Two businessmen want to destroy a wildlife reserve in New Orleans and build a shopping center. Mysterious deaths, and an ecological disaster shock the city. Three friends decide to solve this mystery, but can they find the document that will save the wildlife reserve?--Quatrième de couverture.

One of the most scandalous books published in America at the time. "Reizenstein's peculiar vision of New Orleans is worth resurrecting precisely because it crossed the boundaries of acceptable taste in nineteenth-century German America and squatted firmly on the other side . . . This work makes us realize how limited our notions were of what could be conceived by a fertile American imagination in the middle of the nineteenth century."—from the Introduction by Steven Rowan A lost classic of America's neglected German-language literary tradition, The Mysteries of New Orleans by Baron Ludwig von Reizenstein first appeared as a serial in the Louisiana Staats-Zeitung, a New Orleans German-language newspaper, between 1854 and 1855. Inspired by the gothic "urban mysteries" serialized in France and Germany during this period, Reizenstein crafted a daring occult novel that stages a frontal assault on the ethos of the antebellum South. His plot imagines the coming of a bloody, retributive justice at the hands of Hiram the Freemason—a nightmarish, 200-year-old, proto-Nietzschean superman—for the sin of slavery. Heralded by the birth of a black messiah, the son of a mulatto prostitute and a decadent German aristocrat, this coming revolution is depicted in frankly apocalyptic terms. Yet, Reizenstein was equally concerned with setting and characters, from the mundane to the fantastic. The book is saturated with the atmosphere of nineteenth-century New Orleans, the amorous exploits of its main characters uncannily resembling those of New Orleans' leading citizens. Also of note is the author's progressively matter-of-fact portrait of the lesbian romance between his novel's only sympathetic characters, Claudine and Orleana. This edition marks the first time that The Mysteries of New Orleans has been translated into English and proves that 150 years later, this vast, strange, and important novel remains as compelling as ever.

When the smiling King of Carnival is killed at Mardi Gras, policewoman Skip Langdon is on the case. She knows the upper-crust family of the victim and that it hides more than its share of glittering skeletons. But nothing could prepare her for the tangled web of clues and ancient secrets that would mean danger for her--and doom for the St. Amants.... "Smith is a gifted writer." THE WASHINGTON POST BOOK WORLD

This original anthology of noir fiction set across the Big Easy includes new stories by Ace Atkins, Laura Lippman, Maureen Tan, and more. New Orleans has always the home of the lovable rogue, the poison magnolia, the bent politico, and the heartless con artist. And in post-Katrina times, it’s the same old story—only with a new breed of carpetbagger thrown in. In other words, it’s fertile ground for noir fiction. This sparkling collection of tales, set both before and after the storm, explores the city’s gutted neighborhoods, its outwardly gleaming “sliver by the river,” its still-raunchy French Quarter, and other hoods so far from the Quarter they might as well be on another continent. It also looks back into the city’s darkly colorful, nineteenth century past. New Orleans Noir includes brand-new stories by Ace Atkins, Laura Lippman, Patty Friedmann, Barbara Hambly, Tim McLoughlin, Olympia Vernon, David Fulmer, Jervey Tervalon, James Nolan, Kalamu ya Salaam, Maureen Tan, Thomas Adcock, Jeri Cain Rossi, Christine Wiltz, Greg Herren, Julie Smith, Eric Overmyer, and Ted O’Brien. A portion of the profits from New Orleans Noir will be donated to Katrina KARES, a hurricane relief program sponsored by the New Orleans Institute that awards grants to writers affected by the hurricane.

