A girl whose father is a fisherman worries about him getting home safely, so she builds her own lighthouse to guide him back.

Equal parts personal memoir and literary history, Jazmina Barrera's "collection" of lighthouses explores the allure of loneliness and asks how we use it to create meaning

A cloth bag containing ten copies of the title.

Pandora the cat becomes a lighthouse keeper and saves the life of Seabold the dog, and together the two of them create a family with three young mice rescued from the sea.

From The New York Times bestselling author of The Girl Who Came Home comes a historical novel inspired by true events, and the extraordinary female lighthouse keepers of the past two hundred years. “They call me a heroine, but I am not deserving of such accolades. I am just an ordinary young woman who did her duty.” 1838: Northumberland, England. Longstone Lighthouse on the Farne Islands has been Grace Darling’s home for all of her twenty-two years. When she and her father rescue shipwreck survivors in a furious storm, Grace becomes celebrated throughout England, the subject of poems, ballads, and plays. But far more precious than her unsought fame is the friendship that develops between Grace and a visiting artist. Just as George Emmerson captures Grace with his brushes, she in turn captures his heart. 1938: Newport, Rhode Island. Nineteen-years-old and pregnant, Matilda Emmerson has been sent away from Ireland in disgrace. She is to stay with Harriet, a reclusive relative and assistant lighthouse keeper, until her baby is born. A discarded, half-finished portrait opens a window into Matilda’s family history. As a deadly hurricane approaches, two women, living a century apart, will be linked forever by their instinctive acts of courage and love.

Lighthouses hold a perennial fascination for all sorts of people--an indicator of danger, a beacon of the sea, filled with history and romance, and a magnet for coastal walkers, holiday makers, and tourists. This book is a beautifully presented panorama of over 150 lighthouses from 56 countries around the world, all of which are accessible, and many of which can be visited. From lighthouses boldly beaming their lights from clifftops, to those clinging to the edge of cliff faces, this is a spectacular and unusual celebration of lighthouses from every continent. With details of their height, year of build, history, and accessibility to visitors, this is both a practical as well as an aspirational collection which will inspire and enthrall anyone who is drawn by the romance of the iconic lighthouse. This is a wonderful gift book in original packaging and a novel format which is just perfect for presenting lighthouses in all their glory.

A hilarious farce, in which a coastal New England hotel, the reader’s expectations, and possibly The Novel itself, are turned inside out by an outrageous cast of characters, a mutinous Author, and the onset of a disastrous storm.

A beautiful memoir from John Cook, one of Tasmania's last kerosene lighthouse keepers. A story about madness and wilderness, shining a light onto the vicissitudes of love and nature. In Tasmania, John Cook is known as: 'The Keeper of the Flame'. John's renowned as one of the last of the "kerosene keepers": he spent a good part of his 26-year career in Tasmanian lighthouses tending kerosene, not electrical, lamps. He joined the lighthouse service in 1969, after a spell in the merchant marine. Far from reviling work on isolated islands such as Tasman and Maatsuyker, Australia's southernmost lighthouse, he discovered that he loved the solitude and delighted in the sense of purpose that light keeping gave him. He did two stints on Tasman, in 1969-71 and 1977, and was the head keeper on Maatsuyker for eight years. Tasman's kerosene light was a pressure lamp fuelled by two big bottles that had to be pumped up to 75 pounds per square inch (about 516 kilopascals): "It was the equivalent of pumping up a tyre every 20 minutes," John says. "Then you had to wind up the weights - they went down the tower and turned the prism around like a big clockwork. If the weights went all the way to the bottom, the light would stop. "The main thing was that 365 nights of the year you sat in that tower, 100 feet up, and you had to stay awake," John says of Tasman. "If you fell asleep the light would stop and then you were in trouble." Keepers took watches around the clock, in a system similar to that on a ship. Day watches weren't a chance to slack off: standing orders required the watchkeeper to look seawards at least every half-hour and to log sightings of any vessels, and their course, in the area. "But the main thing was there was always maintenance to do," John says. "Because Mother Nature was your boss. She'd blow gutters off, that sort of thing - she was always stickin' her bib in, and you were repairin' it." Tasman keepers also ran a herd of up to 500 sheep. They didn't have a freezer, so they'd kill and dress a sheep every fortnight. John supplemented his bulk stores, delivered every three months by the lighthouse supply vessel, with extras brought on the bi-monthly mail boat, and by keeping chooks, ducks and turkeys. "I never ran out of things to do," he says. "In my free time I used to do correspondence courses - I did navigation, diesel mechanics, business management and accounting." In 1977, keepers left the Tasman quarters forever. "I've got such strong memories of those places with people in them, and kids' voices rattlin' around," John says. "It breaks my heart to think about those places sittin' out there empty with no lights on."

A beloved picture book from two-time Caldecott Medal award-winner Sophie Blackall that transports readers to the seaside in timeless, nautical splendor! Watch the days and seasons pass as the wind blows, the fog rolls in, and icebergs drift by. Outside, there is water all around. Inside, the daily life of a lighthouse keeper and his family unfolds as the keeper boils water for tea, lights the lamp's wick, and writes every detail in his logbook. Step back in time and through the door of this iconic lighthouse into a cozy dollhouse-like interior with the extraordinary award-winning artist Sophie Blackall.

Behind her house and across the pond, one little girl has a lighthouse made of logs, ferns, and stones, with a sturdy ladder for getting in and out. And there, she builds a world within a world. The lighthouse is where she keeps not toys, but recycled treasures that she can use to make art. In that space, she thinks, creates, builds, and writes, relying on her imagination and creativity to produce new and exciting art and to have fun. One day she decides to share her lighthouse with the world. She arranges it like a museum and then turns to her family for help. Soon people from all over the community would come and see the treasures she imagined into existence. In this childrens story, a little girl uses recycled materials and her imagination to create art in a special place of her ownand then invites other people to visit her lighthouse.