Description: Significantly this book shows, by using a triangulation of methods (historical, phenomenological, and structural), what it is to live in a universe of meaning centered by the idea that the ultimate reality is grounded in a female principle. It provides a framework for uniting Hindu goddess-worship in all its sacred manifestations. The work uses the name Durga-Kali (via Mircea Eliade) as a vital focus for linking together tribal, popular (bhakti) and Brahmanic (Tantric) traditions. The author's approach also allows for the integration of the physical, mental, and spiritual aspects of human life into a whole, - indeed - a unique type of balance. Though many subsequent highly specialized studies have enlarged upon aspects of its basic theme, this is the work that by and large launched a host of recent studies in the west aimed at helping those outside of the world of Sakta Hinduism to appreciate the wonder of its mythic cosmologies, cultic practices, and symbolic expressions.

From the classical to the contemporary, this is a comprehensive, systematic and accessible encyclopedia of the phenomenon known as 'Hinduism'. Drawing on his extensive knowledge of the religion and its texts, Klostermaier presents the theoretical and practical aspects of Hinduism that render this most ancient of religions a living faith. The encyclopedia features the major systems of Hindu thought, covers figures from Manu to Gandhi and includes locations from Ramesvaram, on the southernmost tip of India, to the Himalayas in the north. Written with assurance, learning, sympathy and insight, this is an invaluable reference for students, adherents of the religion and those unfamiliar with this diverse world faith.

Goddess Images Are Omnipresent Within The Cultural Fabric Of India, Yet Most Indians Are Unaware Of Uplifting Meanings These Images Convey. In The Book, Images Of Indian Goddesses,. Dr. Madhu Bazaz Wangu Explains The Emergence Of Indian Goddesses Within The Changing Social, Political And Cultural Environment From The Prehistoric To The Present Times And Explains Their Metaphysical Meanings. Why Are Hindu Goddesses Paradoxical In Nature? Why Are They Portrayed As Erotic And Maternal Simultaneously? Why Do They Have Multiple Arms? Why Do Some Of Them Have Their Own Vehicle (Vahana) And Some Do Not? Why Are Such Images Portrayed On The Popular Calendar- Posters? The Book Answers Such Questions And Helps The Reader Understand Their Meanings. The Goddesses Discussed Range From The Devoted Sita To The Sinister Kali; From The Warrior Durga To The Auspicious Shri Lakshmi; From The Erotic Radha To The Serene Sarasvati And Many Others. Dr. Wangu Firmly Feels That If Experienced Hindu Goddesses Have A Potential For Stimulating The Onlooker'S Innermost Self. Experiencing Goddess Imagery Uplifts This Worldly Life And Ponders The Nature Of The Other -Worldly Existence. Furthermore, The Book Argues That The Goddesses Are Stimulating And Empowering Models Not Only For Indian Women But For All. Images Of Indian Goddesses Helps A Common Person Understand And Appreciate The Bewildering Number Of Female Images Expressed In India'S Sacred Art. The Book Is Not Only Absorbing And Inspiring, It Also Offers A Visual Treasury Of Goddess Art Images. Its Text Is Food For The Mind And The Illustrations Are A Feast For The Eyes.

The authors of the Devī-Bhāgavata Purāna endeavored to demonstrate the superiority of the Devī over competing masculine deities, and to articulate in new ways the manifold nature of the Goddess. Brown's book sets out to examine how the Purana pursues these ends. The Devī-Bhāgavata employs many ancient myths and motifs from older masculine theologies, incorporating them into a thoroughly "feminized" theological framework. The text also seeks to supplant older "masculine" canonical authorities. Part I of Brown's study explores these strategies by focusing on the Purana's self-conscious endeavor to supersede the famous VaisBhagavata Purana. The Devī-Bhāgavata also re-envisions older mythological traditions about the Goddess, especially those in the first great Sanskritic glorification of the Goddess, the Devi-Mahatmya. Brown shows in Part II how this re-envisioning process transforms the Devī from a primarily martial and erotic goddess into the World-Mother of infinite compassion. Part III examines the Devi Gita, the philosophical climax of the Purana modeled upon the Bhagavad Gita. The Devi Gita, while affirming that ultimate reality is the divine Mother, avows that her highest form as consciousness encompasses all gender, thereby suggesting the final triumph of the Goddess. It is not simply that She is superior to the male gods, but rather that She transcends Her own sexuality without denying it.

In volume 2 of this monumental work, Mircea Eliade continues his magisterial progress through the history of religious ideas. The religions of ancient China, Brahmanism and Hinduism, Buddha and his contemporaries, Roman religion, Celtic and German religions, Judaism, the Hellenistic period, the Iranian syntheses, and the birth of Christianity—all are encompassed in this volume.

The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before--fascinating, contradictory, powerful.

"The editors have assembled a South Asian/History of Religions dream team, and the result is a book that captures the sexy, gory power of the dark goddess who is the most exciting of all Hindu deities-and perhaps the most controversial and notorious of all deities. Academically profound and theoretically subtle, these essays are also vivid and juicy."--Wendy Doniger, author of The Bedtrick: Tales of Sex and Masquerade "If any subject ever called for a book of many parts, it is Kali. These original and provocative essays, well chosen and thoughtfully organized, point to all sides of the Goddess's character. The result is a sharp and challenging book-the essential starting point for a new century of encountering Kali."--John Stratton Hawley, Ann Whitney Olin Professor of Religion, Columbia University and co-editor of Devi: Goddesses of India

Addressing one of the most difficult conceptual topics in the study of classical Hinduism, Ariel Glucklich presents a rigorous phenomenology of dharma, or order. The work moves away from the usual emphasis on symbols and theoretical formulations of dharma as a religious and moral norm. Instead, it focuses on images that emerge from the basic experiential interaction of the body in its spatial and temporal contexts, such as the sensation of water on the skin during the morning purification, or the physical manipulation of the bride during the marriage ritual. Images of dharma are examined in myths, rituals, art, and even the physical landscape of the Hindu world. The varied and contingent experiences of dharma infuse it with a meaning that transcends a false analytical distinction from adharma, or chaos. Glucklich shows that when dharma is experienced by means of living images, it becomes inescapably temporal, and therefore inseparable from adharma.