Season 10 continues here! Twilight Sparkle has sent our favorite fillies on a journey of outreach all over Equestria! But when Fluttershy, Pinkie Pie, Trixie, Discord, and Capper visit Abyssinia, their trip turns sour fast—they weren’t supposed to end up in jail! Good thing Capper’s old friends are pretty good cat burglars…

Beloved by young girls around the world, Hasbro's My Little Pony franchise has been mired in controversy since its debut in the early 1980s. Critics dismissed the cartoons as toy advertisements, and derided their embrace of femininity. The 2010 debut of the openly feminist My Little Pony: Friendship Is Magic renewed the backlash, as its broad appeal challenged entrenched notions about gendered entertainment. This first comprehensive study of My Little Pony explores the history and cultural significance of the franchise through Season 5 of Friendship Is Magic and the first three Equestria Girls films. The brand has continued to be on the receiving end of a sexist double standard regarding commercialism in children's entertainment, while masculine cartoons such as the Transformers have been spared similar criticism.

''Rainbow Dash's Very Bad Day'' A good day turns bad and Dash can't shake her bad mood. Before long, it infects all of those around her. What can cure this case of the grumpies?!

There's never a dull moment in Ponyville! The Cutiemark Crusaders hit the great outdoors with their class! Find out about the untold first meeting of Twilight and baby Spike! Rainbow Dash's grumpy mood starts to affect her friends. And, Pinkie Pie decides to make her very own comic book! Collects issues #38-42.

Pinkie Pie discovers a secret about Rainbow Dash...she hates pie! Will Pinkie be able to show Dash the wonders of everypony's favorite dessert, or will Dash turn the tables on her? Next, the Cutie Mark Crusaders have a new challenge when a young pony doesn't want to follow in her family's hoofsteps. Then, representatives of ponies, griffons, buffalos, changelings, dragons, and more meet at Mount Massive to discuss the future of the land! Collects My Little Pony: Friendship is Magic #59-63.

The ultimate fact book and journal for fans of Timothée Chalamet! Packed with fun facts, quick quizzes, and bonus pages for journaling, this is a must-have for any fan of Timothée Chalamet.

The Geeky Chef Strikes Back is your chance to finally drink Estus, nibble Seed Cakes, slurp White Dragon Noddles, and a lot more. The Geeky Chef is back with even more delicious, real-life recipes from your favorite sci-fi and fantasy books, movies, TV shows, and video games. Discover the foods you've always wanted to taste from realms like The Lord of the Rings and Harry Potter to The Legend of Zelda, Firefly, Minecraft, Final Fantasy, and more. In the Geeky Chef Strikes Back, author Cassandra Reeder has imagined the delicious foods in these faraway worlds and created recipes that are sure to transport you to galaxies far, far way. So if you've found yourself craving Pumpkin Juice from Harry Potter, Lingonberry Pancakes from The Big Lebowski, Norma's Cherry Pie from Twin Peaks, Wife Soup from Firefly, or the White Dragon Noodles from Blade Runner, then look no further. With easy step-by-step instructions and fun theme photos, these creative recipes are perfect for your next big viewing party or your standing reservation for a party of one. Fantasy foods are fantasy no longer!

Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment. This third edition is illustrated throughout with case studies of classic and contemporary programming from each genre, ranging from The Simpsons to Buffy the Vampire Slayer and from Monty Python's Flying Circus to Who Wants to be a Millionaire?. It also features new case studies on contemporary shows, including The Only Way Is Essex, Homeland, Game of Thrones, Downton Abbey, Planet Earth, Grey's Anatomy and QVC, and new chapters covering topics such as constructed reality, travelogues, telefantasy, stand-up comedy, the panel show, 24-hour news, Netflix and video on demand.

Brian from Family Guy is an atheist even though he has met Jesus and God several times. Peppa Pig won a BAFTA. In The Simpsons, Homer and Krusty the Clown were meant to be the same person. In SpongeBob SquarePants, Squidward isn't a squid. Teenage Mutant Ninja Turtles is a parody of the superhero, Daredevil. The makers of South Park can create an episode in two days. In Archer, Lana is nicknamed Shirley Temper, Monster Hands, Truckasaurus, and Spray + Pray. Scooby Doo was meant to be called Too Much. The actors of Dragon Ball Z regularly passed out from exhaustion while recording their lines. The person who created Avatar: The Last Airbender used to work on Family Guy. Poison Ivy only became a popular Batman villain after she debuted in Batman: The Animated Series. Daffy Duck's first catchphrase was, "Jiggers, fellers." Ed, Edd, 'n' Eddy was created on a dare. The first thing Mickey Mouse ever said was "Hot Dog!"

Cult Collectors examines cultures of consumption and the fans who collect cult film and TV merchandise. Author Lincoln Geraghty argues that there has been a change in the fan convention space, where collectible merchandise and toys, rather than just the fictional text, have become objects for trade, nostalgia, and a focal point for fans’ personal narratives. New technologies also add to this changing identity of cult fandom whereby popular websites such as eBay and ThinkGeek become cyber sites of memory and profit for cult fan communities. The book opens with an analysis of the problematic representations of fans and fandom in film and television. Stereotypes of the fan and collector as portrayed in series such as The Big Bang Theory and films like The 40 Year Old Virgin are discussed alongside changes in consumption practices and the mainstreaming of cult media. Following this, theoretical chapters consider issues of gender, representation, nostalgia and the influence of social media. Finally, extended case study chapters examine in detail the connections between the fan community and the commodities bought and sold. Topics discussed include: The San Diego Comic-Con and the cult geographies of the fan convention Hollywood memorabilia and collecting cinema history The Star Wars franchise, merchandising and the adult collector Online stores and the commercialisation of cult fandom Mattel, Hasbro and nostalgia for animated eighties children’s television