London edition (John Lane) with sloght changes in text and the omission of the last chapter, has title: On the trail; my reminiscences as a cowboy.

Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.

Why do the earliest representations of cowboy-figures symbolizing the highest ideals of manhood in American culture exclude male-female desire while promoting homosocial and homoerotic bonds? Evidence from the best-known Western writers and artists of the post-Civil War period - Owen Wister, Mark Twain, Frederic Remington, George Catlin - as well as now-forgotten writers, illustrators, and photographers, suggest that in the period before the word 'homosexual' and its synonyms were invented, same-sex intimacy and erotic admiration were key aspects of a masculine code. These males-only clubs of journalists, cowboys, miners, Indian vaqueros defined themselves by excluding femininity and the cloying ills of domesticity, while embracing what Roosevelt called 'strenuous living' with other bachelors in the relative 'purity' of wilderness conditions. Queer Cowboys recovers this forgotten culture of exclusively masculine, sometimes erotic, and often intimate camaraderie in fiction, photographs, illustrations, song lyrics, historical ephemera, and theatrical performances.

To throw light on the motives & movements of a conspicuous literary figure of the last generation, two friends of Harris's from Chicago, Dr. Tobin, his 'authorized' biographer, & Mr. Gertz, an attorney who was Harris's agent in the latter years of his life have undertaken to sift the truth about Harris & to present a portrait of him that will reconcile the most shocking incongruities of his character with some of the fine performances of his pen. "Messrs. Tobin & Gertz have done a very good life of him. With great skill, they disentangle the facts from the cobwebs of fancy that he spun. They tell his story simply, clearly & honestly."--AMERICAN MERCURY. Illus.

Presents an overview of the history of American labor using excerpts from primary source documents, short biographies of influential people, and more.

This guide book is a bibliography of books about the American West by various authors, compiled by the literary critic J. Franck Dobie. The list is subdivided along themes associated with the different aspects of life in the West such as Native American culture, Spanish influences, French influences, Texas Rangers, Missionaries, Women pioneers and Mountain men culture, among others. Each aspect is preceded by a brief discussion of the topic before the list of books themed on the subject.

Cowper is too often read as an escapist poet, whose requirement constitutes an attitude of political retreat and disengagement. This book covers the highly politicised context of retirement as a mode of political opposition in the 18th century and shows the extent to which one poet drew from, and contrinuted to, this radical tradition.

This long-overdue collection, which gathers together more than two hundred poems written over a span of six decades, along with an extended biographical analysis by Fred Whitehead, permits a comprehensive assessment of the work of a man Thomas McGrath described as "one of the very best of the revolutionary poets." Don Gordon made his name in the 1930s as a passionate and outspoken political poet, his work being published in the most prestigious American journals. In spite of his growing literary reputation he was called before the Un-American Activities Committee of the U.S. House or Representatives in September, 1951. Due to his openly communist views and his reluctance to give the committee names of fellow radical writers, Gordon was blacklisted from employment in the film industry. He devoted his time to writing poems, despite the difficulty of finding a wide audience for them. Many of Gordon's poems are suffused with themes of revolution and political activism, but this collection showcases the breadth of the subjects he addressed in his sixty years of writing, expressed with a rigorous aesthetic sensibility in a style that incorporates diverse influences, including modernism and surrealism. "Don Gordon is great," Meridel LeSueur wrote, "because he shows the vigorous and wondrous strength of the people." With this complete collection of his poems, readers can at last experience the full range of this vigorous and challenging writer.

compiled and written by the Federal Writers' Project of the Work Projects Administration for the State of Kansas ... Sponsored by the State Department of Education.