Reproduction of the original.

In June of 1940, when Paris fell to the Nazis, Hitler spent a total of three hours in the City of Light—abruptly leaving, never to return. To this day, no one knows why. Kate Rees, a young American markswoman, has been recruited by British intelligence to drop into Paris with a dangerous assignment: assassinate the Führer. Wrecked by grief after a Luftwaffe bombing killed her husband and infant daughter, she is armed with a rifle, a vendetta, and a fierce resolve. But other than rushed and rudimentary instruction, she has no formal spy training. Thrust into the red-hot center of the war, a country girl from rural Oregon finds herself holding the fate of the world in her hands. When Kate misses her mark and the plan unravels, Kate is on the run for her life—all the time wrestling with the suspicion that the whole operation was a set-up. New York Times bestselling author Cara Black is at her best as she brings Occupation-era France to vivid life in this masterful, pulse-pounding story about one young woman with the temerity—and drive—to take on Hitler himself. *Features an illustrated map of 1940s Paris as full color endpapers.

It has long been known that Edith Wharton had an intense love affair around 1908. For years readers assumed that it was with Walter Berry, her friend since youth, until it was revealed that her lover was not Berry, but rather Morton Fullerton, an American living in Paris. Until now little has been known of Morton Fullerton except that he was a Harvard graduate, a Paris correspondent for the Times of London, and a friend of Henry James. In this unusual detective story, Marion Mainwaring unfolds for her readers her pursuit of Fullerton and of the people, both high and low, who were part of his checkered life in France, America, and England. Her far-flung investigations take her to slums and chateaux, to talks with counts and viscounts, concierges, engineers, sculptors, diplomats, and, in the end, to the astonishing figure of Morton Fullerton. Talented, intelligent, sophisticated, and ambitious, Fullerton also proved to be egotistical and unscrupulous, a cad and a con man, but his overwhelming personal charm attracted friends and lovers of both sexes. Mysteries of Paris uncovers, one by one, the details of his career as a writer and a spy, his love affairs with Wharton and other women, his close friendship with James, and his relations with Oscar Wilde, George Santayana, Paul Verlaine, Theodore Roosevelt, and many others.

A beautiful gift edition of three macabre mysteries featuring the first and greatest of detectives, Auguste Dupin An apartment on the rue Morgue turned into a charnel house; the corpse of a shopgirl dragged from the Seine; a high-stakes game of political blackmail - three mysteries that have enthralled the whole of Paris, and baffled the city's police. The brilliant Chevalier Auguste Dupin investigates - can he find the solution where so many others before him have failed? These three stories from the pen of Edgar Allan Poe are some of the most influential ever written, widely praised and credited with inventing the detective genre. This edition contains: 'The Murders in the Rue Morgue', 'The Mystery of Marie Rogêt' and 'The Purloined Letter'.

Paris: July, 1890. Achille Lefebvre and his wife, Adele, are planning to enjoy a stay at a seaside resort--until a body found hanging from a bridge in a public park demands the Inspector's attention. Is it suicide, or murder? A twisted tale of evidence draws Inspector Lefebvre into a shadowy underworld of international intrigue, espionage, and terrorism. Time is of the essence; pressure mounts on the S�ret� to get results. Achille's chief orders him to work with his former partner, Inspector Rousseau, now in charge of a special unit in the newly formed political brigade. But can Achille trust the detective who let him down on another case? Inspector Lefebvre uses innovative forensics and a network of police spies to uncover a secret alliance, a scheme involving the sale of a cutting-edge high explosive, and an assassination plot that threatens to ignite a world war.

In this ambitious and exciting work Richard Maxwell uses nineteenth-century urban fiction--particularly the novels of Victor Hugo and Charles Dickens--to define a genre, the novel of urban mysteries. His title comes from the "mystery mania" that captured both sides of the channel with the runaway success of Eugene Sue's Les mysteres de Paris and G. W. M. Reynold's Mysteries of London. Richard Maxwell argues that within these extravagant but fact-obsessed narratives, the archaic form of allegory became a means for understanding modern cities. The city dwellers' drive to interpret linked the great metropolises with the discourses of literature and art (the primary vehicles of allegory). Dominant among allegorical figures were labyrinths, panoramas, crowds, and paperwork, and it was thought that to understand a figure was to understand the city with which it was linked. Novelists such as Hugo and Dickens had a special flair for using such figures to clarify the nature of the city. Maxwell draws from an array of disciplines, ideas, and contexts. His approach to the nature and evolution of the mysteries genre includes examinations of allegorical theory, journalistic practice, the conventions of scientific inquiry, popular psychiatry, illustration, and modernized wonder tales (such as Victorian adaptations of the Arabian Nights). In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode the popular mysteries of the era and to reveal man's evolving consciousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in thenineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge.

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