The author relates the amazing and true stories of her friends and neighbors and their encounters with ghosts.

A Mystery Scene Magazine 2021 Editor's Pick Trust No One. Especially Your Neighbors. Rachel Drake is on the run from the man who killed her husband. She never leaves her safe haven in an anonymous doorman building, until one night a phone call sends her running. On her way to the garage, she is murdered in the elevator. But her story doesn’t end there. She finds herself in the afterlife, tethered to her death spot, her reach tied to the adjacent apartments. As she rides the elevator up and down, the lives of the residents intertwine. Every one of them has a dark secret. An aging trophy wife whose husband strays. A surgeon guarding a locked room. A TV medium who may be a fraud. An ordinary man with a mysterious hobby. Compelled to spend eternity observing her neighbors, she realizes that any one of them could be her killer.

Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the United States and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade riveting stories about their historic homes. Many of these tales defy rational explanation. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. However, before long, unnerving, disembodied footsteps and mysterious odors caused him to flee his home in the middle of the night. Since that night, David Dominé not only embraced the possibility of supernatural phenomenon but also turned it into a popular tour series and best-selling collection of books, which have brought new attention to this iconic neighborhood. The book that launched the guided tours, Ghosts of Old Louisville, introduced readers to the hauntingly beautiful Lady of the Stairs and the Widow Hoag, who waits eternally near Fountain Court for a lost child who will never return. These tales of things that go bump in the night not only reveal why Old Louisville is considered the "most haunted neighborhood in America," but also help to preserve this historically and architecturally significant community.

The house next door to the Kennedys appears to be haunted by an all-pervasive evil, and the couple watches as a succession of owners becomes engulfed by the sinister force, until the Kennedys set out to destroy the house themselves.

In urban studies, the nineteenth century is the "age of great cities." In feminist studies, it is the era of the separate domestic sphere. But what of the city's homes? In the course of answering this question, Apartment Stories provides a singular and radically new framework for understanding the urban and the domestic. Turning to an element of the cityscape that is thoroughly familiar yet frequently overlooked, Sharon Marcus argues that the apartment house embodied the intersections of city and home, public and private, and masculine and feminine spheres. Moving deftly from novels to architectural treatises, legal debates, and popular urban observation, Marcus compares the representation of the apartment house in Paris and London. Along the way, she excavates the urban ghost tales that encoded Londoners' ambivalence about city dwellings; contends that Haussmannization enclosed Paris in a new regime of privacy; and locates a female counterpart to the flâneur and the omniscient realist narrator—the portière who supervised the apartment building.

Mercy Thompson, car mechanic and shapeshifter, must face her greatest fears in this chilling entry in the #1 New York Times bestselling series. The vampire Wulfe is missing. Since he’s deadly, possibly insane, and his current idea of “fun” is stalking me, some may see it as no great loss. But, warned that his disappearance might bring down the carefully constructed alliances that keep our pack safe, my mate and I must find Wulfe—and hope he’s still alive. As alive as a vampire can be, anyway. But Wulfe isn’t the only one who has disappeared. And now there are bodies, too. Has the Harvester returned to the Tri-Cities, reaping souls with his cursed sickle? Or is he just a character from a B horror movie and our enemy is someone else? The farther I follow Wulfe’s trail, the more twisted—and darker—the path becomes. I need to figure out what’s going on before the next body on the ground is mine.

By the American author and satirist, and the creator of modern Bangsian fantasy, the school of fantasy writing that sets the plot wholly or partially in the afterlife.

If we could only get used to the idea that ghosts are perfectly harmless creatures, who are powerless to affect our well-being unless we assist them by giving way to our fears, we should enjoy the supernatural exceedingly, it seems to me. Coleridge, I think it was, was once asked by a lady if he believed in ghosts, and he replied, "No, madame; I have seen too many of them." Which is my case exactly. I have seen so many horrid visitants from other worlds that they hardly affect me at all, so far as the mere inspiration of terror is concerned. On the other hand, they interest me hugely; and while I must admit that I do experience all the purely physical sensations that come from horrific encounters of this nature, I can truly add in my own behalf that mentally I can rise above the physical impulse to run away, and, invariably standing my ground, I have gained much useful information concerning them.

All three novels of the Ghost Protector Trilogy When you work for the King of Ghosts, you don't get a vacation. Contains: Ghost Of A Chance: When Jenny's father is murdered, the mantle of Ghost Protector passes to her. Too bad no one told her.Ghost Of A Smile: Jenny's gotten used to helping the dead but now she needs to help the living. Something is killing teenagers. Can Jenny stop it before it claims another victim?Ghost Of A Memory: Jenny's little brother Tommy's very essence is being drained. It's up to Jenny to use all of her power as Ghost Protector to save him. Can she stop an ancient evil before it consumes him?

In 'The Haunted Hour: An Anthology,' readers are treated to an evocative exploration of themes ranging from the supernatural to the deeply human, woven through a rich tapestry of literary styles. This collection showcases the remarkable diversity and significance of works by a distinguished group of authors, known for their contributions to various literary movements. The anthology presents an array of narratives that embody the essence of the haunting hour, capturing moments of mystery, the ineffable, and the spectral in language that moves and terrifies in equal measure. The calibre of the pieces within highlights the collection's ability to transcend the mere notion of genre, offering standout pieces that enrich the reader's experience with their depth and emotional resonance. The contributing authors and editors, coming from varied backgrounds, bring to 'The Haunted Hour' a wealth of literary, cultural, and personal histories. Figures such as William Butler Yeats, who is synonymous with the Irish Literary Revival, and Rudyard Kipling, a lodestar of British colonial literature, contribute their unique voices to a symphony of storytelling that spans the globe. This anthology aligns with significant literary and cultural movements, from Romanticism to Modernism, and elevates the collective understanding of the theme through the lens of their diverse experiences and stylistic approaches. 'The Haunted Hour: An Anthology' offers readers a unique opportunity to immerse themselves in a confluence of perspectives, themes, and literary styles, curated from the minds of some of the most influential authors of their times. It beckons the reader to delve into its pages for both its educational value and the sheer breadth of insights into the human condition and the natural world. This collection not only serves as a testament to the enduring appeal of the supernatural in literature but also fosters a dialogue between the works of different authors, encouraging a deeper appreciation of their collective talent and vision. For anyone seeking to explore the myriad ways in which the theme of haunting has been interpreted across time and cultures, this anthology is an indispensable resource.