In the tradition of the bestselling Ophelia Speaks, a collection of provocative essays by teenage girls of color My Sisters' Voices is a passionate and poignant collection of writings from teenage girls of African American, Hispanic, Asian American, Native American, and biracial backgrounds. With candor and grace, they speak out on topics that are relevant not only to themselves and their peers but to anyone who is raising, teaching, or nurturing young women of color. As adolescents, women, and minorities, these young authors represent a demographic that has had no voice of its own, a group often spoken for but rarely given the opportunity to be heard. Now these young women have a chance to stand up and be counted, to present their own unique perspectives in fresh and astonishing ways. Here you'll find a Native American girl writing about the bumps in her relationship with her best friend, who's white; a Korean American girl who wishes she could help her mother understand that it's okay to socialize with boys as well as girls; and a biracial girl who feels she must be the designated spokesperson for blacks when she's around whites, for whites when she's around blacks, and for biracial people around everyone. These personal and inspiring stories about family, friendship, sex, love, poverty, loss, and oppression make My Sisters' Voices essential reading for young women of all backgrounds.

Two sisters must confront the secrets and lies that have separated them all their lives in this heart-warming, poignant romance Identical twins Lacey and Monica couldn't be more different, and also couldn't be more alike. In a devastating twist, they've been raised apart, but then, through destiny or sheer accident, they meet; and everything they believed to be true about their lives is set to change for ever. Secrets are revealed, friendships are tested, and biological parents are confronted as these new sisters strive to uncover the whole truth about why they were separated.

A powerful memoir by two sisters about transitioning, family, and the path to self-realization. When Orange Is the New Black and Diary of a Future President star Selenis Leyva was young, her hardworking parents brought a new foster child into their warm, loving family in the Bronx. Selenis was immediately smitten; she doted on the baby, who in turn looked up to Selenis and followed her everywhere. The little boy became part of the family. But later, the siblings realized that the child was struggling with their identity. As Marizol transitioned and fought to define herself, Selenis and the family wanted to help, but didn't always have the language to describe what Marizol was going through or the knowledge to help her thrive. In My Sister, Selenis and Marizol narrate, in alternating chapters, their shared journey, challenges, and triumphs. They write honestly about the issues of violence, abuse, and discrimination that transgender people and women of color--and especially trans women of color--experience daily. And they are open about the messiness and confusion of fully realizing oneself and being properly affirmed by others, even those who love you. Profoundly moving and instructive, My Sister offers insight into the lives of two siblings learning to be their authentic selves. Ultimately, theirs is a story of hope, one that will resonate with and affirm those in the process of transitioning, watching a loved one transition, and anyone taking control of their gender or sexual identities.

Voice Lessons is the story of one younger sister growing up in the shadow of a larger-than-life older sister—looking up to her, wondering how they were alike and how they were different and, ultimately, learning how to live her own life and speak in her own voice on her own terms. As Cara Mentzel, studied, explored, married, gave birth (twice) and eventually became an elementary school teacher, she watched her sister, Idina Menzel, from the wings and gives readers a front row seat to opening night of Rent and Wicked, a seat at the Tonys, and a place on the red carpet when her sister taught millions more, as the voice of Queen Elsa in the animated musical Frozen, to “Let It Go.” Voice Lessons is the story of sisters—sisters with pig tails, sisters with boyfriends and broken hearts, sisters as mothers and aunts, sisters as teachers and ice-queens, sisters as allies and confidantes. As Cara puts it, “My big sister is Tony-Award-Winning, Gravity-Defying, Let-It-Go-Singing Idina Menzel who has received top billing on Broadway marquees, who has performed for Barbra Streisand and President Obama, at the Super Bowl and at the Academy Awards. The world knows her as 'Idina Menzel', but I call her 'Dee'.” Voice Lessons is their story.

Fiction. MY SISTER'S CONTINENT is a contemporary retelling of Freud's infamous "Dora" case study, following a loosely parallel plot and containing similarly controversial sexual themes and layers of possibilities. Kirby is a young woman attempting to come to terms with a "failed" bout of therapy while concurrently trying to decipher the truth about her identical twin, Kendra's, life. When she is sent a skewed case study of herself by her former psychiatrist, she decides torespond by using Kendra's journals to reconstruct her final months with her sister and her brief time in therapy, finally creating her own version of the truth.

