Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Like his mother Queen Victoria, Edward VII defined an era. Both reflected the personalties of their central figures: hers grand, imperial and pretty stiff; his no less grand, but much more relaxed and enjoyable. This book conveys Edward's distinct personality and significant influences. To the despair of his parents, he rebelled as a young man, conducting many affairs and living a life of pleasure. But as king he made a distinct contribution to European diplomacy and - which is little known - to London, laying out the Mall and Admiralty Arch. Richard Davenport-Hines's book is as enjoyable as its subject and the age he made.

A riveting biography that vividly captures the life and times of the last Victorian king. To his mother, Queen Victoria, he was "poor Bertie," to his wife he was "my dear little man," while the President of France called him "a great English king," and the German Kaiser condemned him as "an old peacock." King Edward VII was all these things and more, as Hibbert reveals in this captivating biography. Shedding new light on the scandals that peppered his life, Hibbert reveals Edward's dismal early years under Victoria's iron rule, his terror of boredom that led to a lively social life at home and abroad, and his eventual ascent to the throne at age 59. Edward is best remembered as the last Victorian king, the monarch who installed the office of Prime Minister.

Why was Paris so popular as a place of both innovation and exile in the late nineteenth century? Using French, English and American sources, this first volume of a trilogy provides a possible answer with a detailed exploration of both the city and its communities, who, forming a varied cast of colourful characters from duchesses to telephonists, artists to beggars, and dancers to diplomats, crowd the stage. Through the throng moves Oscar Wilde as the connecting thread: Wilde exploratory, Wilde triumphant, Wilde ruined. This use of Wilde as a central figure provides both a cultural history of Paris and a view of how he assimilated himself there. By interweaving fictional representations of Paris and Parisians with historical narrative, Paris of the imagination is blended with the topography of the city described by Victor Hugo as ‘this great phantom composed of darkness and light’. This original treatment of the belle époque is couched in language accessible to all who wish to explore Paris on foot or from an armchair.