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This long awaited book discusses both ancient and modern shamanism, demonstrating its longevity and spatial distribution. The book is divided into eleven thought-provoking chapters that are organised into three sections: mind-body, nature, and culture. It discusses the clear associations with this sometimes little-understood ritualised practice, and asks what shamanism is and if tangible evidence can be extracted from a largely fragmentary archaeological record. The book offers a novel portrayal of the material culture of shamanism by collating carefully selected studies by specialists from three different continents, promoting a series of new perspectives on this idiosyncratic and sometimes intangible phenomenon.

The study of ancient metals in their social and cultural contexts has been a topic of considerable interest in archaeology and ancient history for decades, partly due to the modern dependence on technology and man-made materials. The formal study of Archaeometallurgy began in the 1970s-1980s, and has seen a recent growth in techniques, data, and theoretical movements. This comprehensive sourcebook on Archaeometallurgy provides an overview of earlier research as well as a review of modern techniques, written in an approachable way. Covering an extensive range of archaeological time-periods and regions, this volume will be a valuable resource for those studying archaeology worldwide. It provides a clear, straightforward look at the available methodologies, including: • Smelting processes • Slag analysis • Technical Ceramics • Archaeology of Mining and Field Survey • Ethnoarchaeology • Chemical Analysis and Provenance Studies • Conservation Studies With chapters focused on most geographic regions of Archaeometallurgical inquiry, researchers will find practical applications for metallurgical techniques in any area of their study. Ben Roberts is a specialist in the early metallurgy and later prehistoric archaeology of Europe. He was the Curator of the European Copper and Bronze Age collections at the British Museum between 2007 and 2012 and is now a Lecturer in Prehistoric Europe in the Departm ent of Archaeology at the Durham University, UK. Chris Thornton is a specialist in the ancient metallurgy of the Middle East, combining anthropological theory with archaeometrical analysis to understand the development and diffusion of metallurgical technologies throughout Eurasia. He is currently a Consulting Scholar of the University of Pennsylvania Museum, where he received his PhD in 2009, and the Lead Program Officer of research grants at the National Geographic Society.

Volume 2 is a detailed commentary on the texts of Early Greek Mythography: Volume 1, a critical edition of the twenty-nine authors of this genre from the late 6th to early 4th centuries BC. Volume 2 provides a mythological commentary of the original works, as well as a philological commentary on separate authors.

In 1991, Laura Slatkin published The Power of Thetis: Allusion and Interpretation in the Iliad, in which she argued that Homer knowingly situated the storyworld of the Iliad against the backdrop of an older world of mythos by which the events in the Iliad are explained and given traction. Slatkin’s focus was on Achilles’ mother, Thetis: an ostensibly marginal and powerless goddess, Thetis nevertheless drives the plot of the Iliad, being allusively credited with the power to uphold or challenge the rule of Zeus. Now, almost thirty years after Slatkin’s publication, this timely volume re-examines depictions and receptions of this ambiguous goddess, in works ranging from archaic Greek poetry to twenty-first century cinema. Twenty authors build upon Slatkin’s readings to explore Thetis and multiple roles she played in Western literature, art, material culture, religion, and myth. Ever the shapeshifter, Thetis has been and continues to be reconceptualised: supporter or opponent of Zeus’ regime, model bride or unwilling victim of Peleus’ rape, good mother or child-murderess, figure of comedy or monstrous witch. Hers is an enduring power of transformation, resonating within art and literature.

The Greek myths are characteristically fabulous; they are full of monsters, metamorphoses, and the supernatural. However, they could be told in other ways as well. This volume charts ancient dissatisfaction with the excesses of myth, and the various attempts to cut these stories down to size by explaining them as misunderstood accounts of actual events. In the hands of ancient rationalizers, the hybrid forms of the Centaurs become early horse-riders, seen from a distance; the Minotaur the result of an illicit liaison, not an inter-species love affair; and Cerberus, nothing more than a notorious snake with a lethal bite. Such approaches form an indigenous mode of ancient myth criticism, and show Greeks grappling with the value and utility of their own narrative traditions. Rationalizing interpretations offer an insight into the practical difficulties inherent in distinguishing myth from history in ancient Greece, and indeed the fragmented nature of myth itself as a conceptual entity. By focusing on six Greek authors (Palaephatus, Heraclitus, Excerpta Vaticana, Conon, Plutarch, and Pausanias) and tracing the development of rationalistic interpretation from the fourth century BC to the Second Sophistic (first to second centuries AD) and beyond, Rationalizing Myth in Antiquity shows that, far from being marginalized as it has been in the past, rationalization should be understood as a fundamental component of the pluralistic and shifting network of Greek myth as it was experienced in antiquity.

