusses the significance of his work in the context of contemporary South African left politics. It explores the history and struggle of the apartheid era that preceded the advent of democracy to analyze a crucial aspect of the national question – that is, the quest for the establishment of a united South Africa to overcome racist and sexist policies that create and nurture divisions among black people. The subjects in this book deal with a wide range of topics, including the new social, economic and political challenges facing democratic South Africa; the need to reexamine the critique of capitalism in the 21st century; the relationship between race, class and community struggles; and the ecological challenges under capitalism. Print edition not for sale in Sub Saharan Africa

This volume examines the way in which various strands of left thought have addressed the National Question. The re-emergence of debates on the decolonisation of knowledge has revived interest in the National Question, which began over a century ago and remains unresolved. Tensions that were suppressed and hidden in the past are now being openly debated. Despite this, the goal of one united nation living prosperously under a constitutional democracy remains elusive. This edited volume examines the way in which various strands of left thought have addressed the National Question, especially during the apartheid years, and goes on to discuss its relevance for South Africa today and in the future. Instead of imposing a particular understanding of the National Question, the editors identified a number of political traditions and allowed contributors the freedom to define the question as they believed appropriate - in other words, to explain what they thought was the Unresolved National Question. This has resulted in a rich tapestry of interweaving perceptions. The volume is structured in two parts. The first examines four foundational traditions: Marxism-Leninism (the Colonialism of a Special Type thesis); the Congress tradition; the Trotskyist tradition; and Africanism. The second part explores the various shifts in the debate from the 1960s onwards, and includes chapters on Afrikaner nationalism, ethnic issues, black consciousness, feminism, workerism and constitutionalism. The editors hope that by revisiting the debates not popularly known among the scholarly mainstream, this volume will become a catalyst for an enriched debate on our identity and our future.

Examines Frantz Fanon's relevance to contemporary South African politics and by extension research on postcolonial Africa and the tragic development of postcolonies. Scholar Nigel C. Gibson offers theoretically informed historical analysis, providing insights into the circumstances that led to the current hegemony of neoliberalism in South Africa.

Post-apartheid South Africa continues to face challenges in its attempts at economic transformation from decades of apartheid and colonisation. This need for revolution has resulted in various policy initiatives, including the ongoing demands for the nationalisation of the economy. The commercial media has a central role in shaping policy debates. But this media is an ideological tool and an economic resource since it is owned and controlled by people with political and economic interests and, therefore, tends to support and promote their interests. This book provides a Marxist critique of the representation of the nationalisation of the mines debate by the South African commercial media. Radebe examines corporate control of the media to articulate the interrelations between the State, Capital and the Media and how commercial media represents, shapes and influences public policy. He concludes that beyond factors such as ownership, commercialisation and the influence of advertising on news content, the global capitalist hegemony has a more powerful effect on the commercial media in South Africa than previously thought. Print edition not for sale in Sub Saharan Africa.

The resurgence of nationalism accompanying the decline of Communism has been taken to indicate the failure of socialist theory to grasp the nature of this phenomenon. Against both those who argue that the radical tradition has ignored and underestimated nationalism and those who accuse it of economic reductionism, this careful analysis of the idea of the nation as it was developed in the work of the major thinkers of the international labor movement reveals evidence of how seriously they grappled with nationalism. Each of the main sections of the book focuses on the most influential theorists of the international labor movement as it became organized and grew: Bakunin, Marx, and Engels and the concern of the First International (1864–1876) with class solidarity across political borders; Lenin, Luxemburg, and Bauer and the preoccupation of the Second International (1889-1914) with socialism in ethnically plural societies; Stalin and Gramsci in relation to the substitution by the Third International (1919–1943) of nation-building and national liberation for the old class project. In the conclusion, the author examines the relationships among ethnic and civic nationality, national self-determination, republican institutions, and the process of globalization from the perspective of the post-Soviet era and in the light of social theory and Kant's ideas about cosmopolitan right.

Nelson Mandela is one of the most revered figures of our time. The essays in this Companion, written by experts in history, anthropology, jurisprudence, cinema, literature, and visual studies, examine how Mandela became the icon he is today and ponder the meanings and uses of his internationally recognizable image.

South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.

This book reflects on the complex and contested idea of South Africa, drawing on a wide range of disciplinary perspectives. Ever since the delineation of South Africa as a country, the many diverse groups of people contained within its borders have struggled to translate a mere geographical description into the identity of a people. Today the new struggles ‘for South Africa’ and ‘to become South African’ are inextricably intertwined with complex challenges of transformation, xenophobia, claims of reverse racism, social justice, economic justice, service delivery, and the resurgent decolonization struggles reverberating inside the universities. This book covers the genealogy of the idea of South Africa, exploring how the country has been conceived of by a broad group of actors, including the British, Afrikaners, diverse African nationalist traditions, and new formations such as the Economic Freedom Fighters (EFF), Black First Land First (BLF), and student formations (Rhodes Must Fall & Fees Must Fall). Over the course of the book, a broad range of themes are covered, including identity formation, modernity, race, ethnicity, indigeneity, autochthony, land, gender, intellectual traditions, poetics of South Africanness, language, popular culture, truth and reconciliation, and national development planning. Concluding with important reflections on how a colonial imaginary can be changed into a free and inclusive postcolonial nation-state, this book will be an important read for Africanist researchers from across the humanities and social sciences.