With this eye-opening autobiography, one of Hollywood's most durable personalities reveals a surprisingly dramatic private life that's scarcely suggested by her glamorous screen image. The exotic costumes of the Road pictures hid a woman of extraordinary versatility: beauty contest winner, comedienne, radio star, fashion model, nightclub singer, vaudeville trouper, war bond saleswoman, dramatic actress, musical comedy star, divorcee, stuntwoman--and dedicated wife and mother. Few movie buffs know that Dorothy Lambour was voted Miss New Orleans only after a successful tour on the Fanchon and Marco circuit--only to wind up running an elevator for a living. She sang with Rudy Vallee and Herbie Kay (who became her first husband)--and was one of the most reluctant stars Hollywood ever created. She never accepted Louis B. Mayer's offer of a screen test. Cast as star of her first film, The Jungle Princess, she was mortified by her sarong costume, her appearance in the rushes, and by the outrageous publicity Paramount created to launch her career. She hit her stride during Hollywood's heyday, when off-camera events often eclipsed what the public saw on screen. Here she reveals her experiences with co-workers like Betty Grable, John Wayne, Jack Oakie, Fred MacMurray, Anthony Quinn, Ray Milland, Alan Ladd, Mae West, Cecil B. DeMille, Carole Lombard, John Ford and Robert Preston. Why The Hurricane's crew held a grudge against Jon Hall, and how they exacted their revenge; how love scenes with William Holden and Tyrone Power were ruined by an appendectomy and a whoopee cushion, respectively; the violent and oft-censored behavior of her chimpanzee co-stars; how she doffed her sarong for serious dramatic roles in Wild Harvest, Manhandled, and A Medal for Benny; the inspired wisecrackery on Bing, Bob, and Dorothy's first Road to Singapore, the bitter wrangles over the final Road to Hong Kong--and the name of the woman identified as Dorothy Lamour at Crosby's funeral. After her wartime marriage to Air Corps Lieutenant William Howard, she raised two sons while expanding her career into personal appearances, nightclubs, and the legitimate theater. Even as her film career seemed to dim, she appeared at the London Palladium and later undertook a grueling national tour in the title role of Hello, Dolly! Now, she shares the tragic story of her husband's final illness, and her resolve to keep on fulfilling her duties to her public, her family--and ultimately, to herself. Illustrated with photographs from her personal collection, this is the self-portrait of an artist whose rare honesty and character, warmth and courage have, until now, been known only to a privileged few.--From dust jacket.

The true crime story of the kidnapping, rape, and murder of a Missouri teen and her family’s journey to justice. In the early hours of March 22, 1989, two friends—career criminals with violent felony convictions—drove around the eastern Kansas City area in a stolen car committing a series of crimes. The weather was mild for late March in Kansas City; the sky was clear, and there was the pale remnant of a Full Moon that bore the dubious name of Death Moon, the last full moon of winter. A little before 7 a.m., fifteen-year-old Ann Harrison walked to the end of her driveway on Kansas City’s east side to wait for the bus to take her to Raytown South High School. Ten minutes later, she disappeared but no one saw what happened. As if waiting for her return, her belongings were still stacked carefully by the side of the road. By the Side of the Road is the true crime story of the kidnapping, rape, and murder of Ann Harrison and the long journey forced upon her family who had to wait nearly three decades to see her killers brought to final justice.

NEW YORK TIMES BESTSELLER • BOOKER PRIZE NOMINEE • From the beloved Pulitzer Prize–winning author, a sparkling novel about misperception, second chances, and the sometimes elusive power of human connection. Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend (he refuses to call anyone in her late thirties a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever. An intimate look into the heart and mind of a man who finds those around him just out of reach, and a funny, joyful, deeply compassionate story about seeing the world through new eyes, Redhead by the Side of the Road is a triumph, filled with Anne Tyler's signature wit and gimlet-eyed observation.

