This study brings together three closely related aspects of Maori literature - myth, memory and identity. It examines selected novels by Witi Ihimaera and Patricia Grace in order to trace an ever-developing Maori identity that has changed considerably over three decades of the Maori novel. This book demonstrates that an investigation of the construction of identity in literature benefits from a close look at the importance of Maori mythology as well as associated cultural and individual memories. Indicating that Maori fiction has become what Homi Bhabha terms a third space, this book verifies the links between novel, myth and memory with the help of existing research in these areas in order to assess their importance for the reinterpretation of identity. The Maori novels that depict situations reflecting current issues are viewed as an experimental playground in which authors can explore a variety of solutions to tribal, societal and political issues. This study establishes the early novels as reinterpretations of the past and guides to the future, and characterises the more recent novels as representing a move towards empowerment and pioneering that has not yet come to a conclusion.

Explores the circularity of Navajo thought through studies of sandpaintings, chantway myths, and stories reflected in the constellations.

A young woman comes of age in this epic saga. “Harrison expertly frames dramatic events with depictions of prehistoric life in the Aleutian Islands” (The New York Times Book Review). It’s 7056 BC, a time before history. On the first day that Chagak’s womanhood is acknowledged within her Aleut tribe, she unexpectedly finds herself betrothed to Seal Stalker, the most promising young hunter in the village. A bright future lies ahead of Chagak—but in one violent moment, she loses her entire way of life. Left with her infant brother, Pup, and only a birdskin parka for warmth, Chagak sets out across the icy waters on a quest for survival and revenge. Mother Earth, Father Sky is the first book of the Ivory Carver Trilogy, which also includes My Sister the Moon and Brother Wind.

Lindsey Henke is freshly married and a newly practicing psychotherapist when she finds out she is pregnant with her first child. Nine months later, on a cold Minnesota night in December 2012, after a perfect pregnancy, Lindsey goes into labor—only to be told upon arrival at the hospital that her baby has no heartbeat. After the stillbirth of her daughter, Lindsey grapples with the unbearable agony of losing a child. Unprepared to cope with a sorrow this deep, she uses the only tools she has—her skills as a therapist—to plot her own path through grief. Over the next year and half, as Lindsey mourns the loss of one child while simultaneously trying to hold space for the joy of expecting another baby, she learns that grief can live side by side with joy. When Skies Are Gray offers a poignant message to any mother who is grieving: Your pain is real. The sharp ache of the grief you feel will soften over time, though your love for the child you lost will always remain. And it’s okay to feel that love; it’s a mother’s love, and like lullabies, a mother’s love never dies.

DIVDIVAs two women from different Aleut tribes struggle against their harsh fates, they find their extraordinary destinies intertwined/divDIV In the tribe of the First Men, courageous, beautiful Kiin, an accomplished ivory carver, is finally content with her hard-won life, which includes twin sons and a loving warrior husband. When she is suddenly pulled back into her nightmarish former existence as slave to the Raven, shaman of the Walrus People, her husband’s brother, Samiq, vows to bring her back to their tribe. Across the land, Kukutux, the wife of a Whale Hunter, finds the loss of her husband and the hostility of her clan too much to bear. The lives of Kiin, Samiq, and Kukutux, and the paths of their tribesmen will converge in a final dramatic confrontation that tests the strength of their hearts and spirits against the cruelty of man, nature, and fate./divDIV /divDIVBrother Wind is the final book of the Ivory Carver Trilogy, which also includes Mother Earth Father Sky and My Sister the Moon./div/div

List of members in each volume.

An account of Bighorse's life recalled by his daughter Tiana, providing glimpses into Navajo life and values of a century ago.

From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.

Presents a collection of plays which cover such topics as generational relationships, Native American legends, and Native American beliefs, and includes an essay on Native American playwriting.