My Three-Sided Story tells of the potency of new love, the destruction of heartbreak, and the recovery and renewal afterwards. These poems explore what it feels like to surrender to love—the excitement, the vulnerability, the longing—and how a hometown can transform into a backdrop for a relationship. They lure you into the colourful spark of young relationships, ripe with lust and exploration, and capture the turmoil and sometimes trepidation of sinking into an existence with that other person. More than anything, My Three-Sided Story offers poems about those days, weeks, and months when a relationship splinters and pulls apart, and the pain and confusion that comes from losing someone you care about. It tells of the slow process of being put back together, letting go, and loving yourself instead. These poems are at once raw, dark, hopeful, and bright—a read for anyone in the throes of heartbreak and renewal.

Trust Me is the chilling standalone novel of psychological suspense and manipulation that award-winning author and renowned investigative reporter Hank Phillippi Ryan was born to write. CAN YOU SPOT THE LIAR? An accused killer insists she's innocent of a heinous murder. A grieving journalist surfaces from the wreckage of her shattered life. Their unlikely alliance leads to a dangerous cat and mouse game that will leave you breathless. Who can you trust when you can't trust yourself? "Grief and deception are at the helm of Hank Phillippi Ryan’s latest thriller, Trust Me, in which a crime writer and an accused criminal’s lives collide, as they come to discover that no one can be trusted, not even oneself. The tension mounts at a blistering pace, while Ryan dazzles on page, weaving a sinister story that readers won’t be able to put down. A must read!"--New York Times bestselling author Mary Kubica At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“Galloping suspense dominates this riveting sequel to the post-apocalyptic Dark Inside” (Kirkus Reviews) as four teens continue the struggle for survival in a world gone mad. Aries, Clementine, Michael, and Mason have survived the first wave of the apocalypse that wiped out most of the world’s population and turned many of the rest into murderous Baggers. Now they’re hiding out in an abandoned house in Vancouver with a ragtag group of fellow teen survivors, trying to figure out their next move. Aries is trying to lead, but it’s hard to be a leader when there are no easy answers and every move feels wrong. Clementine is desperate to find her brother Heath, but it’s impossible to know where he’d be, assuming he’s alive. Michael is haunted by the memories of his actions during his harrowing struggle to survive. And Mason is struggling with something far worse: the fear that he may be a danger to his friends. As the Baggers begin to create a new world order, these four teens will have to trust and rely on each other in order to survive.

Natalie Wood and “lovely” Richard Beymer, to the mercurial Jerome Robbins and “passionate” Rita Moreno, with whom Chakiris remains friends. “I know exactly where my gratitude belongs,” Chakiris writes, “and I still marvel at how, unbeknownst to me at the time, the joyful path of my life was paved one night in 1949 when Jerome Robbins sat Leonard Bernstein and Arthur Laurents down in his apartment and announced, ‘I have an idea.’"

They were called the Back Alley Boys and best define the North Side of Syracuse, New York during the '50s and '60s. Although not as legendary as the "Dead End Kids" portrayed in the movies of the 1930s, they had their own flare for drama. But North Side story is not just a story about growing up on the North Side in the '50s and '60s. It is also a story of a changing neighborhood. Names like Stretch, Axle, Scams, and Boogers are now gone. Today the North Side residents have names like Cuong, Danh, and Ai'. Just as the immigrant grandparents of the Back Alley Boys had once struggled to come to this country, so did the Vietnamese "boatpeople." North Side story is their story as well.

In 2002, seven-year-old Jessica Stafford was a typical second-gradera girl with long, beautiful, brown hair, big, blue eyes, and lots of friends. She was just finishing the school year and was looking forward to a fun-filled summer. But for a few weeks, she had been experiencing severe headaches, and doctors discovered a tumor the size of a walnut at the base of her skull. She was diagnosed with medulloblastoma, a rare, malignant tumor that occurs in the cerebellum, the part of the brain that controls coordination, memory, and equilibrium. Thus began Jessicas journey through a cancer diagnosis. In My Side of the Story, Jessica shares the narrative of how she and her family endured the battle with cancer, from the diagnosis to dangerous surgery to radiation and chemotherapy treatments. With diary entries included, Jessica reveals what it was like to be a young cancer victim. She also tells how she was the recipient of a wish from the national Make-A-Wish organization to Disney and how she was able to meet George Jones, her favorite country singer. Now twenty years old, Jessica describes her hard-fought battle with cancer. She is evidence that miracles do happen, that God does exist, and he does answer prayers.

"... Changing the Story... gives an excellent and well-informed account of the differences between the American, Canadian, British, and French attitudes towards feminism and feminist fiction and literary theory.... a very readable book... which reminds us that literature can change us, and that through it we can change ourselves." -- Margaret Drabble "A distinctive contribution -- clear, elegant, precise, and well-read -- to the feminist discussion of narrative, of Anglo/Canadian/white North American novelists, and to contemporary fiction. Greene tracks how feminist novelists draw upon, and negotiate with traditional narrative patterns, and how their critical approach implicates, and provokes, social change. The book brings us to an intelligent post-humanism which does not scant the social meanings of metafictional critique. And, in addition, this book remembers hope." -- Rachel Blau DuPlessis "Changing the Story is an invaluable guide to the feminist classics of the last three decades. This is cultural criticism at its best: engaged, re-visionary, and politically astute." -- Nancy K. Miller "Greene tells a very good tale about how feminist fiction emerged, developed, made changes in the world, and now threatens to wane." -- The Women's Review of Books "Her probing analysis... should captivate general readers as well as academics." -- WLW Journal "Changing the Story is an important work of feminist criticism certain to spark controversy within the feminist community." -- American Literature The feminist fiction movement of the 1960s--1980s was and is as significant a movement as Modernism. Gayle Greene focuses on the works of Doris Lessing, Margaret Drabble, Margaret Atwood, and Margaret Laurence to trace the roots of this feminist literary explosion. She also speculates on the future of feminist fiction in the current regressive period of "post feminism."

OF COURSE you think Goldilocks was a brat who broke in and trashed our house. You don't know the other side of the story. Well, let me tell you...