Winner of 2005 Grammy Award for Best Instrumental Composition Winner of 2005 National Medal of Arts Since defecting from Cuba in 1980—and indeed long before that in his native land— Paquito D'Rivera has received glowing praise time and again. A best-selling artist with more than thirty solo albums to his credit, D'Rivera has performed at the White House and the Blue Note, and with orchestras, jazz ensembles, and chamber groups around the world. My Sax Life is the English-language edition of D'Rivera's memoirs, published to acclaim in 1998. Propelled by jazz-fueled high spirits, D'Rivera's story soars and spins from memory to memory in a collage of his remarkable life. D'Rivera recalls his early nightclub appearances as a child, performing with clowns and exotic dancers, as well as his search for artistic freedom in communist Cuba and his hungry explorations of world music after his defection. Opinionated but always good-humored, My Sax Life is a fascinating statement on art and the artist's life.

New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.

Maceo Parker's signature style became the lynchpin of James Brown's band when he and his brother Melvin joined the Hardest Working Man in Show Business in 1964. That style helped define Brown's brand of funk, and the phrase &“Maceo, I want you to blow!&” became part of the lexicon of black music. He took time off from James Brown to play with George Clinton's P-funk collective and with Bootsy's Rubber Band; he also formed his own band, Maceo and All the King's Men, whose records are cult favorites among funk aficionados. Here Maceo tells his own warm and astonishing story, from his Southern upbringing to his career touring the world and playing to adoring fans. Maceo has long called his approach to the saxophone &“2% jazz, 98% funky stuff.&” Now, on the eve of Maceo's 70th birthday, in prose as lively and funky as his saxophone playing, here is the definitive story of one of the funkiest musicians alive.

Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.

Chariton Review Spring 2014

John Lenwood McLean - sugar free saxophonist from Sugar Hill, Harlem - is widely known as one of the finest, most consistent soloists in jazz history. From early in his career Jackie's powerful, unsentimental, sometimes astringent sound and inventive style made audiences and critics sit up and listen. Steeped in - but eventually moving well beyond - the influence of his mentor and friend Charlie Parker, he built an attractive, instantly recognisable musical As author Derek Ansell says, his career trajectory is far from the typical jazz story of the tragic artist in which early brilliance leads to later decline. McLean's story is one of glorious triumph over the drug addiction that affected so many of his friends and might have destroyed him. Able to produce uniformly fine recordings through the darkest periods of his personal life, he saw his reputation as a musician steadily grow and became not only a living legend as an improviser but a much respected educator whose students carry on his legacy. Fortunately, McLean's discography is large and Derek Ansell is a surefooted guide through the recordings, presenting them in the context in which they were made and indicating the special gems among a vast body of recorded work that is one of jazz's greatest treasures. Derek Ansell writes regular reviews of live jazz and classical music for magazines and newspapers and has contributed more than two hundred articles and numerous interviews, record and book reviews to Jazz Journal International. He is the author of Workout: The Music of Hank Mobley (Northway Publications) and a book about the music of John Coltrane (forthcoming). He has also written three novels (two published and one forthcoming). "McLean never completed his autobiography, but this respectful, perceptive study goes some way towards compensating his many admirers for this loss." Read the LondonJazz review here: http: //londonjazz.blogspot.co.uk/2012/06/derek-ansell-sugar-free-saxophone-life.html

In this New York Times bestseller, one of America’s premier physicians offers a must-read account of the new challenges facing parents today and a program for how we can better prepare our children to navigate the obstacles they face In The Collapse of Parenting, internationally acclaimed author Leonard Sax argues that rising levels of obesity, depression, and anxiety among young people can be traced to parents abdicating their authority. The result is children who have no standard of right and wrong, who lack discipline, and who look to their peers and the Internet for direction. Sax shows how parents must reassert their authority - by limiting time with screens, by encouraging better habits at the dinner table, and by teaching humility and perspective - to renew their relationships with their children. Drawing on nearly thirty years of experience as a family physician and psychologist, along with hundreds of interviews with children, parents, and teachers, Sax offers a blueprint parents can use to help their children thrive in an increasingly complicated world.

Each entry has its own title based on the highlights for that day. For example, one entry is called Phlegm. There was this guy who coughed out his phlegm and spat it out on the train floor in front of another passenger. Another example is entitled B.O. A guy who was standing next to Renelo, put on his surgical mask and looked at him. Renelo thought that he was sending him a message that he had B.O. Renelo was pretty sure he showered that morning. He just ignored him. During the writing of this travel diary, Renelo realised that he was trying to force himself to be someone hes not. He doesnt like watching other peoples activities on the train. He certainly doesnt like to listen to other peoples conversations. He was doing it because he promised himself to complete this project. He doesnt want to start something that he cant finish, unless there is any plausible excuse. Discover how Renelo went through the most embarrassing, disgusting, funniest and weirdest train travels.

For almost twenty years, Ilan StavansÑdescribed by the Washington Post as "Latin AmericaÕs liveliest and boldest critic and most innovative cultural enthusiast"Ñhas interviewed path-breaking intellectuals and artists in a wide range of media. As host of the critically acclaimed PBS series La Plaza, he interviews guests on pressing issues that affect the Western Hemisphere today, asking hard-hitting questions on immigration, religion, bilingualism, race, and democracy. This book collects for the first time in one volume StavansÕs most provocative and enlightening interviews with Hispanics from both sides of the Rio Grande. Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with Ilan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.