Anthology of French and English speaking Canadian stories.

This book is filled with strange stories, mystic rites, angry gods, vision quests and magic symbols at the heart of African culture.

Bold reader - open your mystical map and get ready to travel through time with 21 dazzling stories of daring and deceit, reward and punishment. Meet gods, goddesses and demigods, serpents, coyotes, talking fish and clever spiders, and cavort with sea nymphs, mystical women, terrifying beasts and volcano people - as you discover different tales of how the world began. These powerful, fascinating myths and legends will transport you to every corner of the globe. You'll journey from ancient to modern times, from hot climates to freezing temperatures, from mountaintops to seafloors. The stories in this book link you to past generations; these tales have been passed down through a long line of oral traditions. The souls of ancestors, the lives of heroes and the fates of mortals are waiting to be discovered. Myths and legends are retold by Alli Brydon and beautifully illustrated by Julia Iredale. Myths from Africa include: 'The Creation of the World' from the Kuba people of the Democratic Republic of Congo 'The Tale of the Ghosts and the Flutes' from the Beba people of Cameroon 'Anansi and the Box of Stories' from the Ashanti people of present-day Ghana Myths from Europe include: The Selkies from Scottish mythology 'Athena, Arachne and the Duelling Looms' from Greek mythology Myths from Asia include: Lord Ganesh from the Hindu pantheon 'Nyai Loro Kidul, Queen of the Sea' from Indonesian mythology Myths of Oceania include: 'The Legend of Maui' from Polynesian mythology Uluru from the Anangu people of Australia The Rainbow Serpent from the Aboriginal people of Australia Myths of the Americas include: 'Coyote Steals Fire for the People' from the Native American people of the United States 'The Hero Twins Visit the Underworld' from the Mayan People of Mesoamerica The Mapinguary from Brazilian mythology Myths from the Arctic include: Sedna, the Mother of the Sea from Inuit mythology Niekija and the Northern Lights from Sami Shamanism About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travellers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore! Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.

"In Hollywood myths, veteran film critic Joe Williams dissects the film industry's biggest myths and rumors, from the dawn of the silver screen to the twenty-first century. Myths discussed pertain to superstars, power couples, groundbreaking films, and the industry itself"--Provided by publisher.

The contributors to this collection of essays on the literary use of myth in the early twentieth century and its literary and philosophical precedents from romanticism onwards draw on a range of disciplines, from anthropology, comparative literature, and literary criticism, to philosophy and religious studies. The underlying assumption is that modernist myth-making does not retreat from modernity, but projects a mode of being for the future which the past could serve to define. Modernist myth is not an attempted recovery of an archaic form of life so much as a sophisticated self-conscious equivalent. Far from seeking a return to an earlier romantic valorizing of myth, these essays show how the true interest of early twentieth-century myth-making lies in the consciousness, affirmative as well as tragic, of living in a human world which, in so far as it must embody value, can have no ultimate grounding. Although myth may initially appear to be the archaic counterterm to modernity, it is thus also the paradigm on which modernity has repeatedly reconstructed, or come to understand, its own life forms. The very term myth, by combining, in its modern usage, the rival meanings of a grounding narrative and a falsehood, encapsulates a central problem of modernity: how to live, given what we know.

There are three major myths of human nature: humans are divided into biological races; humans are naturally aggressive; and men and women are truly different in behavior, desires, and wiring. In an engaging and wide-ranging narrative, Agustín Fuentes counters these pervasive and pernicious myths about human behavior. Tackling misconceptions about what race, aggression, and sex really mean for humans, Fuentes incorporates an accessible understanding of culture, genetics, and evolution, requiring us to dispose of notions of “nature or nurture.” Presenting scientific evidence from diverse fields—including anthropology, biology, and psychology—Fuentes devises a myth-busting toolkit to dismantle persistent fallacies about the validity of biological races, the innateness of aggression and violence, and the nature of monogamy and differences between the sexes. A final chapter plus an appendix provide a set of take-home points on how readers can myth-bust on their own. Accessible, compelling, and original, this book is a rich and nuanced account of how nature, culture, experience, and choice interact to influence human behavior.

The contributors to this collection of essays on the literary use of myth in the early twentieth century and its literary and philosophical precedents from romanticism onwards draw on a range of disciplines, from anthropology, comparative literature, and literary criticism, to philosophy and religious studies. The underlying assumption is that modernist myth-making does not retreat from modernity, but projects a mode of being for the future which the past could serve to define. Modernist myth is not an attempted recovery of an archaic form of life so much as a sophisticated self-conscious equivalent. Far from seeking a return to an earlier romantic valorizing of myth, these essays show how the true interest of early twentieth-century myth-making lies in the consciousness, affirmative as well as tragic, of living in a human world which, in so far as it must embody value, can have no ultimate grounding. Although myth may initially appear to be the archaic counterterm to modernity, it is thus also the paradigm on which modernity has repeatedly reconstructed, or come to understand, its own life forms. The very term myth, by combining, in its modern usage, the rival meanings of a grounding narrative and a falsehood, encapsulates a central problem of modernity: how to live, given what we know.