"The sun shines bright in the old Kentucky home." So begins an American standard, first published as a minstrel song, that became dear to the hearts of millions and ultimately was enshrined as the Kentucky Derby's sonic centerpiece—a popular selling point for Kentucky tourism. Emily Bingham's masterful decoding of Stephen Foster's 1853 ballad reveals that the song was always about slavery and how white Americans wanted to remember it. Acknowledging her own entanglement in this legacy, Bingham takes readers on the journey of a melody, from its inception by a white northerner, to its enormous success on the blackface circuit, in recordings by Al Jolson and Bing Crosby, and on the pages of Margaret Mitchell's Gone with the Wind, to its countless screen appearances, including Shirley Temple movies, The Simpsons, and Mad Men. For almost two centuries, "My Old Kentucky Home" has never been just a song—it continues to be a resonant, changing emblem of America's original sin, whose blood-drenched shadow haunts us still. My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song investigates the tune's hidden history, lodged in the nation's cultural DNA, and ends with a startling solution for what to do with this artifact of race and slavery.

The Rowman family lived in Pennsylvania then moved to Kentucky in 1782.

The Life and Songs of Stephen Foster offers an engaging reassessment of the life, politics, and legacy of the misunderstood father of American music. Once revered the world over, Foster’s plantation songs, like “Old Folks at Home” and “My Old Kentucky Home,” fell from grace in the wake of the Civil Rights Movement due to their controversial lyrics. Foster embraced the minstrel tradition for a brief time, refining it and infusing his songs with sympathy for slaves, before abandoning the genre for respectable parlor music. The youngest child in a large family, he grew up in the shadows of a successful older brother and his president brother-in-law, James Buchanan, and walked a fine line between the family’s conservative politics and his own pro-Lincoln sentiments. Foster lived most of his life just outside of industrial, smoke-filled Pittsburgh and wrote songs set in a pastoral South—unsullied by the grime of industry but tarnished by the injustice of slavery. Rather than defining Foster by his now-controversial minstrel songs, JoAnne O’Connell reveals a prolific composer who concealed his true feelings in his lyrics and wrote in diverse styles to satisfy the changing tastes of his generation. In a trenchant reevaluation of his NewYork Bowery years, O’Connell illustrates how Foster purposely abandoned the style for which he was famous to write lighthearted songs for newly popular variety stages and music halls. In the last years of his life, Foster’s new direction in songwriting stood in the vanguard of vaudeville and musical comedy to pave the way for the future of American popular music. His stylistic flexibility in the face of evolving audience preferences not only proves his versatility as a composer but also reveals important changes in the American music and publishing industries. An intimate biography of a complex, controversial, and now neglected composer, The Life and Songs of Stephen Foster is an important story about the father of American music. This invaluable portrait of the political, economic, social, racial, and gender issues of antebellum and Civil War America will appeal to history and music lovers of all generations.

This lively memoir recounts the story of a determined woman who led a remarkable life in the highest circles of power in both state and national politics. Catherine Conner spent her formative years on a farm named "Solitude," located outside of Bardstown. Her father, who taught her early to ride and swim, told the young woman, "I can't teach you how to be a lady, but I can teach you how to behave like a gentleman." She was weaned on a secret "early breakfast" of bourbon and milk toddies that her father brought to her every morning. Though she enjoyed privilege, Conner also witnessed the harsher sides of rural life. Those experiences markedly shaped the personality of a woman who would become the youngest National Democratic Committeewoman and would subsequently serve in FDR's inner circle. Conner began her political career in Kentucky under the tutelage of J. Dan Talbott of Bardstown, heading the successful effort to have Federal Hill, better known as "My Old Kentucky Home," preserved as a state park, which has now become one of the most popular in Kentucky. When local leaders proved only mildly supportive of the project, Conner devised a campaign in 1921 that raised $45,000 by having schoolchildren all over the state drop their pennies into a cardboard replica of the famous home. She acted as a special assistant to Harry Hopkins for five years, helping set up departments to carry out New Deal programs and lobbying. She befriended many of the shapers of the 20th Century, including Senator Sam Rayburn, A.B. "Happy" Chandler, and Senator Harry Byrd of Virginia. Throughout her life, Conner witnessed remarkable events. She saw the Hindenburg crash, met Amelia Earhart, and had Cary Grant show her how to gut a Thanksgiving turkey.

A sketch of the house where the song "My old Kentucky home" was written in 1852.

A drive straight across the Bluegrass State takes nearly eight hours. But that would bypass all the worthwhile distractions between Paw Paw in Pike County and the Kentucky Bend of the Mississippi River in Fulton County. Treasures like Abraham Lincoln's boyhood home that rests inside a Greek-style temple. Or the Jefferson Davis monument rising from a field in Fairview. From rip-roaring barn dances in Rabbit Hash to the silent reverence of the monks at the Abbey of Gethsemani, the Commonwealth is chock-full of timeless landmarks. Join native Kentuckians Cameron M. Ludwick and Blair Thomas Hess as they explore all the amazing and irreplaceable things that make the state one of a kind.

Memories of a year spent in Louisville in 1909-1910.