Based on the testimony of real events. A compelling story that takes a look into the life of a young Stanley Grauso, raised in a middle class Connecticut Italian family during Prohibition years. Stanley's life soon spirals out of control, landing him in the company of some of the most reputed mobsters of our time, including Charles "Lucky" Luciano, Arthur Flegenheimer (aka Dutch Scultz), and F. Donald Coster (aka Phil Musica).

Hip-Hop is the largest youth culture in the history of the planet rock. This is the first poetry anthology by and for the Hip-Hop generation. It has produced generations of artists who have revolutionized their genre(s) by applying the aesthetic innovations of the culture. The BreakBeat Poets features 78 poets, born somewhere between 1961-1999, All-City and Coast-to-Coast, who are creating the next and now movement(s) in American letters. The BreakBeat Poets is for people who love Hip-Hop, for fans of the culture, for people who've never read a poem, for people who thought poems were only something done by dead white dudes who got lost in a forest, and for poetry heads. This anthology is meant to expand the idea of who a poet is and what a poem is for. The BreakBeat Poets are the scribes recording and remixing a fuller spectrum of experience of what it means to be alive in this moment. The BreakBeat Poets are a break with the past and an honoring of the tradition(s), an undeniable body expanding the canon for the fresher.

Poems.

BROKE BAROQUE is the third in a series of Broke Books by award-winning poet, Tony Medina. Centered on Medina’s iconic everyman, Broke, a character that bears witness to his plight of homelessness in a humorous yet profound way. BROKE BAROQUE contains poetry peppered with images articulating Broke’s erratic experiences on the streets of Any City, USA. Through tall tales, anecdotes, episodes, rants and jokes, Broke eloquently and irreverently conveys his marginalization in a grossly unaccommodating society. With his trademark absurd and caustic wit, Medina portrays Broke’s anger, fear, humility, and resolve with humor, insight and compassion, bringing moments of levity and hopefulness to Broke’s plight. Funny and perversely sharp, whimsical and impassioned, BROKE BAROQUE is compulsively readable and will connect with any book and poetry lover alike. With a powerful introduction by McArthur-winner Ishmael Reed.

Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.

To consider Wisdom Teeth is to acknowledge inevitable movement, shift, and sometimes pain. There’s change hidden just below the surface and, like it or not, once it breaks, everything has to make room. So goes the aptly titled debut poetry collection from poet and educator Derrick Weston Brown. Wisdom Teeth reveals the ongoing internal and external reconstruction of a poet’s life and world, as told through a litany of forms and myriad of voices, some the poet’s own. Wisdom Teeth is a questioning work, a redefining of personal relationships, masculinity, race, and history. It’s a readjustment of bite, humor, and perspective as Brown channels hip-hop, Toni Morrison, and Snagglepuss to make way for the shudder and eruption of wisdom.

Abstracts of dissertations available on microfilm or as xerographic reproductions.

The most scorching novel of the bizarre, the flamboyant, the corrupt since Midnight Cowboy. This strikingly beautiful, blond hustler has come to the end of the line. Next stop - nowhere. Here, in the searing heat of the tropical cay, he was to arouse passions in six flamboyant but vulnerable people whose lives mesh under the blood-red sun.

• A fresh perspective on a famous father and a legacy forged on the icy slopes of Mount Everest, the world’s highest peak In 1963, the world followed the first American Mount Everest Expedition, and watched as “Big Jim” Whittaker became the first American to stand on top of the world. He returned home a hero. My Old Man and the Mountain is Leif Whittaker’s engaging and humorous story of what it was like to “grow up Whittaker”—the youngest son of Jim Whittaker and Dianne Roberts, in an extended family of accomplished climbers. He shares glimpses of his upbringing and how the pressure to climb started early on. Readers learn of his first adventures with family in the Olympic Mountains and on Mount Rainier; his close yet at times competitive relationship with his brother Joss; his battle with a serious back injury; and his efforts to stand apart from his father’s legacy. With wry honesty he depicts being a recent college grad, still living in his parents’ home and trying to find a purpose in life—digging ditches, building houses, selling t-shirts to tourists—until a chance encounter leads to the opportunity to climb Everest, just like his father did. Leif heads to Nepal with all the excitement, irony, boredom, and trepidation that are part of high-altitude climbing. Well-known guides Dave Hahn and Melissa Arnot figure prominently in his story, as does “Big Jim.” But Leif’s story is not his father’s story. It’s a unique coming of age tale on the steep slopes of Everest and a climbing adventure that lights the imagination and fills an emotional human endeavor with universal meaning.

O'Neill's themes and concerns find expression in his one-act plays which are the dramatic equivalent of short stories. Here are nine one-act plays that span the playwright's career.