Rodeo legend, actor and stuntman Yakima Canutt blazed a trail as a champion bronco buster and rode to fame as a collaborator with John Wayne, who claimed to borrow his on-screen persona from Canutt's real one. This memoir, as told to John Crawford, relates Canutt's years on the rodeo circuit, his roles in silent westerns, and his craftsmanship in movie stunts on such epics as Stagecoach and Ben-Hur, as well as his family life and friendships.

"Rodeos" presents a fascinating history of this Western American institution,rom its rugged beginnings on the ranch to today's very lucrativerofessional circuits. This book captures the mystique of the cowboy and hislace in Western folklore, from the early days when groups of cowboys fromeighboring ranches met to settle arguments over who was the best aterforming ranching tasks to the multi-million dollar prizes and endorsementswarded to professionals today. Experience first-hand the energy, electricity,nd exhilaration of the rodeo through stunning colour photography andintage illustrations that tell the stories of these courageous and athleticodeo characters, and highlights of important moments throughout rodeoistory.

My First Rodeo is a heartwarming collection of stories that reveal the ups, downs, and delights of being a family man, from a guy who never dreamed of being one. Happily unmarried with no desire for a change in status, Stoney Stamper met a beautiful lady with two daughters, and to his surprise fell head over boots in love. At the encouragement of family and friends, he decided to chronicle his new life and created the popular blog--The Daddy Diaries. My First Rodeo will inspire those just starting out with families to hang in there, they can do it. And for those well beyond the child raising years, it will be a poignant reminder of the enduring goodness of family.

In this study, historian Michael Allen examines the image of the rodeo cowboy and the role this image has played in popular culture over in the 20th century. He sees rodeo as a significant American folk festival and the rodeo cowboy as the surviving avatar of a nearly vanished authentic figure - the real cowboy, who embodies the skills and values of traditional western rural culture.

WINNER of the 2016 Will Rogers Medallion Award for Excellence in Western Literature - Biography & Memoir!Whatever "that" is, four-time PRCA Clown of the Year and Pro Rodeo Hall of Famer LECILE HARRIS has been there and done it, and he shares it all via this collection of stories from his personal life and professional career. By virtue of his sixty years in rodeo, Lecile gives a veritable history of the sport and an insightful primer on the rodeo business. But most of all, Lecile entertains us with side-splitting tales of his seemingly limitless thirst for excitement. Additional contributors include Hadley Barrett, Baxter Black, Clay Collins, Randy Corley, Mark W. Duncan, Ken Knopp, Mike Mathis, Les McIntyre, Dr. Lynn Phillips, Boyd Polhamus, Donny Sparks, Ronny Sparks, Andy Stewart, and Bob Tallman.LECILE HARRIS is a rodeo clown and bullfighter who has entertained millions of fans and saved countless bull riders over the last sixty years. Lecile is a four-time PRCA Clown of the Year winner and 2007 inductee of the Pro Rodeo Hall of Fame. Over the course of his personal life and career, he has played college football, been a professional musician at Sun Studios, advised Elvis on horses, danced with ornery bulls, been a featured performer on Hee Haw, developed dozens of comedy acts, and been in untold numbers of fights. He lives in Collierville, Tennessee with his wife, Ethel, and still performs at over fifty rodeos annually.

"In Bionic Bull Rider, Barry Brown has captured an intriguing story of one man's life in the rodeo world. Along with his brothers, and his dog Rod, Mr. Brown's travels on the rodeo circuit are at times exciting, moving, and tragic, but are as real as you can get..."--back cover.

Most armadillos are happy scratching sand and eating, but Bo longs for adventure. And adventure Bo gets, the day Harmony Jean breaks in her brand-new chili-pepper-red cowboy boots by the banks of Can Creek. Peering out across the creek bed, Bo is sure he's spotted a rip-roarin', rootin'-tootin', shiny red armadillo! Bo's off and running after his new friend--right down to the Curly H Rodeo. There Bo gets to do all the things he's dreamed of doing: he rides a bronc, eats red-hot chili peppers, and even tries the two-step. Bo is ready to follow his pal off into the sunset, but he is about to discover his new friend is no ordinary armadillo. Jan Brett turns her considerable storytelling talents toward the Texas countryside in this warm and funny story of an armadillo on his own. Luckily, Ma Armadillo and her boys are searching for Bo in the borders to bring him back home.

Youngsters and Wild West fans of all ages get a taste of exciting rodeo action with these 25 ready-to-color illustrations. Includes action-packed drawings of calf ropers, rodeo clowns, trick riders, broncobusters, and other rodeo personalities.

South Dakota governor Kristi Noem tells her rough and tumble story of growing up on a ranch, and how a blessed life of true grit taught her how to lead. “We don’t complain about things, Kristi. We fix them.” Taking her father’s words to heart, South Dakota's first woman governor Kristi Noem shares heartfelt – and heartbreaking – lessons on making things right in the world, from her childhood on a farm in the vastness of rural America, to the marbled halls of Congress, to the national spotlight amid a global pandemic. From humorous barnyard battles with feisty cattle and rodeo horses, to the tragic and untimely death of her larger-than-life father, to her decision to her decision to return and run the farm and ranch with her family, Noem invites readers into a life defined by work, faith, and helping others. Noem's reflections are offered in the familiar, unvarnished voice of a woman who later defied Washington’s most powerful politicians and led the people of her small, hardscrabble state through natural disasters, the pain of a global pandemic, and the fear and turmoil that gripped the nation after. While filled with plenty of candid observations and refreshingly frank assessments of the country's leading figures, the memoir's most powerful moments nevertheless come from honest glimpses into marriage, motherhood, and leadership in an unpredictable time. Far from a book about politics, Not My First Rodeo is the story of a life lived so far – with characters as richly textured as the Black Hills, and reflections as gentle and powerful as America itself.

The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things “Western,” rodeo is a phenomenon that has since transcended into popular culture. Rodeo’s attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly “who’s the best” bet between neighboring ranches, rodeo truly has grown into an edge-of-the-seat, money-drawing, and crowd-cheering favorite pastime. However, rodeo has diverse history that largely remains unaccounted for, unexamined, and silenced. In Gender, Whiteness and Power in Rodeo Tracey Owens Patton and Sally M. Schedlock visually explore how race, gender, and other issues of identity complicate the mythic historical narrative of the West. The authors examine the experiences of ethnic minorities, specifically Latinos, American Indians, and African Americans, and women who have continued to be marginalized in rodeo. Throughout the book, Patton and Schedlock questioned the binary divisions in rodeo that exists between women and men, and between ethnic minorities and Whites—divisions that have become naturalized in rodeo and in the mind of the general public. Using iconic visual images, along with the voices of the marginalized, Patton and Schedlock enter into the sometimes acrimonious debate of cowgirls and ethnic minorities in rodeo.