While still twelve years old, Janina Hescheles wrote this report from her hiding place in Cracow. She tells about the German occupation of her hometown Lvov, the loss of her parents, the ghetto and mass murder in the notorious labor camp Janowska. Thrown into the abyss of horror, Janina understood more than could be expected of someone her age.

The Sea Gull, Uncle Vanya, The Three Sisters, The Cherry Orchard, and Ivanov, plus 5 one-act comedies: The Anniversary, An Unwilling Martyr, The Wedding, The Bear, and The Proposal.

Five masterful dramatic works from one of the world's best-loved playwrights, including The Seagull—now a major motion picture starring Saoirse Ronan, Elizabeth Moss, and Annette Bening At a time when the Russian theatre was dominated by formulaic melodramas and farces, Chekhov created a new sort of drama that laid bare the everyday lives, loves and yearnings of ordinary people. Ivanov depicts a man stifled by inactivity and lost idealism, and The Seagull contrasts a young man's selfish romanticism with the stoicism of a woman cruelly abandoned by her lover. With 'the scenes from country life' of Uncle Vanya, his first fully mature play, Chekhov developed his own unique dramatic world, neither tragedy nor comedy. In Three Sisters the Prozorov sisters endlessly dream of going to Moscow to escape the monotony of provincial life, while his comedy The Cherry Orchard portrays characters futilely clinging to the past as their land is sold from underneath them. In this edition Peter Carson's moving translations convey Chekhov's subtle blend of comedy, tragedy and psychological insight, while Richard Gilman's introduction examines how Chekhov broke with theatrical conventions and discusses each play in detail. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

It was the last refuge of the desperate Jews-the warren of sewers underneath their city. Above, the Nazis implemented the destruction of their friends and relatives in a final Aktion against the ghetto in the Polish city of Lvov. A small band of Jews, however, escaped into the grim network of tunnels, there to live for fourteen months with the city's waste, the sudden floods that washed some of them away, the fumes and the damp, the rats, the darkness, and the despair. Their only support was a sewer worker, an ex-criminal who constantly threatened to leave them if they ran out of money. Many died; some of cyanide in mass suicide, some of falling into the rushing waters of the river, some simply of exhaustion. A baby was born and then murdered almost immediately. The group quarrelled, split into factions and threatened each other at gun point. The survivors found themselves at one point, trapped in a chamber filling to the roof with storm water. Yet survive they did, even infiltrating themselves into the camps above to find their missing relatives. When the Russians liberated Lvov, they emerged from the sewers filthy, bent double, emaciated, unrecognizable. When they opened their eyes their eye seemed blood red. Robert Marshall, author of All the King's Men, has written the harrowing story of the survivor's ordeal based on a long series of interviews and a hitherto private diary, creating a blazing testimony to human faith and endurance. In the Sewers of Lvov was the inspiration for Academy Award nominated In Darkness.

This adaptation by David Hare premiered at the Almeida Theatre, London in 1997 starring Ralph Fiennes This is a drama of a Russian landowner's half-farcical, half serious personal crisis as he plummets fast into domestic and philosophical chaos. The central scene concerns a debate between the landowner and the young doctor about honesty. The latter thinks that honesty is to do with blurting out offensive truths, whilst the former insists that no-one can acquire honesty unless they have the self knowledge to examine their own motives. By turns despairing and passionate, this play offers an insight into a robust young writer, exploring themes that were to interest him in his later plays.

Anton Chekhov The Major Plays Ivanov * The Sea Gull * Uncle Vanya * The Three Sisters * The Cherry Orchard “Let the things that happen onstage be just as complex and yet just as simple as they are in life,” Chekhov once declared. “For instance, people are having a meal, just having a meal, but at the same time, their happiness is being created, or their lives are being smashed up.” So it is that his plays express life through subtle construction, everyday dialogue, and an electrically charged atmosphere in which even the most casual words and actions assume great importance in his characters’ lives. This principle sets his plays apart from the rest, steering them clear of melodrama, and draws the audience into the lives of Chekhov’s colorful characters. Because of his adherence to realism, the playwright has been called an “incomparable artist of life.”* “What makes his work great is that it can be felt and understood not only by any Russian but by anybody in the world.”—*Leo Tolstoy With a Foreword by Robert Brustein and an Afterword by Rosamund Bartlett

In Kapusta, Moure performs silence on the page and aloud, writing "gesture" and "voice" to explore the relation between responsibility and place, body, and memory, sorrow and sonority. Here, poetry flourishes as a book "beyond the book," in a space of performance that starts and stops time. In Little Theatres, Ern Moure's avatar Elisa Sampedrn first spoke about theatre and the need for smallness in order to articulate what is huge. Sampedrn, who reappears in the translation mystery O Resplandor as the translator of a language she does not speak, vanishes later in The Unmemntioable when the split in human identity that results from war and displacement is acknowledged. Now, in Kapusta, the character E. is alone, in the smallest of spaces - the bench behind her grandmother's woodstove in Alberta. Here, E. struggles to face the largest of historical and imagined spaces - the Holocaust in Western Ukraine, and to understand her mother's silence at the sadness of her forebears, her "salt-shaker love."

The lush, sweeping story of a remarkable dancer who charts her own course through the tumultuous years of early twentieth-century Europe. Beautifully blending fiction with fact, The Chosen Maiden plunges readers into an artistic world upended by modernity, immersing them in the experiences of the era's giants, from Anna Pavlova and Serge Diaghilev to Coco Chanel and Pablo Picasso. From their earliest days, the Nijinsky siblings appear destined for the stage. Bronia is a gifted young ballerina, but she is quickly eclipsed by her brother Vaslav. Deemed a prodigy, Vaslav Nijinsky will grow into the greatest, and most provocative, dancer of his time. To prove herself her brother's equal in the rigid world of ballet, Bronia will need to be more than extraordinary, defying society's expectations of what a female dancer can and should be. The real-life muse behind one of the most spectacular roles in dance, The Rite of Spring's Chosen Maiden, Bronia rises to the heights of modern ballet through grit, resilience and fervor. But when the First World War erupts and rebellion sparks in Russia, Bronia—caught between old and new, traditional and ground-breaking, safe and passionate—must begin her own search for what it means to be modern.

Anton Pavlovich Chekhov (1860–1904) overturned the dramatic conventions of his day and laid the groundwork for contemporary approaches to directing and acting. Now, for the first time, the full lyricism, humor, and pathos of his greatest plays are available to an English-speaking audience. Marina Brodskaya's new translations of Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard not only surpass in accuracy all previous translations, but also provide the first complete English text of the plays, restoring passages entirely omitted by her predecessors. This much-needed volume renders Chekhov in language that will move readers and theater audiences alike, making accessible his wordplay, unstated implications, and innovations. His characters' vulnerabilities, needs, and neuroses—their humanity—emerge through their genuine, self-absorbed conversations. The plays come to life as never before and will surprise readers with their vivacity, originality, and relevance.

Originally published in Hebrew, this memoir bears witness to the systematic destruction of some 135,000 Jews in the Ukranian city of Lvov during the Holocaust. The author, a rabbi, escaped death because he was hidden by the Ukranian archbishop of the Uniate Catholic Church. His wife and young daughter were also given refuge, separately, in Catholic convents. The memoir covers the period from July 1, 1941, when the Germans occupied Lvov, to July 27, 1944, when the city was liberated. In the first part of the book, the author is living in the Jewish ghetto under increasingly dire circumstances; in the second part, he is imprisoned in a forced labour camp; and in the third part, following his escape, he is hiding under the protection of Metropolitan Sheptytskyi.