Samantha thought following a mysterious diary around the French Quarter of New Orleans would be a harmless way to learn about her new hometown until it became about murder.As the newest resident of Thibodeaux Mansion, West Coast transplant Samantha is looking forward to starting her thirties in a new place. Drawn to New Orleans for its music, food and history, she's excited to start her future in this unique city. But Samantha is also hopeful she'll find her past since she was adopted from Louisiana after being orphaned in a hurricane as a toddler.An anonymous diary, unusual key, and a distinctive doll are left in her furnished apartment and her mostly friendly neighbors all deny leaving the gifts. Samantha, now Sammy to her new friends, can't believe any of them could be a liar. When the diary leads her to a dead body, Sammy needs to find out what these clues mean and what the murderer is trying to tell her.Although her best friends Sissy and Andrew are happy to help her with this mystery, her other friends aren't sure the murder and diary are about Sammy. Not wanting to lose her newfound friendships and possible love interest, Sammy decides she must uncover the answers on her own.Sammy moved to New Orleans looking for a new future, but is it her past that found her first?The Key to Murder is the first book in the The French Quarter Mysteries featuring West Coast transplant Samantha Richardson settling into her new hometown, New Orleans. Her neighborhood is full of music, food and history as well as interesting people. Join Sammy as she explores the Big Easy by solving the mysteries of the past and present in this new modern, cozy mystery series.

On a class trip to New Orleans, Catalina Cat Duran and her friends find themselves in the middle of a voodoo mystery.

"A thriller of espionage, spy games, and treachery in which a former CIA officer in his early sixties is asked to travel undercover to Moscow to locate a Russian assassin only to find things are not as he was led to believe"--

Melissa Ginsburg's The House Uptown is an emotional coming-of-age novel about a young girl who goes to live with her eccentric grandmother in New Orleans after the death of her mother Ava, fourteen years old and totally on her own, has still not fully processed her mother’s death when she finds herself on a train heading to New Orleans, to stay with Lane, the grandmother she barely remembers. Lane is a well-known artist in the New Orleans art scene. She spends most of her days in a pot-smoke haze, sipping iced coffee, and painting, which has been her singular focus for years. Her grip on reality is shaky at best, but her work provides a comfort. Ava’s arrival unsettles Lane. The girl bears an uncanny resemblance to her daughter, whom she was estranged from before her death. Now her presence is dredging up painful and disturbing memories, which forces Lane to retreat even further into her own mind. As Ava and Lane attempt to find their way and form a bond, the oppressive heat and history of New Orleans bears down on them, forcing a reckoning neither of them are ready for.

The hidden history of the haunted and beloved city of New Orleans, told through the intersecting lives of nine remarkable characters. “Nine Lives is stunning work. Dan Baum has immersed himself in New Orleans, the most fascinating city in the United States, and illuminated it in a way that is as innovative as Tom Wolfe on hot rods and Truman Capote on a pair of murderers. Full of stylistic brilliance and deep insight and an overriding compassion, Nine Lives is an instant classic of creative nonfiction.” —Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain Nine Lives is a multivoiced biography of a dazzling, surreal, and imperiled city, told through the lives of night unforgettable characters and bracketed by two epic storms: Hurricane Betsy, which transformed New Orleans in the 1960s, and Hurricane Katrina, which nearly destroyed it. Dan Baum brings the kaleidoscopic portrait to life, showing us what was lost in the storm and what remains to be saved. BONUS: This edition contains a Nine Lives discussion guide.

Nola Trenholm is hopeful for a fresh start in the Big Easy but must deal with ghosts from her past—as well as new ones—in this first book in a spin-off series of Karen White's New York Times bestselling Tradd Street novels. After a difficult detour on her road to adulthood, Nola Trenholm is looking to begin anew in New Orleans, and what better way to start her future than with her first house? But the historic fixer-upper she buys comes with even more work than she anticipated when the house’s previous occupants don’t seem to be ready to depart. Although she can’t communicate with ghosts like her stepmother can, luckily Nola knows someone in New Orleans who is able to—even if he’s the last person on earth she wants anything to do with ever again. Beau Ryan comes with his own dark past—a past that involves the disappearance of his sister and parents during Hurricane Katrina—and he’s connected to the unsolved murder of a woman who once lived in the old Creole cottage Nola is determined to make her own...whether the resident restless spirits agree or not.