A child who calls himself Captain Spark. The mysterious Machchli Baba. A stabbing in a dark alley... In Varanasi during the Durga Puja, a valuable statuette of Ganesh is stolen from the famous Ghoshal household. Before he can recover it, Feluda has to face the arch-villain Maganlal Meghraj, solve a murder case, and unmask a fraud sadhu. One of Feluda's most hair-raising adventures, this case puts all his skills to the test.

A Child Who Calls Himself Captain Spark. The Mysterious Machchli Baba. A Stabbing In A Dark Alley&Hellip; In Varanasi During The Durga Puja, A Valuable Statuette Of Ganesh Is Stolen From The Famous Ghoshal Household. Before He Can Recover It, Feluda Has To Face The Arch-Villain Maganlal Meghraj, Solve A Murder Case, And Unmask A Fraud Sadhu. One Of Feluda&Rsquo;S Most Hair-Raising Adventures, This Case Puts All His Skills To The Test. &Nbsp;

Annotation A rare set of coin medallions is used to analyze Alexander the Great's reputation for invinceability in war. The book's backbone is the history of the discovery and interpretation of these medallions, to which are added the extraordinary story of Alexander, and a brief introduction to the science of numismatics.

Sarah-Jane and her two cousins try to uncover the identity of the mysterious old woman who makes the sock monkeys sold at the local craft store.

An incident near the desolate Chhinnamasta temple on the rocky riverbank of Rajrappa leads to the death of Mahesh Chowdhury, the head of a Hazaribagh family. Adding to the mystery are a set of coded diaries, a valuable stamp collection that is missing and a tiger that is roaming the streets of Hazaribagh. One of Feluda’s most intriguing adventures, this shows the master sleuth at his best.

Once Upon an Elephant is a contemporary tale of Hindu deity Ganesh and what happens when worlds, cultures, and stories collide. A whimsical, contemporary retelling of the creation story of Ganesh--the elephant-headed Hindu deity--Once Upon an Elephant is rife with humour and political satire. When the police find unusual boy parts--a young man's head and an elephant's body--they assume a murder has been committed, and the case goes to trial. But the appearance of Vighnesvara, a manifestation of Ganesh with the body of a young man and the head of an elephant, in the courtroom of ultra-conservative Judge McEchern throws things into chaos. Around the world statues of Ganesh are drinking offered milk, and poor Judge McEchern has troubles enough with his carnival court: witnesses who testify in languages other than English, testimony from an accused who grows extra arms at will, and a murder victim, with the head of an elephant, who refuses to stay dead. Ganesh is known as the lord of obstacles, and Once Upon an Elephant is strewn with them, twisting, turning, and thwarting expectations about race, class, and sexuality, all within a page-turning murder mystery. This was Ashok Mathur's first novel; his second novel, The Short, Happy Life of Harry Kumar, is also available from Arsenal Pulp Press.

To all those who witnessed his extraordinary conquests, from Albania to India, Alexander the Great appeared invincible. How Alexander himself promoted this appearance—how he abetted the belief that he enjoyed divine favor and commanded even the forces of nature against his enemies—is the subject of Frank L. Holt's absorbing book. Solid evidence for the "supernaturalized" Alexander lies in a rare series of medallions that depict the triumphant young king at war against the elephants, archers, and chariots of Rajah Porus of India at the Battle of the Hydaspes River. Recovered from Afghanistan and Iraq in sensational and sometimes perilous circumstances, these ancient artifacts have long animated the modern historical debate about Alexander. Holt's book, the first devoted to the mystery of these ancient medallions, takes us into the history of their discovery and interpretation, into the knowable facts of their manufacture and meaning, and, ultimately, into the king's own psyche and his frightening theology of war. The result is a valuable analysis of Alexander history and myth, a vivid account of numismatics, and a spellbinding look into the age-old mechanics of megalomania.

The life and legends of the god Ganesh in your hand, accompanied by a glorious gallery of historical imagery and art, including paintings by the renowned Indian artist, Indra Sharma. Son of the Hindu deities Shiva and Parvati, Ganesh is the elephant-headed deity known most often as a remover (and sometimes creator) of obstacles. Worshipped in Hindi faith at the outset of new meetings and ventures, Ganesh is seen as a figure of prosperity and protection. This publication in the mini book scale collects traditionally styled Indian artwork by Indra Sharma and others, and a selection of writings on the history and philosophy of this deity to inspire thoughts and worship for followers of the deity, and fascinating insights for anyone interested in world religions in general. • Features the elephant-headed god’s origin tale, as well as other teaching stories, inspirational quotes, and a guide to understanding the symbols found in ancient and contemporary depictions of the deity. • A wide range of artwork including gorgeous original pieces from noted painters Indra Sharma, Mahaveer Swami, B. G. Sharma, and others • Also includes high-quality reproductions of ancient artworks, and images of traditional sculptures and temples dedicated to Ganesh.

Christian theologians have for some decades affirmed that they have no monopoly on encounters with God or ultimate reality and that other religions also have access to religious truth and transformation. If that is the case, the time has come for Christians not only to learn about but also from their religious neighbors. Circling the Elephant affirms that the best way to be truly open to the mystery of the infinite is to move away from defensive postures of religious isolationism and self-sufficiency and to move, in vulnerability and openness, toward the mystery of the neighbor. Employing the ancient Indian allegory of the elephant and blind(folded) men, John J. Thatamanil argues for the integration of three often-separated theological projects: theologies of religious diversity (the work of accounting for why there are so many different understandings of the elephant), comparative theology (the venture of walking over to a different side of the elephant), and constructive theology (the endeavor of re-describing the elephant in light of the other two tasks). Circling the Elephant also offers an analysis of why we have fallen short in the past. Interreligious learning has been obstructed by problematic ideas about “religion” and “religions,” Thatamanil argues, while also pointing out the troubling resonances between reified notions of “religion” and “race.” He contests these notions and offers a new theory of the religious that makes interreligious learning both possible and desirable. Christians have much to learn from their religious neighbors, even about such central features of Christian theology as Christ and the Trinity. This book envisions religious diversity as a promise, not a problem, and proposes a new theology of religious diversity that opens the door to robust interreligious learning and Christian transformation through encountering the other.