"In the fall of 1925, young Allan Odell conceived the idea of using consecutive signs along the roadside. . . . In 1963 the last signs were taken down, ending the most famous outdoor advertising venture ever.”—1977 Minnesota Almanac The whole story is in this book, plus all the jingles used. The signs are gone now, except for one set on permanent display at The Smithsonian. You can have them all, always, in your own library with this book. “Rowsome’s volume indexes each of the 600 jingles . . . and as you down the list, preferably reading aloud, it might evoke visions of 1940 Chevies, roadside diners, signs that said EATS. . . . Why were the Burma-Shave jingles so universally loved? Because they were light-hearted and humorous in hard times and war times.”—Bov Swift, Knight News Service

For six-year-old Noah McAllister, May 8, 1954, begins as any other ordinary day in Dawson, Georgia. However, this day is anything but ordinary. Like a bolt of lightning, tragedy is about to strike! No one in town will be left untouched, least of all the McAllister family. As Noah makes the quarter-mile trek home from school, he is unaware that just yards away, hidden behind the solid oaks that line the dirt lane leading to the McAllister farm, someone is watching. At first, lost in a private daydream, he doesnat hear the muffled whimper, or see the melon crate tucked in among the trees. When the sound comes again, he looks up and spies the crate. He rushes excitedly toward it, believing it contains a puppy or kitten. Instead, he finds an abandoned baby. Suddenly, a dark car explodes from behind the trees and careens onto the road. A second later itas gone, leaving behind a trail of dust as the only evidence it had been there at all. And so begins the chain of events that lead to murdera]and the downfall of the McAllister family.

Introducing Ishmael Jones - a detective with a difference - in this compelling murder mystery. Ishmael Jones is someone who can’t afford to be noticed, someone who lives under the radar, who drives on the dark side of the road. He’s employed to search out secrets, investigate mysteries and shine a light in dark places. Sometimes he kills people. Invited by his employer, the enigmatic Colonel, to join him and his family for Christmas, Ishmael arrives at the grand but isolated Belcourt Manor in the midst of a blizzard to find that the Colonel has mysteriously disappeared. As he questions his fellow guests, Ishmael concludes that at least one of them – not least Ishmael himself - is harbouring a dangerous secret, and that beneath the veneer of festive cheer lurk passion, jealousy, resentment and betrayal. As a storm sets in, sealing off the Manor from the rest of the world, Ishmael must unmask a ruthless murderer before they strike again.

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

A Space on the Side of the Road vividly evokes an "other" America that survives precariously among the ruins of the West Virginia coal camps and "hollers." To Kathleen Stewart, this particular "other" exists as an excluded subtext to the American narrative of capitalism, modernization, materialism, and democracy. In towns like Amigo, Red Jacket, Helen, Odd, Viper, Decoy, and Twilight, men and women "just settin'" track a dense social imaginary through stories of traumas, apparitions, encounters, and eccentricities. Stewart explores how this rhythmic, dramatic, and complicated storytelling imbues everyday life in the hills and forms a cultural poetics. Alternating her own ruminations on language, culture, and politics with continuous accounts of "just talk," Stewart propels us into the intensity of this nervous, surreal "space on the side of the road." It is a space that gives us a glimpse into a breach in American society itself, where graveyards of junked cars and piles of other trashed objects endure along with the memories that haunt those who have been left behind by "progress." Like James Agee's portrayal of the poverty-stricken tenant farmers of the Depression South in Let Us Now Praise Famous Men, this book uses both language and photographs to help readers encounter a fragmented and betrayed community, one "occupied" by schoolteachers, doctors, social workers, and other professionals representing an "official" America. Holding at bay any attempts at definitive, social scientific analysis, Stewart has concocted a new sort of ethnographic writing that conveys the immediacy, density, texture, and materiality of the coal camps. A Space on the Side of the Road finally bridges the gap between anthropology and cultural studies and provides us with a brilliant and challenging experiment in thinking and writing about "America."

