My Zulu, Myself is Joy Chambers' magnificent epic saga, set against the tumultuous background of Zululand and the Zulu war of 1879. The perfect read for fans of Margaret Leroy and Tamara McKinley. 'An epic saga and meticulously researched: this is an understatement' - Daily Telegraph, Sydney From the moment John Lockley saves the Zulu boy, Darlengi, from drowning, they almost believe they are true brothers; born on the same day, never knowing their mothers, they spend their formative years together sharing a deep and abiding love for their country of South Africa. But when loves intervenes in the young men's lives, tragedy appears, and all they hold dear is threatened as they fight to maintain a relationship across cultures and a deeply divided nation. What people are saying about My Zulu, Myself: 'Joy Chambers researches information and produces a story that captures you and makes it difficult to put the book down' 'A lovely romantic novel with historical interest' 'Excellent story, wonderful characters and brilliantly written'

March 1879 I ran and ran, screaming the worst curses I knew, hurtling completely alone into the enemy lines. There was thunder in my ears, but no lightning struck me down as I threw myself at the red soldiers, lashing out at their faces with my fists. They must have beenamazed to see a Zulu boy suddenly dive into their shallow trenches, but in a moment they'd swarmed over me and pinned me to the ground... For the next hour, while the battle raged around me, I lay struggling under the body of an English soldier as he handed upammunition to his comrades...

Publisher Description

After exploring more than twenty other African nations using only public transport, Sihle Khumalo this time roams within the borders of his own country. The familiarity of his own car is a luxury, but what he finds on his journey through South Africa ranges from the puzzling to the downright bizarre. Voyaging from the northernmost part of South Africa right to the south, the author noses his car down freeways and back roads into small towns, townships, and villages, some of which you’ll have trouble finding on a map. But this is no clichéd description of beautiful landscapes and blue skies. Khumalo is out to investigate the state of the nation, from its highest successes to its most depressing failures. Whether or not he’s baffled, surprised, or sometimes plain angry, Sihle Khumalo will always find warmth in his fellow South Africans: security guards, religious visionaries, drunks, political activists and the many other colourful personalities that come alive in his riveting account.

Some of my best friends are white is a collection of sharp, satirical essays on contemporary South African issues from the point of view of a successful corporate professional - who just happens to be Zulu. Crossing various controversial, amusing and downright confusing racial divides, the title delivers a healthy dose of black - and white - humour as it explores some of the rainbow nation's defining characteristics, its many colourful characters and its myriad mysterious idiosyncrasies.

"Why are you learning Zulu?" When Mark Sanders began studying the language, he was often asked this question. In Learning Zulu, Sanders places his own endeavors within a wider context to uncover how, in the past 150 years of South African history, Zulu became a battleground for issues of property, possession, and deprivation. Sanders combines elements of analysis and memoir to explore a complex cultural history. Perceiving that colonial learners of Zulu saw themselves as repairing harm done to Africans by Europeans, Sanders reveals deeper motives at work in the development of Zulu-language learning—from the emergence of the pidgin Fanagalo among missionaries and traders in the nineteenth century to widespread efforts, in the twentieth and twenty-first centuries, to teach a correct form of Zulu. Sanders looks at the white appropriation of Zulu language, music, and dance in South African culture, and at the association of Zulu with a martial masculinity. In exploring how Zulu has come to represent what is most properly and powerfully African, Sanders examines differences in English- and Zulu-language press coverage of an important trial, as well as the role of linguistic purism in xenophobic violence in South Africa. Through one person's efforts to learn the Zulu language, Learning Zulu explores how a language's history and politics influence all individuals in a multilingual society.

From the depths of the deepest jungle on earth, somewhere in a fictional Zulu village in South Africa comes everyone’s favourite Zulu; Mfoafoa Jones. This young traditional Zulu warrior leaves his village to go and fend for himself and somehow ends up in Soweto (So We Went To The Ghetto) where he befriends a fellow Zulu. He cannot spell ‘English’ let alone speak it but he somehow finds employment with a Caucasian family in Cape Town. This family then decides to bring him along for their vacation in the U.K; not just anywhere in the U.K but Essex, the Cockney capital of the world. How would you react in this present day England if you saw someone with tribal marks, wearing a straw skirt and holding a spear walking down your road? Ladies and gentlemen brace yourself for the craziest Zulu on earth, Cockney Zulu.

The Love Diary of a Zulu Boy is by turns erotic, romantic, tragic and comic. Inspired by the real-life drama of a romance between a Zulu boy and an Englishwoman, the book consists of various interrelated short stories on interracial relationships in modern-day South Africa. As the author reflects on love across the colour line, it triggers memories of failed affairs and bizarre experiences: love spells, toxic masculinity, infidelity, sexually transmitted diseases, a phantom pregnancy, sexless relationships, threesomes and prostitution, to name but a few. A unique book for the South African market, The Love Diary of a Zulu Boy is written with an honesty rarely encountered in autobiographical writing.

You may have read GG Alcock's books about the kasi economy; now follow his journey to the dynamic world of KasiNomics and learn about the tribal forces that shaped him. Born White Zulu Bred is the story of a white child and his brother raised in poverty in a Zulu community in rural South Africa during the apartheid era. His extraordinary parents, Creina and Neil Alcock, gave up lives of comfort and privilege to live and work among the destitute people of Msinga, whose material and social well-being became their mission. But more than that, this is a story about life in South Africa today which, through GG's unique perspective, explores the huge diversity of the country's people – from tribal Zulu warriors to sophisticated urban black township entrepreneurs. A journey from the arid wastes of Msinga into the thriving informal economies of urban townships. GG's view is that we do not live in a black and white world but in a world of contrast and diversity, one which he wants South Africans, and a world audience, to see for what it is without descending into racial and historical clichés. He takes us through the mazes of township marketplaces, shacks and crowded streets to reveal the proud and dignified world of township entrepreneurs who are transforming South Africa's economy. This is the world that he moves in today as a successful businessman, still walking those spaces and celebrating the vibrant informal economies that are taking part in the KasiNomic Revolution. GG's story is about being truly African, even as a white person, and it draws on the adventures, the cultural challenges, the informal spaces and the future possibilities of South Africa.