This book, first published in 1987, sets out to examine and extend our understanding of Australian popular culture, and to counter the long-established, traditional criticism bewailing its lack. The authors argue that the 'knocker's' view started from an elitist viewpoint, yearning for Australia to aspire to a European culture in art, music, literature and other traditional cultural fields. They argue however that there are other definitions of culture that are more populist, more comprehensive, and which represent a vitality and dynamism which is a true reflection of the lives and aspirations of Australians. Myths of Oz offers no comprehensive definition of Australian culture, but rather a way of interpreting its various aspects. The barbeque or the pub, an expedition to the shops or a day at the beach, the home, the workplace or the job queue; all these intrinsic parts of Australian life are examined and conclusions drawn as to how they shape or are shaped by what we call popular culture. The authors look too at monuments and symbols, from Ayers Rock to the Sydney Opera House, which both shape and reflect Australian culture, while a chapter on the Australian accent shows how language and terminology play a powerful role in establishing cultural standpoints. A particular strength of this book is that while delivering a provocative and stimulating series of viewpoints on popular culture, it also makes use of current academic tools and methodology to ensure that we gain new insights into the meanings and pleasures we derive from our everyday experiences.

Supermarkets, in all their everyday mundanity, embody something of the enormous complexity of living and consuming in late twentieth century western societies. Shelf Life, first published in 1998, explores the supermarket as a retail space and as an arena of everyday consumption in Australia. It historically situates and critically discusses the everyday food products we buy, the retail environments in which we do so, the attitudes of the retailers who construct such environments, and the diverse ways in which all of us undertake and think about supermarket shopping. Yet this book is more than narrative history. It engages with broader issues of the nature of Australian modernity, the globalisation of retail forms, the connection between consumption and self-autonomy, and the highly gendered nature of retailing and shopping. It interrogates also the work of cultural critics, and questions recent attempts to grasp what it means to consume and to be a 'consumer'.

" Explores the historical rise of the literary fairy tale as genre in the late seventeenth century. In his examinations of key classical fairy tales, Zipes traces their unique metamorphoses in history with stunning discoveries that reveal their ideological relationship to domination and oppression. Tales such as Beauty and the Beast, Snow White and the Seven Dwarves, and Rumplestiltskin have become part of our everyday culture and shapers of our identities. In this lively work, Jack Zipes explores the historical rise of the literary fairy tale as genre in the late seventeenth century and examines the ideological relationship of classic fairy tales to domination and oppression in Western society. The fairy tale received its most "mythic" articulation in America. Consequently, Zipes sees Walt Disney's Snow White as an expression of American male individualism, film and literary interpretations of L. Frank Baum's The Wizard of Oz as critiques of American myths, and Robert Bly's Iron John as a misunderstanding of folklore and traditional fairy tales. This book will change forever the way we look at the fairy tales of our youth.

The bestselling popular science author “has made it his mission to tackle myths about science and the so-called experts who spread them” (CBC Radio). The internet is a powerful beast when it comes to science; the answer to any query you may have is just a few keystrokes away. But when there are multiple answers from various sources, how do we know what information is reliable? In Monkeys, Myths, and Molecules, bestselling author Dr. Joe Schwarcz takes a critical look at how facts are misconstrued in the media. He debunks the myths surrounding canned food, artificial dyes, SPF, homeopathy, cancer, chemicals, and much more. Unafraid to expose the sheer nonsense people are led to believe about health, food, drugs, and our environment, Dr. Joe confronts pseudoscience and convincingly and entertainingly advocates for a scientific approach to everyday life. “A compendium of short articles on a variety of subjects, written in a humorous, accessible style, and larded with intriguing trivia . . . Dr. Joe skewers food myths, opposition to GMOs, Dr. Oz, and Vani Hari, aka the Food Babe.” —Science-Based Medicine “Ultimately, the author successfully demonstrates how claims should be queried and analyzed before they are accepted . . . Recommended for readers of health, nutrition, and popular science.” —Library Journal “The book is chock-full of captivating anecdotes . . . The author engages readers with his wit and wisdom.” —The Canadian Jewish News

"In Hollywood myths, veteran film critic Joe Williams dissects the film industry's biggest myths and rumors, from the dawn of the silver screen to the twenty-first century. Myths discussed pertain to superstars, power couples, groundbreaking films, and the industry itself"--Provided by publisher.

Tells the story of the midgets who played the Munchkins in the 1939 Hollywood classic The Wizard of Oz, including where they came from, how they fared during filming, what they did off the set, and what became of those among them who stayed in show business.

Nick Cave is now widely recognized as a songwriter, musician, novelist, screenwriter, curator, critic, actor and performer. From the band, The Boys Next Door (1976-1980), to the spoken-word recording, The Secret Life of the Love Song (1998), to the recently acclaimed screenplay of The Proposition (2005) and the Grinderman project (2008), Cave's career spans thirty years and has produced a comprehensive (and sometimes controversial) body of work that has shaped contemporary alternative culture. Despite intense media interest in Cave, there have been remarkably few comprehensive appraisals of his work, its significance and its impact on understandings of popular culture. In addressing this absence, the present volume is both timely and necessary.

It's perhaps the relative modernity of rock 'n' roll that makes the genre a minefield of myths and legends accepted as truth. History hasn't had time to dissect the bunk. Until now. Discover the real stories behind rock's biggest crocks, how they came to be but why they have persisted. Did Cass Elliott really asphyxiate herself with a ham sandwich? Did the Beatles spark a spliff in Buckingham? Did Willie Nelson do the same in the White House? Did Keith Richards get a complete "oil change" at a Swiss clinic in 1973 to pass a drug test necessary to embark on an American tour with the Stones? Then there's the freaky (did Michael Jackson own the remains of the Elephant Man?), the quasi-medical (Rod Stewart and that stomach pump?), the culinary (did Alice Cooper and Ozzy Osbourne really do all those things to bats, chickens, etc. onstage?), and the apocryphal (did Robert Johnson sell his soul to the Prince of Darkness in exchange for mastery of the blues?). In all, more than 50 enduring lies are examined, explained, and debunked.

“Tik-Tok of Oz” is a 1914 novel by Layman Frank Baum. Baum's eighth book set in the Land of Oz and his favourite, it chronicles the quest of the Shaggy Man to rescue his brother and the consequent war with the Nome King. This wonderful tale is highly recommended for lovers of The Wizard of Oz series, and it would make for perfect bedtime reading. Layman Frank Baum (1856 – 1919) was an American author most famous for his contributions to children's literature, most notably “The Wonderful Wizard of Oz”. Other works by this author include: “The Marvellous Land of Oz” (1900), “The Woggle-Bug Book” (1905), and “The Patchwork Girls of Oz” (1913). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

Since the publication of L. Frank Baum's The Wonderful Wizard of Oz in 1900, authors, filmmakers, and theatrical producers have been retelling and reinventing this uniquely American fairy tale. This volume examines six especially significant incarnations of the story: Baum's original novel, the MGM classic The Wizard of Oz (1939), Sidney Lumet's African American film musical The Wiz (1978), Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West (1995), Stephen Schwartz and Winnie Holzman's Broadway hit Wicked: A New Musical (2003), and the SyFy Channel miniseries Tin Man (2007). A close consideration of these works demonstrates how versions of Baum's tale are influenced by and help shape notions of American myth, including issues of gender, race, home, and magic, and makes clear that the Wizard of Oz narrative remains compelling and relevant today.