NEW YORK TIMES BESTSELLER • Gloria Steinem—writer, activist, organizer, and inspiring leader—tells a story she has never told before, a candid account of her life as a traveler, a listener, and a catalyst for change. ONE OF O: THE OPRAH MAGAZINE’S TEN FAVORITE BOOKS OF THE YEAR | NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Harper’s Bazaar • St. Louis Post-Dispatch • Publishers Weekly When people ask me why I still have hope and energy after all these years, I always say: Because I travel. Taking to the road—by which I mean letting the road take you—changed who I thought I was. The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories—in short, out of our heads and into our hearts. Gloria Steinem had an itinerant childhood. When she was a young girl, her father would pack the family in the car every fall and drive across country searching for adventure and trying to make a living. The seeds were planted: Gloria realized that growing up didn’t have to mean settling down. And so began a lifetime of travel, of activism and leadership, of listening to people whose voices and ideas would inspire change and revolution. My Life on the Road is the moving, funny, and profound story of Gloria’s growth and also the growth of a revolutionary movement for equality—and the story of how surprising encounters on the road shaped both. From her first experience of social activism among women in India to her work as a journalist in the 1960s; from the whirlwind of political campaigns to the founding of Ms. magazine; from the historic 1977 National Women’s Conference to her travels through Indian Country—a lifetime spent on the road allowed Gloria to listen and connect deeply with people, to understand that context is everything, and to become part of a movement that would change the world. In prose that is revealing and rich, Gloria reminds us that living in an open, observant, and “on the road” state of mind can make a difference in how we learn, what we do, and how we understand each other. Praise for My Life on the Road “This legendary feminist makes a compelling case for traveling as listening: a way of letting strangers’ stories flow, as she puts it, ‘out of our heads and into our hearts.’”—People “Like Steinem herself, [My Life on the Road] is thoughtful and astonishingly humble. It is also filled with a sense of the momentous while offering deeply personal insights into what shaped her.”—O: The Oprah Magazine “A lyrical meditation on restlessness and the quest for equity . . . Part of the appeal of My Life is how Steinem, with evocative, melodic prose, conveys the air of discovery and wonder she felt during so many of her journeys. . . . The lessons imparted in Life on the Road offer more than a reminiscence. They are a beacon of hope for the future.”—USA Today “A warmly companionable look back at nearly five decades as itinerant feminist organizer and standard-bearer. If you’ve ever wondered what it might be like to sit down with Ms. Steinem for a casual dinner, this disarmingly intimate book gives a pretty good idea, mixing hard-won pragmatic lessons with more inspirational insights.”—The New York Times “Steinem rocks. My Life on the Road abounds with fresh insights and is as populist as can be.”—The Boston Globe

A collection of 101 short essays and tributes to unsung heroes, recognizing and expressing appreciation for the hidden "gifts" that life's journey brings. Excellent for use as gifts and premiums, as well as for personal enrichment and enjoyment. John Wayne "Jack" Schlatter, author of some of the most beloved stories in the "Chicken Soup for the Soul" series, now comes forth with his own collection of inspirational writings. Sharing lessons, insights, and humor gathered over 35 years in the classroom and as a member of one of the most amazing families in America, he will touch your heart, tickle your funny bone, and enrich your wisdom. Three of his stories in particular have had a tremendous impact on the American culture. "I Am a Teacher" is one of the most widely read and reprinted tributes of the last ten years. "The Simple Gesture" has been known to save lives and form new friendships and has been rewritten and retold throughout the nation. "The Magic Pebbles" received a great compliment from Jack Canfield, coauthor of the "Chicken Soup" series. Asked by Modern Woodman magazine to choose the single story which meant the most to him, he named "The Magic Pebbles." Inspired by Canfield and Mark Victor Hansen, whose dreams "woke him up," Mr. Schlatter has become aware of the countless gifts left by the side of the road of life. In this book he shares his discoveries. "Jack Schlatter is a charismatic, consummate communicator who will have you laughing through your tears as he squeezes your heart with timeless truths." - MARK VICTOR HANSEN, Co-Author of "Chicken Soup for the Soul" series. "Do not pass up the opportunity to be entertained and inspired by this amazing human being." - JACK CANFIELD, Co-Author of "Chicken Soup for the Soul" series. "Every person should have a copy of this book on their bedside table for a last thought at night or a first thought in the morning. I would have loved this book if I had never met the author, but I have had the immense pleasure of watching Jack give a gift to every person he comes in contact with. He has the sensitivity to help each person he meets to get in touch with their "Real Self" the true person inside, even if it is just for a moment. It is his unconditional love for each and every person he has the blessing to come into contact with that allows those people to also see and feel themselves as Jack sees them, as a beautiful creation, worthy of the best that this world has to offer, to be acknowledged for who they really are. I have seen the light come to their eyes. Jack is at his best with young people; just a touch of Jack goes a long way in helping them know their real value. I think Jack's greatest gift is his ability to see beyond exterior behavior to the pure essence of everyone he comes in contact with, and more so helps them to see it also. His gift for putting in words what most of us only feel when we are in our deepest self is one of the most amazing talents I have witnessed. It has been one of the great pleasures in my life to have known him personally and through his works, and I would want to share that experience with as many people as possible." - Ann Friedly