The aim of this book is to explore the realm of the imaginary world of Greek mythology and present the reader with a categorization of monstrosity, referring to some of the most noted examples in each category.

Caves and the Ancient Greek Mind analyses techniques of searching for ultimate wisdom in ancient Greece. The Greeks perceived mental experiences of exceptional intensity as resulting from divine intervention. They believed that to share in the immortals' knowledge, one had to liberate the soul from the burden of the mortal body by attaining an altered state of consciousness, that is, by merging with a superhuman being or through possession by a deity. These states were often attained by inspired mediums, `impresarios of the gods' - prophets, poets, and sages - who descended into caves or underground chambers. Yulia Ustinova juxtaposes ancient testimonies with the results of modern neuropsychological research. This novel approach enables an examination of religious phenomena not only from the outside, but also from the inside: it penetrates the consciousness of people who were engaged in the vision quest, and demonstrates that the darkness of the caves provided conditions vital for their activities.

This study focuses on the study of metallurgy in pre-colonial Zambia to 1890. A general review of the literature on metallurgy in pre-colonial Zambia reveals that during the period our study (up to 1890), three metals were mined. Iron production was a widespread, important and significant phenomenon, responsible for producing utility toolshoes, axe, knives, weapons, spears, arrow heads and broad knives, and regalia for the political and religious office holderscopper, which was confine to few areas; and gold to even fewer areas. Metallurgy was an important economic activity in which all ethnic groups participated in different levels of intensity. From iron ore which was smelted in elaborate and complicated processes imbued in magic, song, dance, incantations, medicines, and taboos by members of exclusively male guilds, blacksmiths were able to produce the following: (a) tools used in agriculture: hoes, axes used to clear forestays or areas to be cultivated to grow food for subsistence, non-edible crops such as tobacco and hemp which were smoked as part of relaxation, cotton used to make blankets sand shawls, needles for mending clothes, and knives for a variety of uses; (b) hunting using varieties of spears to hunt game, seek protection from dangerous animals, for defence of resources or offence to capture desired resources; (c) various sizes of hooks used in fishing different varieties of fish; and (d) making of regalia used in chieftaincies and priesthood as symbols of authority. Copper was also smelted and put in ingots of varying sizes and rods of varying sizes and lengths, which were (a) used to make copper wires as wires, rods, vessels and other utensils, copper smiths produced jewellery and ornaments and cast art pieces such as statues and necklaces worn by men and women as status symbols; (b) used in exchange of goods and services as currency; and (c) used to produce regalia for the for those in authority. Gold was mined directly and processed into making as variety of items such as buttons and regalia. In its various forms of development and sophistication, metallurgy was responsible for the economic, social and political advances among the pre-colonial societies. A variety of skills was required for building furnaces, producing charcoal, smelting and forging iron into goods. Metallurgy and production of various items that were needed and necessary for an improved life were generally not an enclave activity but a process that satisfied the totality of socioeconomic needs. It also promoted the gender division of labour within community. Wealth from the Rocks is therefore a detailed study of the place, role, and function of metallurgy in pre-colonial Zambian societies.

As late as the beginning of the nineteenth century, despite the many years of direct contact with European traders and the influx of European goods, most African societies still produced their own iron and its products, or obtained them from neighbouring communities through local trade. The quality of iron products was such that, despite competition from European imports, local iron production survived into the early twentieth century in some parts of the continent. The production process covered prospecting, mining, smelting, and forging. Different types of ore were available all over the continent and were extracted by shallow or alluvial mining. A variety of skills were required for building furnaces, producing charcoal, smelting, and forging iron into goods. Iron production was generally not an enclave activity but a process that fulfilled the totality of socio-economic needs. It also fit the gender division of labour within communities.