This is a fascinating poem of a lady who expresses how her parents killed her tomorrow. A voice which ought to be held to empower young adults stand in the right path of their choices, for our parents choices can never be ours. This poem is a call to young adults to cry out to be held as they are determined to chase after their own dream.

In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.

This book is intended to be a love story between a child and a woman that loved her unconditionally, and it was because of that love that she was able to break the chain of child abuse. You hear every day that abuse is continued from generation to generation. But it can be stopped and not perpetuatedall it takes is love. There are parts that may be difficult to read for some, but it just reinforces that anything is possible with love. Its easy to blame abusers, but more often than not, its all that they knowit is their normal. It takes strength, courage and love to push past this; along with a conscious effort and belief that things can be different, and it all starts with you.

A memoir by American former actress and singer Jennette McCurdy about her career as a child actress and her difficult relationship with her abusive mother who died in 2013

The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction, science fiction, fantasy, and magical realism. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

A Dark Fae trying to make things right. A human girl wondering how it all went so wrong. Don’t trust the humans. It’s a new sentiment among the fae. For most of his life, the few humans he’s known have been like family. So how does their entire world want those like Gullie destroyed? The secret is out. Fae exist and the humans believe Magic threatens their way of life. The once-fringe cult that has spent years terrorizing the fae—and killing any humans that got in the way—now has the backing of governments and the media. Their goal? Keep the fae out of our world. What they really mean? Destroy them all. Gulliver refuses to give up on the communities of fae scattered across human cities. And he’ll never give up on Sophie. Whether she’s taking up residence in the queen’s lavish Iskaltian rooms, or sitting by her father’s side as he plans to annihilate the fae, Gulliver has to reach her. He has to make her see there’s another way. There might be a tail coming from his behind. His eyes might be more familiar to a cat, and he might live in a world of vanishing villages and healing waters, but all Gulliver wants is for his home to remain safe and those fae who choose to make the human world their home to have that same safety. Even if he has to lose her to hate. Even if he has to face a warzone of bombs and guns, and the destruction of every taco he holds dear. The fate of both worlds is now up to him … magicless Gulliver O’Shea. Book 11 in the Queens of the Fae series brings us closer to a conclusion of this twisty, exciting, swoony Fae love story.

'Criminal Law' is written with the needs of the student foremost in mind to provide, more than ever, as modern and as comprehensive an exposition of the criminal law as he or she could possibly require.

With her parents on a trial separation, the last thing fifteen-year-old Juliana wants is to be dragged by her mother to an artists' colony in England. Halfway across the world, Juliana misses her father terribly. But soon she has bigger worries when the sleepy town of Blackthorn is set on its heels by the murder of one of its own. Juliana feels compelled to solve the crime, but she is shocked and frightened when she uncovers clues that have chilling parallels to her own mysterious past. Can she figure out who the murderer is before anyone else--herself included--gets hurt?

On paper, David Epslamowitz has it all. At only thirty years old, he is the proud owner of one the most successful hedge funds and resides in a posh three-story penthouse on the most prominent street in the Big Apple. He is known on the street as a devoted philanthropist renowned for his good-looks and obnoxiously infinite bank account. Nevertheless, David struggles internally for the balance of what truly inspires him while at the same time trying to fulfill his deceased fathers expectations. Ultimately he fills this void in the eyes of an alluring French actress and learns what truly fulfills him love. It seems that nothing can keep David from being with her but the closer he gets, the more it seems someone is trying to sabotage the relationship. Slowly, David discovers that not only is someone out to ruin him, but that he and those close to him are in extreme danger. Living in a suburb of the Big Apple since a teen, Viktor Kozlov became the most sought-after assassin, just like his father before him. Hes been hired by the government, the mafia and anyone who could afford him for his extraordinary ability to make his hits appear as accidental deaths. However, Viktor struggles for the balance of who he is and who he is destined to be until one day when an unusual client arrives at his house with an extra unusual request. Dont Bite the Apple is a suspenseful thriller that will keep you pleading for clues to solve the mystery of Davids fate. Fear, laugh and cry with David as the twists are revealed and you discover why, when, and who connects him to the most dangerous assassin in the world. This story epitomizes the question of what it is to be successful. Success is not measured by wealth; rather, it has to do with the difference between what you were born with and what you did with it. In that search for who you are, the greater your access to money, the more temptations that are available to you and those around you, especially in the Big Apple.

DigiCat Publishing presents to you this special edition of "Sagas from the Far East; or, Kalmouk and Mongolian Traditionary Tales" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.