In this debut collection of 13 short stories, award-winning writer, Martin Boyce, explores the struggle between private and public selves, writing as a gay man from the Caribbean island of Barbados. Bold, brooding and humorous are these often lyrical soliloquies which extend past superficial musings into the realm of honest revelations, including urgent, universal social commentaries about fighting approval addiction to find peace through self-acceptance.

In Their Siblings' Voices shares the stories of twenty white non-adopted siblings who grew up with black or biracial brothers and sisters in the late 1960s and 1970s. Belonging to the same families profiled in Rita J. Simon and Rhonda M. Roorda's In Their Own Voices: Transracial Adoptees Tell Their Stories and In Their Parents' Voices: Reflections on Raising Transracial Adoptees, these siblings offer their perspectives on the multiracial adoption experience, which, for them, played out against the backdrop of two tumultuous, politically charged decades. Simon and Roorda question whether professionals and adoption agencies adequately trained these children in the challenges presented by blended families, and they ask if, after more than thirty years, race still matters. Few books cover both the academic and the human dimensions of this issue. In Their Siblings' Voices helps readers fully grasp the dynamic of living in a multiracial household and its effect on friends, school, and community.

A deaf artist and former orphan finds the twin sister she never knew she had in this “gripping, entertaining” novel of family bonds and self-discovery (Cathy Lamb, author of Henry’s Sisters). A proudly deaf artist living in Philadelphia, Lacey Gears is exactly where she wants to be. At twenty-eight years old, she rarely thinks about her difficult childhood in a home for disabled orphans. That is, until she receives a shocking letter that begins, “You have a sister. A twin to be exact . . .” When Lacey learns that her hearing twin, Monica, experienced the normal childhood she was denied, she angrily sets out to find Monica and her biological parents. But the truth about Monica's life and the reason for the twins’ separation is far from simple. And every answer Lacey discovers only raises more questions. “At once a story about love and loss, family and friends, the world of the hearing and that of the deaf, My Sister’s Voice satisfies on many levels.” —Holly Chamberlin, author of The Family Beach House

This timeless memoir documents two sisters’ bravery leading up to WWII—a singular historical account that shines a light on one of humanity’s darkest hours. Ida and Louise Cook are two ordinary Englishwomen, seemingly destined never to stray from their quiet London suburb and comfortable jobs—Ida as a budding romance novelist and Louise as a civil service typist. But in 1923, a chance hearing of an aria from Madame Butterfly sparked a passion for opera in the sisters that led to the formation of friendships with some of Europe’s leading singers and their network, many of them Jewish. As the Nazis rose to power, Ida and Louise began working with the opera world’s insiders to save members of the community from persecution and death. Through ingenuity, thrift and bottomless goodwill, the sisters eluded the suspicion of the Nazis and helped secure safe passage for dozens of refugees. No one would have predicted such daring lives for Ida and Louise Cook—but that underestimation is exactly how they were able to save lives. First published in 1950, Ida’s memoir of the adventures she and Louise shared remains as fresh, vital and entertaining as the woman who wrote it, and is a moving testament to the extraordinary acts of courage by two everyday heroes.

There are more outlets than ever for writers to spread their messages and share their work, more opportunities to speak out and be seen. Writers expose themselves freely and willingly in a way that would have been unfathomable fifty years ago, and more people than ever are writing and publishing. Men and women are writing with equal fervor and commitment to their message and craft. As a result, it’s easy to assume, or hope, that the gendered playing field is a thing of the past, too. Unfortunately for women writers, it’s not. Knowing what we’re up against and how to fight back is the heart and soul of Write On, Sisters! Inside these pages, Brooke Warner draws upon research, anecdotes, and her personal experiences from twenty years in the book publishing industry to show how women’s writing is discounted or less valued than men’s writing, then provides support to overcome these challenges. This book also shines light on how women writers face not only ever-present historical and social challenges but also their own self-limiting beliefs. Write On, Sisters! is for every woman writer ready to be done with all that, and who’s ready for the next revolution.